Baltimore Artists Expose CM.Ball Festival Organizer as Scammer Bringing Awareness to Fraudulent Business Practices and Misogyny

The 5th Annual CM Ball Music Festival was cut short after the owner of CM.Pops Ky McCoy’s mistreatment towards Saxophonist Rachel Winder post her scheduled Saturday night performance at the culture festival. Days later, a social media protest emerges bringing awareness to allegations of fraudulent practices and misogynistic abusive behavior against female performers of the festival. Spoken word poet Maya Camille and artist Amorous Ebony support artists in a Cash App campaign to pay performers not compensated for their participation in the event.   

Just short of a week following the blow-up of the Stardust Music Festival, Baltimore women speak out about abuse in the Baltimore arts community at another music festival held during Labor Day weekend. Allegations of fraudulent business practices by McCoy emerge on social media days after artists flock to social media with feedback of the culture festival. Maya Camille, the activist, and representative for Rachel Winder published a series of tweets outing abusive and dismissive business practices with the event’s promoter.

http://www.instagram.com/p/CTzsFmiphWS/?utm_medium=copy_link

The CM.Ball, as stated on the website, is “an annual celebration of Baltimore creators and entrepreneurs presented by food startup cm.pops.” It’s a complete DIY community-based art project in its 5th year taking a stance to educate on health, environmental, and social issues while stimulating the economy of small businesses and artists. A few Baltimore artists to perform at the CM.Ball in previous years is Blaqstarr, Kotic Couture, Ducky Dynamo, Baby Kahlo, Miss Kam, and many more Baltimore-based talent.

Maya calls Ky McCoy out to be a con via her Twitter. “CM Ball is a scam. Ky doesn’t pay artists. He is a disrespectful, unprofessional, who uses the iota of clout he has to scam artists,” she shares in her first tweet about business handlings with McCoy. She tweets nine days after Rachel Winder and numerous other artists were not paid for their performances. Maya also shares that McCoy blocked her and Winder as followers from the CM.Ball Instagram account when contacted about payment. She further explains on her Instagram McCoy’s belligerent behavior during the event. 

Ray Winder retweets Maya saying McCoy is “a true scammer and doesn’t know how to treat artists.” She follows up in another tweet a picture of McCoy. “This dude is a heartless and Spineless scammer. He’s blocked by several other artists. But He doesn’t know it’s not that simple.”

Maya and Winder’s disclosure of a scam artist sparked a wave of concerns from other performers that weekend. Some artists share their personal reviews via their social media accounts. Cash Liss, the founder of Tortilla Gurl, a small black Baltimore artist collective devoted to covering local artists in Baltimore’s arts scene, published a text conversation with McCoy to her Instagram Story. The conversation was a response after contacting McCoy about her payment. The conversation was later shared on singer and producer :3ION’s Twitter account. 

This public mishandling led to a “Cash App Roll Call” for artists not compensated for working the CM.Ball Music Festival. Maya led the campaign to raise money for Winder. A number of artists went to action sharing each other’s social media handles in support of the profit they lost. Cash Liss gave thanks to the artists who supported her in her hesitation to share her personal account with McCoy.

Say Her Name Coalition is a foundation that prides itself in “continuing the work of affirming, empowering, uplifting and fighting for the visibility and livelihood of Black women and femmes.” As stated on their website, “they seek to smash respectability politics, patriarchal and white supremacy systems, misogynoir.” When Amorous Ebony, activist, and founder of Say Her Name Coalition, caught wind of the debate between Cash Liss and McCoy, she expressed with us in an email, she personally reached out to Cash Liss to donate payment towards her performance “after seeing the disgusting texts.” 

We contacted McCoy for comments about the social media protest, and when or whether artists will receive payment from CM.Ball. Doc’s Castle Media is yet to receive a response.

How To Support Black Women and Femmes in Baltimore Community

We wondered if there would be future efforts to raise money for helping artists impacted in situations like this. Ebony shares with us she’s “open with connecting and organizing to support them with a separate fund.” There currently are no campaigns with the organization specifically for artists impacted by this incident. In the meantime, the Say Her Name Coalition is a great place to start if you’re looking to support Black women and femmes facing similar challenges. It is their mission is to end violence against Black women and femmes within this city!

Support the Say Her Name Coalition. 

#PrayForLove: Baltimore Women Demand You to Speak Up Against the Sexual Abuse in Baltimore Arts Community

Article Updated: September 13, 2021

Labor Day weekend Basement Rap Artist Butch Dawson celebrated the release of the album Stardust. The Stardust Music Festival took place at the YNot Lot. However, the celebration was short-lived as protesters put a halt to the event speaking out against Karlos Locke, alleged sexual abuser of 20 women within the Baltimore arts community. 

