Doc’s Thumbs Up: Eze Jackson “Goals” Official Music Video

Baltimore rapper Eze Jackson released the visuals for his single to Goals mid-August, and I’ve finally gotten around to seeing it! Eze gets in our face about taking ownership of his crafts and surpassing all those people who “bluff” about what they do. Baltimore rapper and president of arts and entertainment brand Epic Fam tells us what he means when he envisions goals.

Watch the official video for Goals.

The first time I caught wind of Eze was in 2014 attending open mics around Baltimore City. But it was after I volunteered at Baltimore’s 2018 Artscape festival when I saw him perform Unapologetically Black, that I knew I was a fan of Eze’s music. His content has the ability for movement in people that not many artists can’t capture in their art. It’s also a rare commodity in “Baltimore Rappers,” and more generally, the crab artists of Baltimore City, as mentioned before in my blog series Quality vs. Quantity (Part 1): The Saturation of Wanna Be Artists In Baltimore’s Art Culture.

I wanted to share this video because it’s a humbling message to inspire moving in silence when working towards your goals.

The visuals in Goals look chaotic which brings my attention forward and alert. Words swarm across the screen. Silhouettes and images pop up in weird places. The video is everywhere. But as you listen to the lyrics and watch the video, all the same, you start comprehending Eze’s message. Everything is blah blah blah (means nothing) unless you’re really out here making things happen. This dude has tunnel vision for the chaos and “work” that other artists broadcast. He’s a veteran in his field with receipts to back up his accomplishments. The message is to hold what’s important to you, like your goals, at close range so that people who prey on your downfall won’t bring ill-will.

We all know that person who’s always blasting to the masses their next move. Or we know someone who gets way ahead of themselves blasting what they plan to do but never gets around to it. These people leave no room for mystery when it comes to what they have coming next, then ponder thoughts of why bad things happen or don’t happen at all. They leave room for their competition to plot and enemies to prey on their demise. It’s a rookie mistake. Honestly, do you see rap and hip-hop moguls like Diddy and Jay-z blasting their next business venture? Eze is making it known that that type of person isn’t allowed in his circle.

If you like the title track Goals, there is definitely more to come. Early October is the awaited release of the EP Goals; a masterful production brought to you by some of Baltimore’s great audio enhancers, one of the many who brought us the Baltimore Open Mic series event Baltimore Beat Club, Line-Up Room Production, Station North Sound and Mobtown Studios.

Do you have your calendars marked? Do you like this song? Leave if you’ll bump or pass this in the comments below.


Have you watched the video for the last Doc’s Thumb’s Up? Watch Doc’s Thumbs Up: Jai Ivy “I Know” ft. Luki Music Video Premiere on Doc’s Castle Media.

Why Every Baltimore Artist Should’ve Attended the Grand Opening of The In My Lifetime Mini Hip-Hop Museum

On the weekend of Jan 19, 2018, history was made in Baltimore. For the first time, there’s a Hip-Hop museum opened in Baltimore city! As a follower of the culture in Baltimore, I speak for many when I say this is a much-needed space for aspiring artists in this city.

Located in the same building as The SAND Gallery, an art museum formerly known as the Incredible Creations Art gallery geared to showcasing the talents of the visual arts of people in the DMV and Baltimore region, the In My Lifetime: Mini Hip-Hop Museum premiered with a similar mission and to also to preserve and educate about hip-hop culture. There has never been a place in the history of hip-hop to be solely dedicated to the preservation and advancement of hip-hop culture until now.

The grand opening took place the entire weekend; from Friday to Sunday. Each day had events catered to educating and informing artists about discussions in hip-hop. The weekend at the museum was filled with book signings, workshops, and discussion panels. Each day was geared toward helping people who were seriously passionate about improving their career in hip-hop.

I decided to attend the grand opening on Friday for the Put Yourself On Discussion Panel. It was a panel that every artist in Baltimore should have made their duty to not miss because it had the right information needed to be heard for any artist who wants to take their career to the next path.

Four panelists who are participants in Hip-Hop Culture shared valuable information on how knowledge gained through fully indulging themselves in hip-hop helped push their growth in their individual fields. To name a few professions that took the floor were artists managers, producers, DJs, publicists, former rap artists, media, and brand ambassadors. Each panelist came from a seasoned background within the industry and with useful input of more than what’s in the forefront of our television screens.

These curators came with tips from avenues many artists who are eager to excel in Baltimore’s art culture are quick to omit. Some advice shared were tips on how to study people who inspire an artist’s craft, how artists should measure progression through monetization and not online attraction, the importance of staying relevant and aware of current events and entertainment news, and staying genuine to what’s desired instead focusing on being ahead of the opponent.

The material picked up at the panel could be applied to anyone pursuing a career in arts, not just people invested in hip-hop. I believe that’s why the audience was so engaged in the conversation. It was more than just about rap and the Baltimore Rap Artist. There were producers, songwriters, and even visual artists present nodding their heads in agreement with what they took in. Because the information was presented generally, I make the statement every artist should have come to the museum’s grand opening. These are resources artists in this city often complain about lacking.

As mentioned before in the first installment of my blog series Quality Vs. Quantity (Part 1), Baltimore’s art culture needs more resources to help artists improve their approach to building a legacy of brands. The In My Lifetime: Mini Hip-Hop Museum is well on its way to becoming one of those sources to help artists improve their quality. The kickoff Put Yourself On Panel was an eye-opener and extremely helpful first attempt at its premiere.

It’s looking up for the “urban” art culture in Baltimore as we see more avenues readily available to help artists. Places like Impact Hub and events like the Baltimore Beat Club help provide resources for improvement and exposure. Artists need to be aware of taking sacrifices with choosing to invest in their career progression. There are more than studio sessions and basement rap.

There has to be a way to publicize the importance of improving their quality to artists. I assume the best way is to keep talking and sharing the little things we do have and spreading what the benefits are when utilized.

But what do I know? I’m just writing myself into existence….

What do you look forward to with the opening of the In My Lifetime: Mini Hip-Hop Museum in Baltimore? What do you think it can offer to the DMV? Leave your comments below.

Have you read Quality Vs. Quantity (Part 1): The Saturation of Wanna Be Artist In Baltimore’s Art Culture? Check it out on Doc’s Castle Media.

Artist Update: Champ The General “All I Know Video”

Previously featured artist Champ The General released his music video to mixtape single “All I Know” 2 weeks ago on his YouTube channel for the world to see. The update was submitted to us to promote his show on March 24 at Monumental Mondays at The Depot located in Baltimore’s Art district, Station North. Check him out.

What do you think? You like the song?

Read about Champ The General on Doc’s Castle Media.