Kush & OJ Revisited: Alissa Fere’s Creative Tribute to Wiz Khalifa’s Iconic Mixtape

When I dropped the 4Da Streetz music video on Halloween 2025, it wasn’t just a visual—it was a love letter. A tribute. A full-circle moment. Because long before I was Alissa Fere, before Doc’s Castle had a name, before A Voice of My Own was published as a chapter, there was Wiz Khalifa’s Kush & OJ.

Wiz Khalifa’s 2010 mixtape wasn’t just a vibe—it was a blueprint. The soundtrack to my early creative grind. The orange juice, wake-and-bake mornings, and late-night plotting. The smoke, the smoothness, the sense that you could build your own lane and cruise in it. Kush & OJ permitted me to dream out loud.

“Never Been” and “In The Cut” are two songs that really captivated me. They’re among my top favorites on the mixtape. I’ve always felt a strong connection to their beats, thinking I’d love them forever. Years later, that inspired me to write my own lyrics for “Never Been.” The original beat isn’t available on streaming services. I found through Reddit threads that it’s because the beat includes a sample from the 1995 video game Chrono Trigger. However, Sledgren’s original beat resonated with me, much as another artist, Logic, used it for his 2012 mixtape, A Tale of Two Stans. To celebrate Wiz Khalifa’s 15th anniversary, I’ll do the same. With it, I’m including the 4Da Streetz song and a mic drop tribute video on Doc’s Castle Media, showing my appreciation.

When I heard the anniversary was coming up, I knew I had to pay my tribute in my own way. That’s how 4Da Streetz Official Mic Drop Video came to be.

A Tribute in Motion

Shot and directed by the visionary Shot by Swish, with The Real Smirf bringing the energy of Easy Rider and The Lineup Room providing the sonic backbone, 4Da Streetz is more than a music video — it’s a thank you — a nod to the mixtape that shaped my sound, my aesthetic, my hustle. Every frame is laced with the spirit of Kush & OJ — from the laid-back confidence Fere exudes as she sits on the couch in the studio, gazing at the pink smoke clouds, to the unapologetic pride in where she’s from.

Other honorable mentions I’d like to thank for producing this moment in Alissa Fere’s timeline are the engineer who helped lay down the track at The Lineup Room Studio, Track Smith, and Dreez of TrustIn Records for mixing and mastering the track.

Then Came the Anniversary Drop

On November 14, 2025, Wiz Khalifa and Rostrum Records released the official 15th-anniversary edition of Kush & OJ, now streaming everywhere. The re-release includes two unreleased tracks from that era—“Over Here” and “Champagne”—gems that feel like they were tucked away in a time capsule, waiting for this moment. Hearing them now, weeks after releasing 4Da Streetz, felt like a cosmic nod. Like the universe saying, “Yeah, you were right to honor this.”

Listen to the 15th Anniversary of Kush & OJ.

From Mixtape to Memoir

In A Voice of My Own, I talk about how Kush & OJ was part of my origin story. It wasn’t just music. It was a motivation to write about one of the memories of a time when I listened to the tape. Writing my song Jose (Liquor Talkin) from a moment before vibing to the original tape taught me how to build a vibe, how to stay true, how to let the world catch up to your frequency. That mixtape helped shape Alissa Fere. And this tribute—this video, this moment—is my way of giving flowers while the music still plays.

So stream the anniversary edition. Watch 4Da Streetz. And if you’ve ever had a mixtape that made you feel seen, heard, or unstoppable—this one’s for you too.

Did you see what I dressed as for Halloween 2025? Read “Im My Alter Ego for Halloween 2025” on Doc’s Castle Media.

#BmoreBeatClub Celebrates 2nd Anniversary Outdoors In Front of Hundreds at Annual Festival (A #DocsCastle Recap)

The Bmore Beat Club lit the corner of Charles Street and North Avenue over the weekend with their 2nd Annual Celebration at The Ynot Lot. Hundreds gathered at the lot participating in festival activities by watching producers, rappers, and MC’s collaborate in a hip-hop experience unique to Baltimore’s Art Scene.

Bmore Beat Club is an open mic organized by The Lineup Room with a purpose of bridging relationships between MCs and producers. It’s not your commonly found Open Mic in Baltimore, either. At BBC, producers bring their best compositions to the forefront while rappers reveal their true lyricism in collaboration with producer’s beats. Everything is done on stage in front hip-hop fans. This unique experience takes you back to a time when hip-hop was first birthed in New York City, but BBC delivers with its own Bmore twist.

Over the weekend, locals made cameo appearances in celebration of BBC’s second year running. Baltimore artists such as DDM, Icon Tha God, Chase Ultra, Doowy Lloh, Donnie Breeze, and many more graced Ynot’s corner with a fiery presence and lots of thriving energy. The night’s turnout was beyond what was expected, and the crowd welcomed the raw talent with love and respect.

It was just a tiny hump during the show, but The Lineup Room continued to prevail. There were miniature electrical malfunctions that may have stolen 10 minutes of the festival’s time. But evening’s innovators turned downtime into time travel, as rappers quickly formed a circle center of the crowd sparking an old school cypher. It was a spectacular save, and the night was at hip-hop’s original state, once again.

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At that moment, the turn-up became real and electrifying performances of talent from different corners of the city showed everyone what they had to offer. In seeing all the positivity, there was no doubt the open mic was a success.

The Lineup Room awarded the winner of the open mic with an EP record deal, 100 CDs, music video, and public relations services. A great package for the determined and goal-driven recording artist.

The open mic ended promptly at 11 PM, but the celebration was far from over. Bmore Beat Club after party was held at The Crown, just 3 doors down from The Ynot Lot. So event-goers could mingle some more and not make huge commutes outside of the Station North art grounds.

Bmore Beat Club is an ongoing open mic held every second Thursday of the month. If you’d like to feel what an original hip-hop experience in Baltimore is like, be sure to stop by Maryland Art Place in downtown Baltimore for Episode 25 on September 8th. Stay updated with other opportunities by The Lineup Room by following their Facebook and Instagram page at @lineuproomstudio.

Did you know Bmore Beat Club Open Mic was not the first of event of its kind? Read about my experience attending Beat Trip on Doc’s Castle Media.