A video surfaced on Twitter and retweeted over 120 times, of performers demanding protestors leave the music festival for the disturbance. Protestors are seen in the video holding a white sign with red lettering that says “1 Man + 20 Victims.” Protestors called to bring awareness to sexual assault in the Baltimore arts community. Karlos Locke, former manager for Butch Dawson and numerous other artists under the Basement Rap label, is the alleged rapist in over 20 Baltimore women accusations. 

Numerous other videos surfaced on social media displaying disorderly conduct and commotion amongst the crowd. In one video, Butch Dawson is seen provoking violence towards demonstrators saying “I ain’t got nothing to do with no motherfucking rape….Y’all doing all this performative stupid ass bullshit…. If y’all don’t want to support me, don’t support me. Anybody say something negative, pop one of these motherfucker, yo.” A supporter of the protests yells “stop gaslighting,” as a response. Another video raised concerns of safety as one individual on the stage was seen flashing a weapon towards the crowd. The event ended early due to the disruption. 

http://www.instagram.com/p/CTdPFWeLG4w/?utm_source=ig_web_copy_link

Later, Basement Rap states the artist flashing the gun to the crowd as a non-affiliate to the label in a photo published to their IG Story.

Butch Dawson’s Apology

Two days following the Stardust Music Festival, the Basement Rap brand released a public announcement addressing actions that took place that evening. 

Butch Dawson also released a statement further apologizing for how he handled events that occurred that evening, disassociating his affiliation with Karlos Locke and the CMND Group, and apologizing to all the women in his life. He, later in the week, deleted the video along with remaining photos on his Instagram page.

Source: Butch Dawson’s Instagram

DMV Artists affiliated with the free festival apologize for the position they played during the protest. Miss Kam and Detranada published video apologies to their social media channels while artist Kelow Latesha and numerous other performers personally reached out to supporters of the event regarding how they responded to the protest during the show. Journalist and creator of A Ride Down 95 Kosso is spotted in a video shoving one of the protestors on stage. He also released an apology video. Later in the week, he deleted the video from his Instagram profile.

Source: comment under a supporter’s Instagram post.

Baltimore Curators Speaking Against Sexual Assault in Baltimore

Following the commotion, at the Ynot Lot Saturday evening, event curators and small businesses in Baltimore Station North Arts District postponed shows and made public stances on their social media accounts to stand in solidarity with those silenced and to find solutions that’ll resolve conflicts inflicted upon underrepresented communities.

Mia is the co-founder of Invisible Majority, a “Baltimore-based creative community incubator providing space, services, and support to Baltimore’s independent creative business community.” She often shares her opinions via her social media channels. In her video shared on her business Instagram profile, she shares her support with those who were silenced at the Stardust event. Mia talks about supporting the women in the movement brave enough to stand against sexual abuse, the importance of holding people accountable when wrong is being done, and why this is such a vital time to ensure that we stop injustices brewing in the art scene.

http://www.instagram.com/tv/CTgQuXpDmeh/?utm_medium=copy_link

City Beach, a group of artists and event curators known for the Pretty Beach and Heathen Beach Drag Shows, postponed the Strange Family Variety Show to use as a time of reflection. Curators will use the time to send surveys to supporters in the Baltimore Arts community for feedback in order “to hold themselves accountable as event curators, space holders, and humans in this city to ensure that moving forward [they] can be a safe and secure space for everyone to feel heard and welcomed.”

http://www.instagram.com/p/CTlCxH5MPjK/?utm_medium=copy_link

Previous Doc’s Thumbs Up feature Kotic Couture publicly announced their break, as well, deciding to pause performances and withdraw from the majority of their upcoming bookings. 

Sexual Abuse is Unacceptable

How unfortunate it is to write about a #MeToo moment in my very own neck of the woods. It’s unfortunate, but not surprising because the majority of women face sexual assault, especially in the professional environment. There’s no exception to the Baltimore arts community. There is no right or wrong way, or time, for exploiting intolerable and inappropriate behavior such as sexual abuse. Silencing someone’s choice to speak out against it does more detriment to an individual’s mental health than finding a resolution. Seeing the protestors brutally treated as if their words are falling on deaf ears is an outrage! 

As a woman myself, I can speak as a victim of sexual abuse throughout my working career. I stand with the women silenced during the Stardust Music Festival. I understand that I have a platform I can bring awareness to this injustice that these 20 victims and many other women face. This is why I chose to document the demonstration using Doc’s Castle Media. It’s important that women, AND MEN, speak up and use available resources to spread the word about sexual assault to stop biases and corruption within the arts community.

I am not associated with the protest that took place during Stardust, but I am a listening ear to those ignored. Sexual assault is unacceptable. It is intolerable. All in all, abusers must be held accountable.

What do you think? How can we make sure that the Baltimore Arts Community has the resources for victims of sexual abuse? Leave your thoughts below.

