Kush & OJ Revisited: Alissa Fere’s Creative Tribute to Wiz Khalifa’s Iconic Mixtape

When I dropped the 4Da Streetz music video on Halloween 2025, it wasn’t just a visual—it was a love letter. A tribute. A full-circle moment. Because long before I was Alissa Fere, before Doc’s Castle had a name, before A Voice of My Own was published as a chapter, there was Wiz Khalifa’s Kush & OJ.

Wiz Khalifa’s 2010 mixtape wasn’t just a vibe—it was a blueprint. The soundtrack to my early creative grind. The orange juice, wake-and-bake mornings, and late-night plotting. The smoke, the smoothness, the sense that you could build your own lane and cruise in it. Kush & OJ permitted me to dream out loud.

“Never Been” and “In The Cut” are two songs that really captivated me. They’re among my top favorites on the mixtape. I’ve always felt a strong connection to their beats, thinking I’d love them forever. Years later, that inspired me to write my own lyrics for “Never Been.” The original beat isn’t available on streaming services. I found through Reddit threads that it’s because the beat includes a sample from the 1995 video game Chrono Trigger. However, Sledgren’s original beat resonated with me, much as another artist, Logic, used it for his 2012 mixtape, A Tale of Two Stans. To celebrate Wiz Khalifa’s 15th anniversary, I’ll do the same. With it, I’m including the 4Da Streetz song and a mic drop tribute video on Doc’s Castle Media, showing my appreciation.

When I heard the anniversary was coming up, I knew I had to pay my tribute in my own way. That’s how 4Da Streetz Official Mic Drop Video came to be.

A Tribute in Motion

Shot and directed by the visionary Shot by Swish, with The Real Smirf bringing the energy of Easy Rider and The Lineup Room providing the sonic backbone, 4Da Streetz is more than a music video — it’s a thank you — a nod to the mixtape that shaped my sound, my aesthetic, my hustle. Every frame is laced with the spirit of Kush & OJ — from the laid-back confidence Fere exudes as she sits on the couch in the studio, gazing at the pink smoke clouds, to the unapologetic pride in where she’s from.

Other honorable mentions I’d like to thank for producing this moment in Alissa Fere’s timeline are the engineer who helped lay down the track at The Lineup Room Studio, Track Smith, and Dreez of TrustIn Records for mixing and mastering the track.

Then Came the Anniversary Drop

On November 14, 2025, Wiz Khalifa and Rostrum Records released the official 15th-anniversary edition of Kush & OJ, now streaming everywhere. The re-release includes two unreleased tracks from that era—“Over Here” and “Champagne”—gems that feel like they were tucked away in a time capsule, waiting for this moment. Hearing them now, weeks after releasing 4Da Streetz, felt like a cosmic nod. Like the universe saying, “Yeah, you were right to honor this.”

Listen to the 15th Anniversary of Kush & OJ.

From Mixtape to Memoir

In A Voice of My Own, I talk about how Kush & OJ was part of my origin story. It wasn’t just music. It was a motivation to write about one of the memories of a time when I listened to the tape. Writing my song Jose (Liquor Talkin) from a moment before vibing to the original tape taught me how to build a vibe, how to stay true, how to let the world catch up to your frequency. That mixtape helped shape Alissa Fere. And this tribute—this video, this moment—is my way of giving flowers while the music still plays.

So stream the anniversary edition. Watch 4Da Streetz. And if you’ve ever had a mixtape that made you feel seen, heard, or unstoppable—this one’s for you too.

Did you see what I dressed as for Halloween 2025? Read “Im My Alter Ego for Halloween 2025” on Doc’s Castle Media.

I’m My Alter Ego for Halloween 2025: Alissa Fere

For many years, I’ve dressed up as a variety of characters. Halloween has always been my time to shine, a moment to embody creativity and personal expression. This year, my costume is more than just a look—it’s a personal release and a performance. I’m stepping into the shoes of someone known only to me: my alter ego, Alissa Fere.

In the past, I often chose costumes inspired by trending topics or cultural moments. This year, with the world feeling uncertain and chaotic, I wanted to create something meaningful and authentic rather than topical or morbid,  like an expired SNAP benefits card or an unemployed SSA employee.

