Tag: Baltimore Beat CLub

Doc’s Thumbs Up: Ashley Sierra’s Dummy Official Music Video

Lately, it’s been all about supporting and watching out for Baltimore Artist here on Doc’s Castle Media. In keeping up the momentum by sharing yet another local artist, the Doc’s Thumb’s Up for this week is Ashley Sierra’s Official Music Video for Dummy.

[Read Busting Out of the Barrel: How to Support Baltimore Artists]

Ashley Sierra was put on my radar in 2015 at the 2nd Annual Baltimore Beat Club event hosted by recording studio Line Up Room. She was one of the many freestyle artists to grace the beat club stage and leave a lasting impression. I have followed her on social media since, and look how she’s a feature on Doc’s Castle Media. 

Ashley Sierra’s Dummy is a song glorifying the Baltimore slang term. The word Dummy is of authentic Baltimorean culture. It’s defined in the Urban Dictionary as a word to address someone no matter the situation. “What’s Up Dummy” is a common greeting amongst Baltimoreans. Ashley also gives plenty of examples of how the word is used in the track. 

[Read How Baltimore Talks via Baltimore Sun.]

When asked where Ashley got the inspiration to create the song, she says from simply being a Baltimore native. “Dummy is a part of our slang. We say it to refer to a friend or comrade. I just wanted to introduce the world to some Baltimore culture, as well as make a visual statement about the current division in America to encourage reconciliation between America and D.O.C (descendants of slaves)” she shares with Doc’s Castle Media.

Ashley’s use of the word Dummy is catchy and captivating. Similar to her branding and artistic persona, the song gives off a “homegirl” vibe. That’s why it doesn’t come off as a surprise that Ashley’s song gives me thoughts of a friend who’s there to the end no matter what the situation or cause. A “dummy” is just that. The matter is that she’s lyrically painting her visual of comradery but also being first hand that representation, is awesome in itself.

The song Dummy, for me, is reminiscent of moments from my childhood. It makes me want to sit on my front porch similar to how I used to do in the 90s with the radio blasting and a bunch of my neighborhood friends, or shall we say “dummies,” vibing right along with me.

Dummy is from Ashley Sierra’s latest EP Noir Cycle which is available to stream and download on all major streaming services. Click here to visit her Link Tree.

Watch the official video for Dummy:

Dummy is one slang word Baltimore uses often. Can you name other popular Baltimore slang terms used as lyrics in songs? List them in the comments below.

Catching the Beat at Beet Trip Episode 60 (Photos)

Baltimore has some of the most unique artsy events any art lover could love. One worthy of being mentioned a second time on Doc’s Castle Media is the Open Mic Series named Beet Trip. This was not my first time attending Beet Trip, but my 3rd time and years later from when I first stepped into experiencing the open mic in 2014. Back then, Beet Trip was brand new, and when I first saw the name, I was turned off because I intentionally thought of the disgusting purplish vegetable beets, thinking it was some veganism attempt to push their health agenda to me using hip-hop. But I digress…

Beet Trip was established over five years ago by a group of beatmakers and rappers seeking to find a place where music artists could share their gifts over crafted beats created by local producers at a nontraditional open mic. Beats from the producers are heard for the first time, just like the freestyles from rappers who spit over the tracks. It’s a true “freestyled” event. For 6 years, the open mic series has ran in numerous art venues across the city.

I thought it would be nice to peek into the festivities to catch some of the vibes and check out some of the talents. It’s been so long since and spectatorship has definitely grown.

Gatherings like these are reminders for artists of the many possibilities and things they can achieve, even while it’s such a small event. Artists start off wanting to take part in something small because they believe in it. They participate in it because it’s an original idea. They support it because it looks cool. But we don’t realize how the pure fun of it manifests into opportunities for so many local artists creating names for themselves.

[Read about another open mic series in Baltimore called Baltimore Beat Club on Doc’s Castle Media.]

Beet Trip is where I discovered a style of rap called Basement Rap, a genre coined by a couple of local hip-hop artists, to name a few Butch Dawson and Zheep DZ, two artists who frequent attending and getting involved in Beet Trip over the years. Since taking part in the open mic series and collaborating with other local talents, the rappers build combined followership of over 24,000 monthly listeners on Spotify from just being their authentic Baltimore rapping selves and enjoying creating art.

Beet Trip Episode 60 was hosted by local talent Al Rogers, who’s currently making waves with his very own Ice Cream flavor that can be purchased at Baltimore ice cream shop The Charmery, artist & curator of underground collective showcase 808s and Sadbois Qué Paqueño, and rapper & founder of The NASA8 Bito Sureiya. All artists put in work or had some kind of influence in Beet Trip historically. It’s inspiring to see these guys continue to work hard to make ways for other talents that’ll come episodes later.

In Episode 60, I saw lots of new faces and lots of new artists paving a way for their manifestations. Make sure you check out Beet Trip’s Instagram to view more pictures of highlights from the night. 

What are some open mics you’ve attended in your hometown? Have you ever experienced something like this? Leave your comments below.