Alcohol Lamps Now Available in Tipsy Decor Collection on Doc’s Castle Online Art Store

I briefly covered some of this in What’s Up Doc: Where Have I Been and Hair Diary Vlog. I gave you the basics of the past, present, and what to expect in the future for Doc’s Castle Media. One of those things is the introduction to the Doc’s Castle Tipsy Decor & Art Store. Doc’s Castle, LLC now sells alcohol lamps as part of my Tipsy Decor Collection and Tequila Tasting Art Experience.

I’m highlighting myself today, duh!

I was not lying when I said you will see more of ME on Doc’s Castle Media. I’ve spent the last year revamping and rebranding the website to share more of what I’ve been up to offline – not just sharing current events or talking about what’s happening around me. 

In my absence from blogging in 2018, I submerged myself in rediscovering an old passion of mine. Painting, drawing, and many other forms of art became my calling during the depression. DCM Readers from 2018 could probably see a shift in topics covered at that time from being the majority about underground hip-hop in Baltimore swiftly changing to highlighting art exhibitions and museums. This was slightly before the craziness of my website crashing. 

A list of mentionable posts while Doc’s Castle, LLC was transitioning:

Not only did I start writing about the visual arts, but I also started an art blog via Instagram named @DocsCastlePix where I shared personal pieces to get away from the stresses of writer’s block and depression. I began sharing some of my old graphics and flyers. I didn’t tell people I created an art blog because I only used it as a virtual gallery of what I like to see of my own work. But we all know what Instagram and Facebook do. The power rests in algorithms and friend suggestions. My family and friends started following my page when they discovered I was posting art. Now I have over 220 followers watching me post creations from my art lab. 

Tipsy Decor by Doc’s Castle, LLC

Busy Doing Nothing Podcast is my biggest motivator for the Tipsy Decor Collection. I spent many Saturday nights drinking while recording for the BDN podcast numerous brands of wines and spirits. Many of those times I was caught admiring the appeal of the bottles featured on the show. Eventually, I thought to take a bottle home with me to make into a vase for my new home.

Once this was just a personal interior design project for my new home, later it turned into a plethora of bottles to showcase and share with friends I like to drink with. Decorative vases, stress bottles, lamps, and keychains are just to name a few things I’ve stumbled across creating all this alcoholic art during the Covid-19 pandemic. It is so much it’s to the point I don’t know how to share them all. I often try to find ways to get rid of them. Hosting my first tequila tasting was a start to a brand new awakening for Doc’s Castle, LLC. My next goal was to create an Art store to keep everything.

[Visit the Doc’s Castle, LLC Art Store]

Tequila Tastings

In early 2021 I invested in obtaining a bartender’s servers certificate. Though it’s not required in the state of Maryland, I am now certified under the TiPS Alcohol Certification program to serve at any bar in Maryland. But I probably won’t serve at just any bar here. I have reservations to serve the majority of different variations of tequila; a tequila bar exactly. I’m taking an interest in the alcohol industry but in my own little way.

Merging Tequila Tastings and Tipsy Decor, Doc’s Castle, LLC hopes to bring people that enjoy art and tequila together in celebration of a good time. I created a new art extravaganza giveaway experience and paired it with a cocktail class. I’m your catador serving you tequila while you win custom-made alcoholic decor, and because you’re having fun, I can guarantee you’ll walk away with a memory that’s one of a kind and possibly a new appreciation for this rich spirit.

Juneteenth Doc’s Castle Tipsy Decor & Art Store Appearance

Doc’s Castle, LLC’s official online art store is now open. We offer a mod podge of things Doc loves. Signature party drinks for small gatherings, magnets, keychains, lamps, and more. We’re now ready to take your orders. It’s not a grand opening as I expected. There were a lot of delays and setbacks. Instead of opening in Spring 2021, I tried my best to open before the summer. But still, it’s not a grand opening. Hopefully, I can do Doc’s Castle, LLC that justice later. We’ll do what we can at the moment.

For now, Doc’s Castle, LLC will pop up at the 5th Annual Juneteenth Dovecote Cafe Art Bazaar. This is the second vending event for Doc’s Castle, our first was over 8 years ago at the 2011 Body and Soul Salon & Spa Annual Back to School Drive. This time around, along with 80+ other art vendors, we’ll have a table that showcases custom decor and visual art created by us. I’ll promote Doc’s Castle Media and give everyone who stops by the booth a piece of what’s new that I have to offer. This will be the first of many to come participating in art festivals and pop-up shops.

There’s a lot to look forward to coming from Doc’s Castle Media. We’re evolving into more than just talking about the dope people around town. Doc also has a talent to share. I hope to merge everything that I’m learning about the alcohol industry with everything that I’ve grown to love about Baltimore’s art culture. I hope to use these to create even more opportunities for this art culture in the city.