Read: Get in the Spirit of Halloween: 5 Halloween Costumes by Doc

Despite the turmoil and challenges we face nationally, including the ongoing struggles since the Trump administration’s policies, I find hope in the resilience and solidarity of communities. Families in Oregon organize food drives, and I’ve witnessed firsthand the generosity in Maryland through my work with Instacart, delivering food to those in need. These acts of kindness inspire me to believe we can emerge stronger.

Since my son arrived, he’s developed a love for Halloween that mirrors my own. His costume had to be special—he requested to be a Happy Dragon. After weeks of interpreting what that meant, I transformed him into the happiest dragon I know. His creativity fuels mine, especially during this season.

Ro, The Happy Dragon and my sister dressed as a sim.

I chose to be his partner in crime this year. The Mother of Dragons herself visited my spirit, painting my hair blonde. I became Daenerys Targaryen, the fierce and complex character from George R.R. Martin’s A Song of Ice and Fire and the HBO series Game of Thrones. Walking alongside my son in this tradition, which my sister and I have cherished for three years, was truly magical.

The Many Faces of Halloween

Over the past decade, I’ve embodied many characters—from Tina Belcher of Bob’s Burgers to a Covid-19 germ, to cancel culture itself. Each costume tells a story, reflects a moment, or challenges a narrative.

Introducing Alissa Fere and the Official Mic Drop Video

With the release of “A Voice of My Own,” a free chapter from my memoir 4Da Streetz, I’m unveiling something special: my alter ego Alissa Fere and the official mic drop video for my very first music video.

Alissa Fere

Born in the Underground Dojo, Alissa Fere found her voice in Baltimore’s underground arts scene in the early 2010s. She is the alter ego of Taylor “Doc” Walker, founder of Doc’s Castle Media, and more than a name—she’s a reckoning.

For years, Alissa observed from the shadows, learning the grind and grace of artists around her while quietly nurturing her own lyrical fire. Now, she bursts forth with unapologetic boldness. Her music is raw, honest, and unfiltered—a declaration of selfhood, survival, and resistance against the silence polite society demands.

Alissa Fere doesn’t just write music. She tells it like it is. No filters. No apologies. Just her truth, amplified.


How to Engage with This Release

This Halloween, I’m not just dressing up—I’m stepping into my power and inviting you to witness the birth of Alissa Fere. Stay tuned for more creative releases and performances from Doc’s Castle Media.

Thank you for being part of this journey.

Baltimore’s Shot By Swish Directs 4Da Streetz Tribute to Wiz Khalifa’s Kush & OJ

This ain’t just a mic drop. It’s a love letter to Kush & OJ. Directed by Shot By Swish. Inspired by legacy. Alissa Fere returns.

Donte Hutchins, a highly talented director and videographer known in Baltimore’s underground arts scene as Shot By Swish, was the perfect choice to craft the visuals for the 4Da Streetz music video. His lens doesn’t just capture moments. It translates legacy.

Swish and I go back over a decade. I can say our creative chemistry is unmatched. It’s rooted in trust, rhythm, and a shared hunger to elevate Baltimore’s voice. So when it came time to craft a visual tribute to one of my all-time favorite rappers, Wiz Khalifa, I knew Swish would bring the grit and reverence this project demanded.

I pitched the idea to Swish casually. This will be a mic drop video, not a full music video. He insisted on calling it a treatment once we agreed to collaborate. It’s my love letter to Kush & OJ. I told him this was a tribute to the master of Taylor Gang, inspired by my favorite song and mixtape.

“It’s the 15th anniversary of Wiz Khalifa’s Kush & OJ. I need to do something to show my appreciation,” I tell Swish during one of our weekly meet-ups in my art studio.

“Knowing how much and important Wiz Khalifa is as an influence to Alissa, I know for this to be her stepping out visuals, it’s extremely special to her,” Swish said.

Kush & OJ shaped many memories, inspired the song Jose (Liquor Talkin), and left fingerprints all over Alissa Fere’s story. It deserved a tribute that felt personal and cinematic.

Read: The Essay I Never Wrote—Until Now

This mic drop video had to stand apart because mic drop videos are everywhere. Most artists perform in front of a mic, delivering verses with raw energy. But I didn’t want to replicate what’s already been done on platforms like The Floaters or SpitCam University’s Instagram. I wanted something that felt like a moment, a moment similar to when Alissa Fere was recording in the Underground Dojo. A statement. A visual exhale.