Doc’s Thumbs Up: Eze Jackson “Goals” Official Music Video

Baltimore rapper Eze Jackson released the visuals for his single to Goals mid-August, and I’ve finally gotten around to seeing it! Eze gets in our face about taking ownership of his crafts and surpassing all those people who “bluff” about what they do. Baltimore rapper and president of arts and entertainment brand Epic Fam tells us what he means when he envisions goals.

Watch the official video for Goals.

The first time I caught wind of Eze was in 2014 attending open mics around Baltimore City. But it was after I volunteered at Baltimore’s 2018 Artscape festival when I saw him perform Unapologetically Black, that I knew I was a fan of Eze’s music. His content has the ability for movement in people that not many artists can’t capture in their art. It’s also a rare commodity in “Baltimore Rappers,” and more generally, the crab artists of Baltimore City, as mentioned before in my blog series Quality vs. Quantity (Part 1): The Saturation of Wanna Be Artists In Baltimore’s Art Culture.

I wanted to share this video because it’s a humbling message to inspire moving in silence when working towards your goals.

The visuals in Goals look chaotic which brings my attention forward and alert. Words swarm across the screen. Silhouettes and images pop up in weird places. The video is everywhere. But as you listen to the lyrics and watch the video, all the same, you start comprehending Eze’s message. Everything is blah blah blah (means nothing) unless you’re really out here making things happen. This dude has tunnel vision for the chaos and “work” that other artists broadcast. He’s a veteran in his field with receipts to back up his accomplishments. The message is to hold what’s important to you, like your goals, at close range so that people who prey on your downfall won’t bring ill-will.

We all know that person who’s always blasting to the masses their next move. Or we know someone who gets way ahead of themselves blasting what they plan to do but never gets around to it. These people leave no room for mystery when it comes to what they have coming next, then ponder thoughts of why bad things happen or don’t happen at all. They leave room for their competition to plot and enemies to prey on their demise. It’s a rookie mistake. Honestly, do you see rap and hip-hop moguls like Diddy and Jay-z blasting their next business venture? Eze is making it known that that type of person isn’t allowed in his circle.

If you like the title track Goals, there is definitely more to come. Early October is the awaited release of the EP Goals; a masterful production brought to you by some of Baltimore’s great audio enhancers, one of the many who brought us the Baltimore Open Mic series event Baltimore Beat Club, Line-Up Room Production, Station North Sound and Mobtown Studios.

Do you have your calendars marked? Do you like this song? Leave if you’ll bump or pass this in the comments below.


Have you watched the video for the last Doc’s Thumb’s Up? Watch Doc’s Thumbs Up: Jai Ivy “I Know” ft. Luki Music Video Premiere on Doc’s Castle Media.

#BmoreBeatClub Celebrates 2nd Anniversary Outdoors In Front of Hundreds at Annual Festival (A #DocsCastle Recap)

The Bmore Beat Club lit the corner of Charles Street and North Avenue over the weekend with their 2nd Annual Celebration at The Ynot Lot. Hundreds gathered at the lot participating in festival activities by watching producers, rappers, and MC’s collaborate in a hip-hop experience unique to Baltimore’s Art Scene.

Bmore Beat Club is an open mic organized by The Lineup Room with a purpose of bridging relationships between MCs and producers. It’s not your commonly found Open Mic in Baltimore, either. At BBC, producers bring their best compositions to the forefront while rappers reveal their true lyricism in collaboration with producer’s beats. Everything is done on stage in front hip-hop fans. This unique experience takes you back to a time when hip-hop was first birthed in New York City, but BBC delivers with its own Bmore twist.

Over the weekend, locals made cameo appearances in celebration of BBC’s second year running. Baltimore artists such as DDM, Icon Tha God, Chase Ultra, Doowy Lloh, Donnie Breeze, and many more graced Ynot’s corner with a fiery presence and lots of thriving energy. The night’s turnout was beyond what was expected, and the crowd welcomed the raw talent with love and respect.

It was just a tiny hump during the show, but The Lineup Room continued to prevail. There were miniature electrical malfunctions that may have stolen 10 minutes of the festival’s time. But evening’s innovators turned downtime into time travel, as rappers quickly formed a circle center of the crowd sparking an old school cypher. It was a spectacular save, and the night was at hip-hop’s original state, once again.

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At that moment, the turn-up became real and electrifying performances of talent from different corners of the city showed everyone what they had to offer. In seeing all the positivity, there was no doubt the open mic was a success.

The Lineup Room awarded the winner of the open mic with an EP record deal, 100 CDs, music video, and public relations services. A great package for the determined and goal-driven recording artist.

The open mic ended promptly at 11 PM, but the celebration was far from over. Bmore Beat Club after party was held at The Crown, just 3 doors down from The Ynot Lot. So event-goers could mingle some more and not make huge commutes outside of the Station North art grounds.

Bmore Beat Club is an ongoing open mic held every second Thursday of the month. If you’d like to feel what an original hip-hop experience in Baltimore is like, be sure to stop by Maryland Art Place in downtown Baltimore for Episode 25 on September 8th. Stay updated with other opportunities by The Lineup Room by following their Facebook and Instagram page at @lineuproomstudio.

Did you know Bmore Beat Club Open Mic was not the first of event of its kind? Read about my experience attending Beat Trip on Doc’s Castle Media.