Are you looking to sponsor vending events or collaborations with Doc’s Castle, LLC? Visit our contact page and send your pitch!

Catching the Beat at Beet Trip Episode 60 (Photos)

Baltimore has some of the most unique artsy events any art lover could love. One worthy of being mentioned a second time on Doc’s Castle Media is the Open Mic Series named Beet Trip. This was not my first time attending Beet Trip, but my 3rd time and years later from when I first stepped into experiencing the open mic in 2014. Back then, Beet Trip was brand new, and when I first saw the name, I was turned off because I intentionally thought of the disgusting purplish vegetable beets, thinking it was some veganism attempt to push their health agenda to me using hip-hop. But I digress…

Beet Trip was established over five years ago by a group of beatmakers and rappers seeking to find a place where music artists could share their gifts over crafted beats created by local producers at a nontraditional open mic. Beats from the producers are heard for the first time, just like the freestyles from rappers who spit over the tracks. It’s a true “freestyled” event. For 6 years, the open mic series has ran in numerous art venues across the city.

I thought it would be nice to peek into the festivities to catch some of the vibes and check out some of the talents. It’s been so long since and spectatorship has definitely grown.

Gatherings like these are reminders for artists of the many possibilities and things they can achieve, even while it’s such a small event. Artists start off wanting to take part in something small because they believe in it. They participate in it because it’s an original idea. They support it because it looks cool. But we don’t realize how the pure fun of it manifests into opportunities for so many local artists creating names for themselves.

[Read about another open mic series in Baltimore called Baltimore Beat Club on Doc’s Castle Media.]

Beet Trip is where I discovered a style of rap called Basement Rap, a genre coined by a couple of local hip-hop artists, to name a few Butch Dawson and Zheep DZ, two artists who frequent attending and getting involved in Beet Trip over the years. Since taking part in the open mic series and collaborating with other local talents, the rappers build combined followership of over 24,000 monthly listeners on Spotify from just being their authentic Baltimore rapping selves and enjoying creating art.

Beet Trip Episode 60 was hosted by local talent Al Rogers, who’s currently making waves with his very own Ice Cream flavor that can be purchased at Baltimore ice cream shop The Charmery, artist & curator of underground collective showcase 808s and Sadbois Qué Paqueño, and rapper & founder of The NASA8 Bito Sureiya. All artists put in work or had some kind of influence in Beet Trip historically. It’s inspiring to see these guys continue to work hard to make ways for other talents that’ll come episodes later.

In Episode 60, I saw lots of new faces and lots of new artists paving a way for their manifestations. Make sure you check out Beet Trip’s Instagram to view more pictures of highlights from the night. 

What are some open mics you’ve attended in your hometown? Have you ever experienced something like this? Leave your comments below.

The Lost Kings Series Premiers at Baltimore’s Charles Theater July 24th

Has Baltimore found it’s new Wire series? It’s possible to say after viewing the premiere of the Lost Kings Series this week at the Charles Theater July 24th.

Terrence Smalls, director at 89 Crowns and writer of the independent film, may be onto something with his new series because it’s been a long time coming since Baltimore had such rich production embedded with its culture. In Lost Kings, Smalls shares his perspective of the city trenches, finally giving a glimpse of the inside from an insider of Baltimore City.

Any Baltimorean can tell the world is ready for more insight into how we live our lives whenever our radar flashes anytime tourists compare the lifestyle of the residents in Baltimore City to actors in the phenomenal HBO Series The Wire. Watching the Lost Kings at its premier made me realize it could have the same potential. From people’s accents to the infamous dirt bike riding in Baltimore streets, this fictional story portrays our city life artistically instead of, in recent years, the common factual documentary.

Through Smalls’ enactment of Max, played by Baltimore’s dirt bike Wheelie Queen, we watch her journey to avenge her brother’s death and thrive in an arena full of corrupt men. According to the premiere’s Facebook e-vite, Lost Kings’ purpose is to “bring Baltimore Culture to the forefront, while also highlighting and examining factors that contribute to psychological trauma.”

The film did great in portraying its purpose. Many artists throughout Baltimore’s art scene had a part in the production of the film. So it was easy to pick up on the city’s culture naturally as we watch the native actors. The film also highlighted characters having Post Traumatic Stress in situations highly aggravating and aggressive.

The series premiere is broken into 3 chapters in a total length of 30 minutes. It didn’t feel like 30 minutes at all with its many break in-between scenes acting as identifiers for the audience to refresh their attention on a new direction the story will take lead. We can see Smalls create a signature of his artistry while implementing this playwright style into the first episode. It also sets the series apart from independent “hood films” of its time, labeling a little more cinematic than that of what I can find “googling” indie hood films or come across on YouTube. So let’s say in three chapters Baltimore’s rawness is indeed depicted authentically and successfully in a swift 30 minutes.