4Da Streetz Mic Drop, 2025

Swish isn’t foreign to shooting these types of videos either. He immediately understood the assignment. His Instagram is a living archive of Baltimore’s creative pulse, recaps of milestone moments, portraits of ambition, and collaborations that turn ideas into impact. He’s not just a videographer; he’s a memory keeper. His work turns fleeting ideas into lasting visuals, and his journey reflects a belief I share: with vision and perseverance, anything is possible.

DJ The Rapper Int’l Players Anthem Freestyle

Shot By Swish

Shot By Swish Logo, 2025

Shot By Swish is the brand name for Donte Hutchins, a photographer and videographer with over 8 years of experience in visual media. He’s collaborated with legendary artists like Mary J. Blige, Gucci Mane, SZA, and Kendrick Lamar, and contributed to projects with major platforms including ESPN. His work alongside influential figures such as DJ Quicksilva and Lil Mo further cements his reputation.

But Swish’s heart is in Baltimore. He’s committed to elevating local talent and embracing opportunities that push the boundaries of his craft. His work on 4Da Streetz isn’t just a video — it’s a mic drop for a Baltimore creative culture. 

If you’re looking to book a shoot with Swish, hit up Shot By Swish on his Instagram. Whether you’re a seasoned artist or just getting started, Swish’s visuals can shape your legacy.

Have you heard 4Da Streetz by Alissa Fere? Watch the lyric video below.

Recording 4Da Streetz at The Lineup Room: Where Baltimore’s Sound Comes Alive

The Lineup Room is a Baltimore Hip Hop and Rap Recording Studio with mixes that are featured on Netflix, Billboard, and HBO. It’s the stomping grounds for many of the city’s creatives—Eze Jackson, TT The Artist, DDm, Mighty Mark, SU The Clique, Jay Ivy—who’ve all tapped into its production and engineering magic. The resume and notoriety of the studio alone is immaculate, and a big motivator for why I chose it as the location to record the official 4Da Streetz music video.

A Hub for Baltimore Creatives

The Lineup Room isn’t just a studio, it’s a cornerstone of Baltimore’s hip-hop ecosystem. Known for its professionalism and artist-first approach, it consistently rises above the noise of other city studios by nurturing talent and respecting the creative process. Whether it’s helping songwriters refine their sound or supporting recording artists in shaping their vision, The Lineup Room delivers with intention and care.

Beyond the booth, the studio plays a vital role in community uplift as a proud contributor to The Dream Bigger Community Institute’s flagship initiative, Beats Not Bullets, a transformative program that empowers at-risk youth through hands-on education in music production, sound engineering, and the business behind the art.

The Lineup Room Instagram. Sept 2025

I Chose the Lineup Room

I’ve recorded at The Lineup Room multiple times, working closely with engineers who provided exceptional customer service. The sounds were crisp—even before mixing and mastering. While being serviced at the studio, I worked with individuals who not only recorded my songs but also gave vital feedback and encouraged the development of a sound for Alissa Fere, my music persona and alter ego.

Now, let’s be real. While working on 4Da Streetz, I hit a few bumps. Some engineers were a bit shaky to work with. But what business doesn’t have a few bad apples trying to get a come-up? When I ran into issues, I knew my guy Brandon Lackey would make sure my project was handled with care. One quick call to an old friend, and he ensured I was satisfied with how everything turned out.

Read: The Music Highlight: Jose (Liquor Talkin) by Alissa Fere on Doc’s Castle Media

A Voice of My Own, a standalone chapter from 4Da Streetz The Book, traces Alissa Fere’s journey through Baltimore’s Underground Dojo, a space where raw experience meets lyrical truth. While her breakout track “Jose (Liquor Talkn)” wasn’t recorded at The Lineup Room, it’s the studio where the visual heartbeat of 4Da Streetz came alive. Filming there wasn’t just about location. It was about intention. The Lineup Room became a vessel for Alissa’s reclamation—a sonic sanctuary where she sparked a continuation of her story, embodying her voice, her truth, and her power.

Daniel Hess Interview with Brandon Lackey of The Lineup Room Studio

To learn more about Brandon Lackey and his journey with The Lineup Room, check out the interview with Daniel Hess of To Tony Productions.

