Baltimore Club Music Documentary Produced By Issa Rae and Directed by TT The Artist Now Streaming on Netflix

You could feel the spirit of K-Swift in the production in this one. Issa Rae, TT the Artist, and Nexflix come together to showcase Baltimore city’s club culture in Dark City Beneath The Beat documentary. 

Dark City Beneath The Beat initially premiered at the South by Southwest (SXSW) Music and American Black Film Festivals prior to the 2020 pandemic. The documentary premiered mid-April 2021 with a bang on Netflix while artists in Baltimore share in pride and excitement across their social media timelines opening weekend.

I can speak for many in Baltimore when I say we were a little skeptical of the documentary. It’s been years since I celebrated club music. I reminisce of my peak in embracing Baltimore’s club culture when I joined dance battles amongst my middle school classmates. I miss making up dance routines with my neighborhood friends. Those fun moments in my past that I associate with club music and viewed as a distant memory, aren’t as extinct to many artists like TT the Artist, DJ Mighty Mark, and DJ Blaqstarr.

It was in the early 2000s when the city lost its club music queen K-Swift. There are small glimpses of a rise of Baltimore’s club culture – back when K-Swift traveled and advocated nationally for house music prior to her passing. Without K-Swift, the aura is not the same. It’s like the people of Baltimore secretly get jealous of acclamations that other house music listeners from states like, for example, New Jersey claims “to being the land of the greatest club music, ever.” & Such claims are absolutely absurd, of course.

TT The Artist is a Baltimore city arts advocate and director of Dark City Beneath the Beat. She speaks about the hate she receives considered an outsider of Baltimore. Originally from south Florida, TT moved to Baltimore city and fell in love with Baltimore’s club culture while attending the Maryland Institute College of Art. When she left to pursue dreams in Los Angeles, she exited carrying with her the precious sounds of the Baltimore club mix to push an evolution. TT saw something magical. She felt that club music and dance were too good to keep confined to the streets and people of Baltimore city. She sees a culture that uplifts a community that also needs to be uplifted in return. So she created this documentary.

About the Film

The artists featured in the film have the charisma to share with the world what Baltimore’s club culture is about. What I and many other people lack is the knowledge of how they do this. The film sheds light on groups and organizations working to keep the Baltimore club music culture alive. Viewers learn a brief history of club music, the names of staple icons, such as dancers, singers, and producers, in the current Baltimore’s club music scene, and soak up the essence of feeling Baltimore’s original beat. The documentary isn’t so caught up on historical breakthroughs in club music by highlighting influencers that we so often hear of like the well-known Frank Ski, Rod Lee, and Ms. Tony. Rather we learn about influencers in the culture today. A new list of artists comprised of dancers and community leaders like Uneek and Tsu Terry.

I gave the documentary a shot the morning it premiered on Netflix and wasn’t disappointed. I had faith in it doing well so I support it. It stands as a good representation of what Baltimore club music does for those who live here. It’s not so prevalent in my lifestyle as it once was for me as a child, but the beat still speaks to me whenever I do hear Baltimore club mix. It’s near impossible to watch the film without doing the crazy legs or sexy walk in my chair. It should be the same for anyone who’ll stream the film on Netflix. I encourage others to give it a shot, too.

Overall the film gets a Doc’s Thumbs Up because TT The Artist served her purpose well. She paid homage to Baltimore and forged a visual representation for a famous Baltimore art subculture. She works her ass off helping to pave a lane for this art. The film is beautifully done. I commend her and everyone involved in the production of Dark City Beneath the Beat. It deserves to be celebrated.

Watch Hey Baltimore! Produced by Kariz Marcel and written by Rufus Roundtree and Eze Jackson.

This song was featured and can be streamed via the Dark CityBeneath the Beat soundtrack.

Do you have a favorite Baltimore club song? Leave your answers in the comments below.

#BmoreBeatClub Celebrates 2nd Anniversary Outdoors In Front of Hundreds at Annual Festival (A #DocsCastle Recap)

The Bmore Beat Club lit the corner of Charles Street and North Avenue over the weekend with their 2nd Annual Celebration at The Ynot Lot. Hundreds gathered at the lot participating in festival activities by watching producers, rappers, and MC’s collaborate in a hip-hop experience unique to Baltimore’s Art Scene.

Bmore Beat Club is an open mic organized by The Lineup Room with a purpose of bridging relationships between MCs and producers. It’s not your commonly found Open Mic in Baltimore, either. At BBC, producers bring their best compositions to the forefront while rappers reveal their true lyricism in collaboration with producer’s beats. Everything is done on stage in front hip-hop fans. This unique experience takes you back to a time when hip-hop was first birthed in New York City, but BBC delivers with its own Bmore twist.

Over the weekend, locals made cameo appearances in celebration of BBC’s second year running. Baltimore artists such as DDM, Icon Tha God, Chase Ultra, Doowy Lloh, Donnie Breeze, and many more graced Ynot’s corner with a fiery presence and lots of thriving energy. The night’s turnout was beyond what was expected, and the crowd welcomed the raw talent with love and respect.

It was just a tiny hump during the show, but The Lineup Room continued to prevail. There were miniature electrical malfunctions that may have stolen 10 minutes of the festival’s time. But evening’s innovators turned downtime into time travel, as rappers quickly formed a circle center of the crowd sparking an old school cypher. It was a spectacular save, and the night was at hip-hop’s original state, once again.

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At that moment, the turn-up became real and electrifying performances of talent from different corners of the city showed everyone what they had to offer. In seeing all the positivity, there was no doubt the open mic was a success.

The Lineup Room awarded the winner of the open mic with an EP record deal, 100 CDs, music video, and public relations services. A great package for the determined and goal-driven recording artist.

The open mic ended promptly at 11 PM, but the celebration was far from over. Bmore Beat Club after party was held at The Crown, just 3 doors down from The Ynot Lot. So event-goers could mingle some more and not make huge commutes outside of the Station North art grounds.

Bmore Beat Club is an ongoing open mic held every second Thursday of the month. If you’d like to feel what an original hip-hop experience in Baltimore is like, be sure to stop by Maryland Art Place in downtown Baltimore for Episode 25 on September 8th. Stay updated with other opportunities by The Lineup Room by following their Facebook and Instagram page at @lineuproomstudio.

Did you know Bmore Beat Club Open Mic was not the first of event of its kind? Read about my experience attending Beat Trip on Doc’s Castle Media.