I also did my part as I was a production assistant for the film, which is always great. Woo! I enjoyed having met many of the cast a crew since last year in 2017 at the start of shooting. Other participants in the production took to social media to share that they felt the same.

Terrence Smalls shares his appreciation for the turnout of the Lost Kings Premiere:

Justin Moten posts a picture with other cast members.

 

Hell of a time last night with my cast mates @bmore_lucky_lilman @justcallme_smoove

A post shared by jmo1305 (@jmo1305) on


Ramona Rideout shares a scene of her character at the premiere:

 

OMG 😯…..seeing myself on the screen in the #movie #theater for the VERY FIRST TIME!… Was thee #BEST feeling in this whole world !!!! Lol I can’t even type the words on this screen to explain … there’s only one way from here to go…👆🏽UP ….I pray I work and I don’t give up 🙌🏽 #thankgod #alwaysbegrateful This project involves so many AMAZING people but @tonyasays you are the real #MVP and @4th.eye.diaries there’s no other like you… you guys are the epitome of #friends turned #family #lostkings #2018 Annnnd @smallroomzsuck @36seagulls this project is so freaking dope Annnnnnnd I couldn’t have done it without @bmore_lucky_lilman guidance and greatness! And I had awesome scene partners @jmo1305 ! Lol this was just so great !

A post shared by Ramona Rideout (@rideout365_) on

Does the Lost Kings series look like a series that you’d tune into? Leave your comments below.

If you missed out on the Lost Kings Series first premier, you have the opportunity to check it out really soon. The producers are expecting for the Lost Kings Series second premier to be held this August 2018.

The Summer Solstice Gathering: Food Truck Rally in The Rotunda Baltimore Showcases the Food Truck Festivals are Becoming A New Wave

The Rotunda Baltimore threw a mini block party in front of Cinébistro for food truck lovers at The 2018 Summer Solstice Gathering. Over hundreds came out showing their support for their favorite caterers while many were also there being introduced to new cuisines.

Click here to view the office Facebook E-vite.

It’s not foreign for me to spot a food truck anywhere in Baltimore City during the summer months. I’m always attending entertainment and art festivals because of the nature of my job. I’ve come to the conclusion that it’s basically THE season for celebrating festival dishes. So I had to do a special blog dedicated to what I catch myself getting involved in supporting every year.  

I’ve eaten from a number of the food trucks present while attending other festivals. But I have never seen such presented as if I was entering a little community full of nothing but mobile eateries. It was like going to a food court at your local mall except it was outside. People could walk straight to the counter at the window, view all the choices on the menu, and order away.

I had a smorgasbord of delicious delicacies of all sorts. If you mesh a bunch cultures together in one space, you’ll run into people of all different backgrounds enjoying tastes from around the world in a small cul-de-sac. Just to name a few of the trucks at the gathering were Deedle’s Mini Donuts, Taco Bar, Bistro Lunch Box, Mexican on the Run, Greek on the Street, and many others.

Even in the rain people came out to get what their taste buds couldn’t resist. The gathering was scheduled to go on through both rain and shine. Tents were set up to fit any occasion. For this day, it was to shield people from getting wet. The turn out remained notable and people continued to show their satisfaction with what was happening.  

The food was great! I had Bistro Lunch Box Old Bay fries, which is exactly what it states it is; a basket of french fries smothered in Old Bay seasoning and Vinegar. Also, I ate some delectable Curry Lamb from Bombay Kitchen. My best friend who came along with me to the festival had Shrimp tacos from the Taco Bar and Fruity Pebble Donuts from Deedle’s Mini Donuts.

Overall the food truck festival was great! Since this is a season where independent mobile caterers can thrive, there will be more Food Truck Festivals to come. That includes festivals like the Nextival Food Truck Festival held at the Anne Arundel Fairgrounds July 12th through the 15th and  Trifecta Food Truck Festival that will be held at the Maryland State Fairground on July 28.

Support the Food Truck Wave!

Support a young Black Baltimore Artist today with her dreams to open her very own food truck! Chef Kierra is an aspiring local culinary artist seeking donations for her food truck start-up! Help Donate to her Best Mobile Catering Service Campaign “Food Truck In Atlanta” via her GoFundMe.

Chef Kierra has awesome food. I tried a few dishes while attending collaboration events with the Mini Hip-hop Museum. One of her delicious meals I’ve had the pleasure of taste testing was fish nachos. Mmm, mmm good.

Have you ever attended a Food Truck Festival? Tell us about your experience in the comments below!

Remember when I attended Baltimore’s First Ever Fashion Truck Rally? Read “” on Doc’s Castle Media.