This interview was awesome, mainly because they did it while coloring with Crayola crayons. Shout-out to the crayon plug. I love to color! Beyond that, it gave me deeper insight into Brandon, the owner of The Lineup Room, where he discussed the history and mission of a studio that’s been serving Baltimore artists since the early 2010s.

If you’re looking to book a session, hit up The Lineup Room on their official site. Whether you’re a seasoned artist or just getting started, this studio knows how to honor your sound and your story.

Have you heard 4Da Streetz by Alissa Fere? Watch the lyric video below.

No Egos Spared: A Woman’s Voice in the Echo Chamber

No Egos Spared marks a turning point in my writing—a conscious shift toward clarity without sacrificing depth. Through layered storytelling and honest critique, I examine the raw fault lines of creative community, betrayal, and resilience. This piece doesn’t just tell—it demands attention, challenging conventions with a style shaped by experience and sharpened by purpose.

I let him see the blueprint to my dreams—unrolled it in front of him like sacred scripture. I thought we were building together. But he used the plans to wall me in. Am I doing it because I’m a Gemini? Is it Fere’ that you want to see?

In the rooms where sound is supposed to matter—studios, stages, writing circles—my voice was often the most inconvenient thing in the mix. Not because it lacked strength. But it wasn’t his, and I asked too many questions. I needed too much help. God forbid him doing anything beneath him. He claims that he’s above it.

We had history. The kind that blurs boundaries between romance and artistic kinship. I believed that intimacy and creativity could co-exist. That if I bared my struggles and ambitions, he’d respond with support—not possession.

But some men in this industry respond to uncertainty not with curiosity, but control. When they can’t predict me, they try to contain me. When they can’t mold my message, they challenge my value. My art becomes a threat, not because it’s loud, but because it’s mine.

His jealousy wasn’t thunderous—it was tactical. It crept in through gossip, manipulation, and the halting of collaborations. He began favor-banking our friendship, stacking emotional IOUs like poker chips because he’s his mother’s child. Every compliment came with a receipt. Every gesture, priced. I didn’t realize our connection had turned transactional until I stopped paying—and the interest he’d quietly collected came due. “I already do too much for you, Taylor.” Well, excuse me if you chose to buy my son cookies for Christmas last year. I didn’t ask.

His whispers traveled farther than my melodies. A man with too much time and too little grace, spinning tales like rollers in a salon chair—comparing, competing, resentful of what he couldn’t imitate. Telling tales to uncommon realism as if he knew realism at all. He’s stuck in a realm believing that becoming a leader will give him everything his yearning heart desires. But all he’s doing is waiting for his mommy’s approval.

As women, we are trained in the choreography of making ourselves digestible—smiling through dismissiveness, softening brilliance to seem less threatening, praising fragile egos while our confidence starves. Mother fucker, I was quiet enough listening to your whining.

But I’m done tiptoeing.

This isn’t an indictment. I’m not here to name or shame. This is an elegy for the kind of bond I thought we had—a goodbye to the version of friendship where love came without listening. Laughter in between the smoke now is just leftover ashes in my 2002 Chevy Malibu.

When I create, it’s not for approval. It’s survival. It’s reclamation. It’s medicine.

So yes—these words are intentional. These metaphors are machetes, clearing space for my expression. Consider this not an apology, but a declaration:

He thought blocking my art would trap me in his silence. But silence is a room—I’ve kicked down the door.

I will not be silenced.

I will not dilute my art for the comfort of any man, mentor, or self-proclaimed “best friend” who flinches at my full volume. 

My story will be told—with fire, with elegance, and without permission. I’ll leak it.

Words crafted in my declaration. I will make sure you drown in Fere’s abbess. Now, who really wants to play chess with the queen of Doc’s Castle?

Have you heard 4Da Streetz by Alissa Fere? Watch the lyric video below.

Code and Canvas: Redefining Art Through Digital and Physical Fusion

Code and Canvas, a groundbreaking art exhibition, opened its doors this weekend at The Black Genius Art Show in Baltimore. As an avid art enthusiast, I was eager to explore the vibrant collection that bridges digital and physical art forms.

