#BmoreBeatClub Celebrates 2nd Anniversary Outdoors In Front of Hundreds at Annual Festival (A #DocsCastle Recap)

The Bmore Beat Club lit the corner of Charles Street and North Avenue over the weekend with their 2nd Annual Celebration at The Ynot Lot. Hundreds gathered at the lot participating in festival activities by watching producers, rappers, and MC’s collaborate in a hip-hop experience unique to Baltimore’s Art Scene.

Bmore Beat Club is an open mic organized by The Lineup Room with a purpose of bridging relationships between MCs and producers. It’s not your commonly found Open Mic in Baltimore, either. At BBC, producers bring their best compositions to the forefront while rappers reveal their true lyricism in collaboration with producer’s beats. Everything is done on stage in front hip-hop fans. This unique experience takes you back to a time when hip-hop was first birthed in New York City, but BBC delivers with its own Bmore twist.

Over the weekend, locals made cameo appearances in celebration of BBC’s second year running. Baltimore artists such as DDM, Icon Tha God, Chase Ultra, Doowy Lloh, Donnie Breeze, and many more graced Ynot’s corner with a fiery presence and lots of thriving energy. The night’s turnout was beyond what was expected, and the crowd welcomed the raw talent with love and respect.

It was just a tiny hump during the show, but The Lineup Room continued to prevail. There were miniature electrical malfunctions that may have stolen 10 minutes of the festival’s time. But evening’s innovators turned downtime into time travel, as rappers quickly formed a circle center of the crowd sparking an old school cypher. It was a spectacular save, and the night was at hip-hop’s original state, once again.

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At that moment, the turn-up became real and electrifying performances of talent from different corners of the city showed everyone what they had to offer. In seeing all the positivity, there was no doubt the open mic was a success.

The Lineup Room awarded the winner of the open mic with an EP record deal, 100 CDs, music video, and public relations services. A great package for the determined and goal-driven recording artist.

The open mic ended promptly at 11 PM, but the celebration was far from over. Bmore Beat Club after party was held at The Crown, just 3 doors down from The Ynot Lot. So event-goers could mingle some more and not make huge commutes outside of the Station North art grounds.

Bmore Beat Club is an ongoing open mic held every second Thursday of the month. If you’d like to feel what an original hip-hop experience in Baltimore is like, be sure to stop by Maryland Art Place in downtown Baltimore for Episode 25 on September 8th. Stay updated with other opportunities by The Lineup Room by following their Facebook and Instagram page at @lineuproomstudio.

Did you know Bmore Beat Club Open Mic was not the first of event of its kind? Read about my experience attending Beat Trip on Doc’s Castle Media.

Alissa Feré 2015 EP “Song From Da Dugout” Artwork Finally Released

With less than two weeks away from my EP “Songs From Da Dugout” release, I am pleased to finally release the official cover artwork for my project to the public. The EP is expected to release March 21, 2015 via the Alissa Feré Bandcamp and Soundcloud music pages.

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Like many of my other projects, Briana Ragler was given the pleasures of handling majority of my visuals. Starting from taking on the responsibility of styling my creative persona to designing my cover of my first musical project, Briana, also known as recording artist Boutzie’, utilizes all her creative abilities to make sure Alissa Feré was ready for the world to take in. She was my photographer, stylist, and graphic designer.

Ayeee!

I’ve decided to take the Rebellious Rebel approach while working on my EP because Briana’s creative style is that “clear and clean” image I was aiming for that steers away from the average look associated with sports and hip-hop. I commonly see a more “rigid and rough” images used for things associated with both hip-hop and sports. Both are hard topics dominated by men, which I am not. So my thoughts for my project already being assumed as “hard” had to be challenged to seem more “fluffier” for Feré’s sake.

By creating a more cleaner representation for this project, I hope to promote interests that’s grabs the onlooker’s eye. I want my listeners to know from the moment they see the cover that there’s meaning behind being left in the Dugout for women. This clear and concise illustration captures the beauty behind what I believe this game we call love really is. It’s a cloudy, mysterious, dangerous, and very uneasy to understand, but it continues to be alluring, mesmerizing, and worth taking. Briana captured that we’ll in this very simply put work of art.

On top of it all, it’s very professionally presented. *applauds*

Along with the help from Baltimore artist FLuX, who’s the owner of the Baltimore brand The Dugout Dojo and the engineer of “Songs From Da Dugout,” I was ensured that each song would sound superb. I had no doubt about how my EP would turn out because listening to FLuX’s previous works, I was already blown away. (Listen to The Sky Is Blue by FLuX, here.)

The EP’s track listing is also finalized with six semi- complete songs ready for me to share.

  1. José (Liquor Talkn) ft. Boutzie (prod. Doowy Lloh)
  2. Rufus Bush (prod. mjnichols)
  3. Only You Ft. Quinn Shabaz
  4. Tonight (prod. Cmbeats)
  5. When The Stars Align ft. Leon Dominick (prod. Davinci)
  6. (Bonus Track): Pleasant Nightmares (prod. André 3000)

“Songs From Da Dugout” is expected to release this month March 21, 2015. For more updates on Alissa Feré, subscribe to Doc’s Castle Media social sites.

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View photos from my “SongsFrom Da Dugout” shoot on Doc’s Castle Media.