Light City Baltimore 2018: A recap of its 3rd year exhibitions (Gallery)

Light City Baltimore came back bigger and better for 2018. I’m so glad to say that I decided to be apart of everything, too.

I volunteered my free time to be a social media volunteer for Light City and it was quite an experience. Instead of spending one night looking at the exhibits, I spent four nights seeing how different people interacted with each crevice and corner of the popular light festival.

My job along with numerous other volunteers was to capture the evenings’ glory moments. Whenever we saw people enjoying the night, we’d snap photos to share on the Light City social media channel to encourage people who weren’t in attendance to come down. I believed it was a strategy that worked because the outcome was phenomenal. Opening night attendance was so overwhelming, there were rumors of physical altercations swarming the Internet before the night was over.

A long line for Funnel Cake

Last year’s Light City was rainy for me so a lot of pictures were hit and misses. But this year, I had enough practice and sunlight to get a little bit of everything going on.

My favorite spot to shoot was Club Light City, which was the designated area for House, EDM, and Hip-hop artist and dancers to perform throughout the night. So many talented people showed up at this stage sporadically and unannounced. The idea of it being majority freestyle acts made me more intrigued by the area. The section was a party. I spent a lot of my time in the area.

Local DJs, like DJ Who and Kariz Marcel, had the party started. I posted via my Instagram a video of Baltimore dancers performing to music producers Kariz Marcel. I also got some great photos of DJ Who jamming to his own mixes.

http://www.instagram.com/p/Bh_v5SeHEZp/?taken-by=docscastle

DJ Who mixes at Club Light City

My favorite exhibit would have to be awarded to As of Now.

I loved the message behind this art piece because it pays its respects to the history of Baltimore’s black urban community and what it’s like being black owning a row home. In As of Now, Elissa Blount Morehead screenplays a three-generation Black Owned household in a sum of 3 acts. We see a black father, a black mother, and a black son live throughout multiple decades and giving us an idea of an average day-to-day living.

Other exhibits at Light City 2018 were eye-catching, but those that can provoke a deep resignation feeling were big in their presentation like Kelley Bell’s The Herd. A community of inflatable floaties in the not so healthy Baltimore Inner Harbor aims to represent the harbor being a no-swim zone because of its toxic state. What’s supposed to bring folks attention is the fact that the floaties are empty. Nobody is swimming in them.

I took photos of other pieces from artists. View the gallery below.

Did you get a chance to visit Light City this year? Share some of your experiences and photos in comments!

Check out the gallery of Light City Baltimore 2017 on Doc’s Castle Media.

 

Doc Attends the 2018 American Art Craft Show at the Baltimore Convention Center (Gallery)

Thanks to one of my nine-to-five jobs, I was able to attend the 2018 American Art Craft Show held at the Baltimore Convention the last weekend in February. It was amazing and very inspirational being in the presence of “real” artists.


I work as a promotions assistant at Entercom radio for the 80s, 90s, and today’s pop hits station Today’s 101.9. My job had the pleasure of being press at the craft show on Saturday morning. We did our usual at the show; assist our radio personality Fran Lane with the spinning wheel and gift giveaways. So I didn’t do anything that was out of the norm workwise. But I’m grateful, to say the least, that I was working in surroundings in which capacity I’m not familiar.
When I go to these events with my job, we have only a few moments where the promotion staff can walk away to take a look at what’s happening throughout the show. But this time our press appearance was only for 2 hours. So I didn’t have the time to see what the featured artists had to offer until later in the afternoon when I came back to walk the show off the clock.

Artist Cred: Kimmy Cantrell

The American Art Craft Show is a popular traveling art convention sponsored by Visit Baltimore, where emerging artists from all different crafty backgrounds come to one mutual space to sell their work. Like a traditional merchant’s market or flea market, the American Art Craft Show is a high-class version of original arts and goods show made available for any shopper who’s into scavenging for unique pieces not found anywhere else.

I snuck into the exhibit using the American Art Craft Show press pass given to me earlier for my work shift because I felt it necessary for me to have a deeper look into what was at the show. I needed to know what drew me to what I saw while there. Why did it feel like my spirit was suddenly lit seeing all the unique things? It was like a strong magnetic force between my eyes and the artwork, just something about it that made me fall in love with that moment. I wanted to know what made these artists work so hard and achieve such success to be placed in such a popular arts convention.

Artist Cred: Liz Cummings

The American Art Craft Show is quite a pricey show as the quality of the artifacts in the show exhibits each artist passion through sincere detail in the craftsmanship. I saw sculptures of every medium from stone, metal, glass, and traditional clay. I saw clothing designers use unique and expensive fabrics from basic cotton to rich leathers. The jewelry pieces were to die for as I literally choked off my drink of water when told what the price tag said on a pair of stunning earrings. There were immaculate paintings of mixed media forms utilizing fabric embroidery and infused clay on large canvases. Any observer could tell the artists put their everything into their work, and each piece was argumentatively worth what each price tag listed.