Sym curated the Code and Canvas Exhibition to connect with older art enthusiasts. When asked about her inspiration for creating this experience at The Black Genius Art Show, she explained, “to give a highlight to digital artists. There are a lot of elderly people who believe art online is not art because they don’t understand new styles of art unless it’s painting.” She further elaborated, “(The exhibit) gives off trickery because it confuses people when they find out it’s done digitally.”

This exhibit challenges common misconceptions, including the belief that younger generations lack appreciation for the arts. It showcases the diversity of artistic expression, emphasizing that art is constantly evolving, reaching new spaces, and adopting new mediums. Code and Canvas reminds us that as art transforms from physical to digital forms, we must adapt to and embrace these changes, especially as the Internet becomes a central platform for creativity.

Code and Canvas Experience

Code and Canvas fulfilled its purpose for me, and it has the potential to do the same for its intended audience. I visited the gallery to experience art that I frequently admire online but rarely encounter in traditional art galleries or exhibitions. This exhibit resonated deeply with me due to my love of hip-hop, as well as my appreciation for abstract art, vibrant colors, and comic book characters—all of which adorned the gallery walls. These styles are seldom showcased in larger, modern museums, making each design a captivating sight that left me in awe. For an older audience less engaged with the digital world and accustomed to viewing art solely in galleries, this exhibit bridges the gap by bringing the online art experience into a tangible, present-day form.

Pop-up exhibitions across Baltimore have seamlessly blended various artistic mediums, creating a vibrant mosaic that reflects the city’s evolving art culture. Code and Canvas exemplifies this trend, serving as a platform for dynamic collaborations. Local hip-hop artist Shon Ski found her creative home within this space, working alongside visual artists to bring her unique online presence into a tangible, physical form. Her debut performance, featuring her latest single, captivated the crowd and underscored the fusion of music and visual artistry at the heart of the exhibition. 

Shon Ski

Shon Ski is a hip-hop artist and audio engineer hailing from East Baltimore, MD. Her career began in 2016 as a media personality on Crown Media’s online talk show, Strong Way Radio, in Baltimore. In 2017, she expanded her platform by launching her own talk show, Run N Wild Radio, which aired on the 1500 Radio Network and showcased creatives from various mediums across the DMV area. Shortly after, Shon Ski emerged as a recording artist, debuting her first single, “Double Water,” produced by Madi. Her debut album, Somewhere Out There, produced by Bari Lutalo, was released on March 29, 2022, under Tenable Music. Shon Ski’s music is available on all digital streaming platforms and media outlets.

Would you like to see more of your favorite digital pieces in a local art gallery? Leave your thoughts in the comments below.

#YTubeVidAlert: WAP…Is it even art? (Cardi B and Megan Thee Stallion Video Premiere)

Cardi B and Megan the Stallion team up to make another banging single titled WAP, referring to a sexual preference for a women’s vaginae. & I like to just say…Of course, it’s art! But Black Twitter, Facebook, and even daily news site like the Daily Beast would like its part in providing commentary as millions of tweets were published since it’s early August release with pro and con opinions.

Source: Daily Beast

After Megan making headlines for being involved in domestic assault with hip-hop artist Tory Lanez, I assume most people had expectations for other topics for the female rap artist. Even hip-hop artist and producer Cee-Lo Greene chimed in with opinions about the video’s impact amongst younger generations. Maybe people were waiting for her to rap about domestic abuse? But honestly, what did people really expect from Megan or Cardi? With any prior songs that are released from both these rap queens, it seems like WAP is exactly what I was expecting from them. When I’m searching for a song from either of their discography, I’m looking for something that’s going to make me feel like the shit. There’s even an entire playlist on Spotify named “Feeling Myself” dedicated to the genre of hip-hop both Megan and Cardi represents. 

Source: Facebook

Why is women empowerment the subject again?

To me, women’s empowerment is simply people uplifting and helping women live the best versions of their lives. That could be women speaking influence into other women. It could be someone providing support for women financially,  physically,  or spiritually. In the simplest way I can put it, it’s making women feel good about themselves. 

Whether the message presented in this video is worthy of being shared with other women is based on the person receiving the message. Why are people expecting these women to be a spokesman for issues dealt amongst women? I don’t know anyone who turns Cardi B’s music on to hear about social injustices or domestic abuse. 

Megan and Cardi are playing “make-believe” and throwing emphasis on tiny truths about their life. It’s like applying for a job and sprinkling a little extra in during your interview to make yourself look good. In this case, it’s not an interview. But it’s appealing to someone mature enough to understand its content. 

This video doesn’t “inspire” me to do anything but shake my ass. But as a woman, it does make me feel proud of my lady parts. I don’t see anything wrong with having a good lady part. Haha. The language in the song may be quite vulgar but nonetheless, it is a form of expression and art. Good art challenges thought and provoke reflection. This video has everyone on Black Twitter at an uproar. It’s good art because it did what it was supposed.

Doctors are even firing back in the two rapper’s defense arguing it is completely fine to have lubricated genitalia. But I say it’s gone too far when medical professionals feel the need to step in to verify such things. Come on, who cares other than the person we’re getting in bed with? In the words of Megan, “Talk yo shit!” & let’s move on shall we?

The responsibility of who a child chooses to be a role model is ultimately in the hands of the kid. We aren’t aware of who someone chooses as their inspiration. Kids don’t realize it. But it is their parent’s responsibility to guide them. Censorship is a biggie that we struggle within the age of the Internet. But these women didn’t ask to be speakers on serious issues. From the beginning of their careers, they came with a vulgar bang. So either listen to it or just turn it off.

Did you like the song? Bump or Pass? Leave your answers in the comments below.

Listen to #LoveandHipHop Baltimore Featuring #StrongWayRadio and #DocsCastleMedia on Embrace the Crazy Podcast by Whiskey Girl (Gallery)

Doc did something out of her element over the weekend. Dun, Dun, Dun. Doc’s Castle Media was a special guest alongside the owner of the Strong Way Radio brand on DC’s favorite Whiskey Girl podcast, Embrace the Crazy, to discuss the topic “Love and Hip-hop.” It was an interesting show, indeed, and I’m sure many of my readers will know why.

Most people who know me, know that I’m not very open with my love life. I’m far from the mushy type. Many may recall me being more of a goofball than a love bug. Until more recently, I’ve even gone as far as YEARS since posting a single photograph online of myself with a fling. But apparently, times have changed for Doc because exclusively for the DC Whiskey Queen, I’ve opened up my love life as an open romance novel for her podcast and it wasn’t bad at all.

As stated on WG’s Whiskey and Poetry Blog,

WG is a blogger, self-published author, spoken word artist and single mother with a full-time professional career in the nonprofit mental health arena. She lends her unique voice and perspective to her own WG’s Embrace the Crazy blog as well as MyTrendingStories.com. In addition to writing, her true passions include public work and serving as a mouthpiece to address mental health issues within the black community.

Embrace the Crazy podcast is a series of audio shows hosted by Whiskey Girl on her website WhiskeyandPoetry.com and Soundcloud. The series focuses on a plethora of topics ranging from hip-hop and poetry to mental health and “staying woke.” The sky’s the limit on her show.

While Karlito and I interviewed on the Embrace the Crazy podcast with Whiskey Girl, we covered topics on hip-hop and love, such as the Karlito and Doc love affair, couples collaborating with their brands, Nicki Minaj and Remy Ma beef, how local artists should prepare for hip-hop showcases, and much more. Listen to the full podcast below by visiting Whiskey Girl Souncloud.

After the podcast, the three of us did a raw photoshoot. Because I had so much fun, I thought it would only be right to share the photos on Doc’s Castle Media with the hashtags #BlackLove and #RelationshipGoals to fit the mood. View the gallery for Love and Hip Hop Episode of Embrace the Crazy Podcast below.

http://soundcloud.com/user-167368140/love-and-hip-hop-baltimore

How do you feel about couples collaborating on projects for their brands? Do you think it can be done? Leave your thoughts in the comments below.

Have you heard Doc’s interview with MDMA Cobain on CutThaCheck Podcast? Listen to Episode Four on Doc’s Castle Media.

Alissa Feré 2015 EP “Song From Da Dugout” Artwork Finally Released

With less than two weeks away from my EP “Songs From Da Dugout” release, I am pleased to finally release the official cover artwork for my project to the public. The EP is expected to release March 21, 2015 via the Alissa Feré Bandcamp and Soundcloud music pages.

image

Like many of my other projects, Briana Ragler was given the pleasures of handling majority of my visuals. Starting from taking on the responsibility of styling my creative persona to designing my cover of my first musical project, Briana, also known as recording artist Boutzie’, utilizes all her creative abilities to make sure Alissa Feré was ready for the world to take in. She was my photographer, stylist, and graphic designer.