These artists were seasoned with their expertise. I witnessed only techniques I see online when I watch art videos on YouTube for inspiration for my own crafting. The techniques were those that people dig for when yearning to add that extra oomph to their “art baby.” The techniques were ways of the art world that makes the observer ponder how did something turn out a particular way. Ways that I could not resist having mini-interviews with the artists on how they achieved such beautiful masterpieces.

I went into journalists mode interviewing the artists from my favorite booths. One particular artist that I had the pleasure of speaking to, Natalya Aikens, creates architectural structures using fabrics and threaded stitching. She references photographs from her own collections and experiments with replicating her images by following traditional shading and coloring techniques.Her work comes off as abstract because of all the vibrant colors being used that aren’t naturally present in the original photos. Mihira Karra, who’s another artist similar to Aikens utilizes the same technique but instead recreates portraits of celebrities, landscapes, and influential figures.

Mihira_Karra
Artist Cred: Mihira Karra

Artist Kathleen Scranton shares her creativity quite uniquely as her booth was unlike any other during the craft show. She takes her favorite novels and children’s books and turns them into small purses or wallets. Her station was one of the booths that had the most traffic because her idea was the most unique. She ran with the theme “Everyone reads.” The booth had to be the most recognizable because most books she used were classic American literature. The interior walls were draped with Dr. Seus, Star Wars, and The Great Gatsby. What made it even better was the buyer got to take home a copy of the novels, as well, after their purchase.

Kathleen_Scranton
Artist Cred: Kathleen Scranton

I met many ambitious artists whose main focus while working on their art was to enjoy it. None of the artists I spoke to envisioned themselves as experts. Most didn’t think they’d be selling their art when they started. I bring this up to talk about my usual theme for Baltimore artists. With examples as those spotted at the American Art Craft Show, artists in this city could visualize true talent with purpose. It’s not about the social climb like mentioned in my blog series Quality vs. Quantity (Part 1). These artists monetize using pure passions where the love or their work comes first and everything that precedes it comes afterward. At showcases and in the work done here, we only see this reflection of that in prestigious art shows. I write about it to awaken the people who want it to more prevalent in Baltimore’s Art culture.


View more photos from the 2018 American Art Craft Show.

The biggest take away from this event was that it made me feel inspired. That’s what an artsy event suppose to do. They spark the creative soul within and changes the atmosphere around you. The American Art Craft Show did just that. It was due for my soul to feel that awakening.

What artist do you think should have attended or exhibited at the 2018 American Art Craft Show? Leave your comments or tag an artist below.
Have you read any of the Quality vs. Quantity Blog Series? Catch up on it on Doc’s Castle Media.

Why Every Baltimore Artist Should’ve Attended the Grand Opening of The In My Lifetime Mini Hip-Hop Museum

On the weekend of Jan 19, 2018, history was made in Baltimore. For the first time, there’s a Hip-Hop museum opened in Baltimore city! As a follower of the culture in Baltimore, I speak for many when I say this is a much-needed space for aspiring artists in this city.

Located in the same building as The SAND Gallery, an art museum formerly known as the Incredible Creations Art gallery geared to showcasing the talents of the visual arts of people in the DMV and Baltimore region, the In My Lifetime: Mini Hip-Hop Museum premiered with a similar mission and to also to preserve and educate about hip-hop culture. There has never been a place in the history of hip-hop to be solely dedicated to the preservation and advancement of hip-hop culture until now.

The grand opening took place the entire weekend; from Friday to Sunday. Each day had events catered to educating and informing artists about discussions in hip-hop. The weekend at the museum was filled with book signings, workshops, and discussion panels. Each day was geared toward helping people who were seriously passionate about improving their career in hip-hop.

I decided to attend the grand opening on Friday for the Put Yourself On Discussion Panel. It was a panel that every artist in Baltimore should have made their duty to not miss because it had the right information needed to be heard for any artist who wants to take their career to the next path.

Four panelists who are participants in Hip-Hop Culture shared valuable information on how knowledge gained through fully indulging themselves in hip-hop helped push their growth in their individual fields. To name a few professions that took the floor were artists managers, producers, DJs, publicists, former rap artists, media, and brand ambassadors. Each panelist came from a seasoned background within the industry and with useful input of more than what’s in the forefront of our television screens.

These curators came with tips from avenues many artists who are eager to excel in Baltimore’s art culture are quick to omit. Some advice shared were tips on how to study people who inspire an artist’s craft, how artists should measure progression through monetization and not online attraction, the importance of staying relevant and aware of current events and entertainment news, and staying genuine to what’s desired instead focusing on being ahead of the opponent.

The material picked up at the panel could be applied to anyone pursuing a career in arts, not just people invested in hip-hop. I believe that’s why the audience was so engaged in the conversation. It was more than just about rap and the Baltimore Rap Artist. There were producers, songwriters, and even visual artists present nodding their heads in agreement with what they took in. Because the information was presented generally, I make the statement every artist should have come to the museum’s grand opening. These are resources artists in this city often complain about lacking.

As mentioned before in the first installment of my blog series Quality Vs. Quantity (Part 1), Baltimore’s art culture needs more resources to help artists improve their approach to building a legacy of brands. The In My Lifetime: Mini Hip-Hop Museum is well on its way to becoming one of those sources to help artists improve their quality. The kickoff Put Yourself On Panel was an eye-opener and extremely helpful first attempt at its premiere.

It’s looking up for the “urban” art culture in Baltimore as we see more avenues readily available to help artists. Places like Impact Hub and events like the Baltimore Beat Club help provide resources for improvement and exposure. Artists need to be aware of taking sacrifices with choosing to invest in their career progression. There are more than studio sessions and basement rap.

There has to be a way to publicize the importance of improving their quality to artists. I assume the best way is to keep talking and sharing the little things we do have and spreading what the benefits are when utilized.

But what do I know? I’m just writing myself into existence….

What do you look forward to with the opening of the In My Lifetime: Mini Hip-Hop Museum in Baltimore? What do you think it can offer to the DMV? Leave your comments below.

Have you read Quality Vs. Quantity (Part 1): The Saturation of Wanna Be Artist In Baltimore’s Art Culture? Check it out on Doc’s Castle Media.

#HipHop4ThePeople: There’s A Mini Hip-Hop Museum Coming to Baltimore

Who’s a die-hard hip-hop fan? Everyone enjoys claiming the title. In reality, it’s rare to find the truth behind who can truly be labeled a fan because many so called fans lack the knowledge of hip-hop’s true origin or how it fits into society.

Hip-hop holds history. Enough that there are hundreds, maybe thousands, of books written about this art that emerged and continues to thrive since the early 1970s. Even in its birthplace there’s a grand opening scheduled possibly in 2018 for the country’s first ever hip-hop museum in the Bronx, NY. Now, Hip-hop is more than music that we dance to in our aunt’s basement celebrating birthdays. It’s a way of life.

Hip-hop does not stop at New York. All over the world, it has created a culture that people now eat, breathe, sleep and live by. Over the weekend, Baltimore artists exhibited a piece of what hip-hop consists of to them at the #HipHop4thePeople Cypher: A Mini Hip-Hop Museum fundraiser held at the SAND gallery, formerly known as the Incredible Little Art Gallery.

I attended the cypher expecting it to be like any other I’ve gone to in the art scene. But what made it different this time was majority it’s location, and that the event served a bigger purpose for the creative community.  

There has never been any platform in Baltimore created to solely pay homage to hip-hop. In fact, artists in Baltimore often nag about lack of support in the city from their peers. So when there’s a notion that a Mini Hip-Hop Museum is coming to town, local culture fanatics become excited because there is finally a place that will represent their way of living. Not only will we finally have somewhere that will represent the history of hip-hop, but also there will be a place to symbolize hip-hop from a Baltimorean’s perspective.

#HipHip4thePeople was exactly what it stated to be; for the people emerged in the culture of hip-hop. The atmosphere mimicked what hip-hoppers find familiar in a cypher’s circle. MCs took turns hopping in spitting their most vicious lyrics. Many were caught freestyling and others brought recycled hot 16 bars.  

President Karl Keels opens the evening.

Mini Hip-Hop Museum President and Creative Director Karl Keel, also known as Karlito Freeze, opened the night up as the host and DJ of the event. Event goers were queued in on where donations towards the cypher were being made. Partial proceeds were gifted to hurricane relief for Hurricane Harvey, Irma, and Maria to aid victims in Texas, Florida, and Puerto Rico. Other funding went towards the opening of the Mini Hip-Hop Museum expected to open in early 2018.

The cypher went for an hour and was followed up with another event sponsored by the SAND Gallery, Adult Game Night. To drop a few names of MCs who participated in the evening’s cypher were:

Kontrah Diction , Da’Rious, Donnie Breeze, Ollie Voso, Mobish Rico, and Tony Ray

All rappers are from Baltimore making a name for themselves in the “game.” Hopefully, we will find them on the walls of the Mini Hip-Hop Museum in the future. Thanks, guys, for your contribution to the culture over this weekend. I know I definitely enjoyed it.

See more photos of participants in the gallery below.

When the Mini Hip-Hop Museum opens in Baltimore, what local artist do you expect to be exhibited in its halls? Leave your comments below.

Have you seen photos from the 3rd Annual Madonnari Arts Festival? View awesome chalk work done on the Baltimore street here on Doc’s Castle Media.