Ayeee!

I’ve decided to take the Rebellious Rebel approach while working on my EP because Briana’s creative style is that “clear and clean” image I was aiming for that steers away from the average look associated with sports and hip-hop. I commonly see a more “rigid and rough” images used for things associated with both hip-hop and sports. Both are hard topics dominated by men, which I am not. So my thoughts for my project already being assumed as “hard” had to be challenged to seem more “fluffier” for Feré’s sake.

By creating a more cleaner representation for this project, I hope to promote interests that’s grabs the onlooker’s eye. I want my listeners to know from the moment they see the cover that there’s meaning behind being left in the Dugout for women. This clear and concise illustration captures the beauty behind what I believe this game we call love really is. It’s a cloudy, mysterious, dangerous, and very uneasy to understand, but it continues to be alluring, mesmerizing, and worth taking. Briana captured that we’ll in this very simply put work of art.

On top of it all, it’s very professionally presented. *applauds*

Along with the help from Baltimore artist FLuX, who’s the owner of the Baltimore brand The Dugout Dojo and the engineer of “Songs From Da Dugout,” I was ensured that each song would sound superb. I had no doubt about how my EP would turn out because listening to FLuX’s previous works, I was already blown away. (Listen to The Sky Is Blue by FLuX, here.)

The EP’s track listing is also finalized with six semi- complete songs ready for me to share.

  1. José (Liquor Talkn) ft. Boutzie (prod. Doowy Lloh)
  2. Rufus Bush (prod. mjnichols)
  3. Only You Ft. Quinn Shabaz
  4. Tonight (prod. Cmbeats)
  5. When The Stars Align ft. Leon Dominick (prod. Davinci)
  6. (Bonus Track): Pleasant Nightmares (prod. André 3000)

“Songs From Da Dugout” is expected to release this month March 21, 2015. For more updates on Alissa Feré, subscribe to Doc’s Castle Media social sites.

Facebook: http://www.facebook.com/docscastlemedia

Twitter: http://www.twitter.com/docscastlemedia

Instagram: http://www.instagram.com/ehhwassupdoc_

View photos from my “SongsFrom Da Dugout” shoot on Doc’s Castle Media.

Alissa Feré Takes It To The Field For The Release of 2015 Mixtape “Songs From Da Dugout”

As an insider for the release of my 2015 mixtape Songs From Da Dugout, I decided to give my readers a few snapshots to look at while they wait for my project to drop next month.

wpid-received_10153046758228680.jpeg

I decided to get a little creative for this release. I thought Why should I leave you guys with only an expected date for my project? I should give you a little more, and maybe some more background to what to look forward to. So I partnered up with my favorite photographer/blogger to give something extra as we wait for my dropping day.

Songs From Da Dugout is a representation of my emotions. Often I feel I’m left in limbo on a lot of issues when I’m dealing with guys. I think lots of women can relate. It can feel like I’m sitting in a dugout waiting to be called on for the next play. It can get restless waiting on these guys, and they should know that I don’t wait very long for my moment.

Women have so many questions that could be left unanswered while waiting on their next call in a partnership; there’s so many expectations that should be fulfilled on the behalf of the man that aren’t met in relationships. I relate to those women because when someone’s left in the dugout, how is anyone expected to win the game? How is anyone expected to conquer the battle?

These brothers got us yelling to the coach like, “Come on. Call me, coach! I’m ready to play.”

The photo shoot was conducted by Briana Ragler of Rebellious Rebel, also known as hip-hop artist Boutzie’. She did a great job. What do you think?

Look out for “Songs From Da Dugout” dropping in March 2015!

Have you heard “Pleasant Nightmares,” single from 2015 tape Songs From Da Dugout? Check out “Alissa Feré Releases Title & Promo Art For Spring 2015 Project” on Doc’s Castle Media.

Watch behind the scenes of my photo shoot via Briana’s Blog, Rebellious Rebel.

http://youtu.be/1uU6n3zTuko