Tag: Baltimore Music

Doc’s Thumb’s Up: Miss Kam FCTU featuring Ddm & Kotic Couture

Baltimore Artist Miss Kam is a force to be reckoned with creating buzz for herself straight out of BMore. She releases our most recent Doc’s Thumbs Up feature this month. The official video for FTCU featuring Ddm and Kotic Couture dropped in early June, and what can I say? What better song to pick from the Tew Faced album to be this LP’s first visual piece of art, than FTCU?

Miss Kam has been on the Doc’s Castle Media radar for quite some time now. The first time I saw her in action was in a cipher for Beet Trip Episode 60 summer of 2020. A year later, she creates buzz traveling for her musical performances and collaborating with other talented underground artists. Her efforts aren’t going unnoticed. Miss Kam is bursting out from the shadows so much so she mentioned in an interview with The Working Title Podcast that she’s even gained attention from the legendary hip-hop artist Missy Elliott following the debut of her We Are The World featuring Zadia official music video. So this lady is certainly a big deal.

Miss Kam released her LP Tew Faced last December 2020 via Bandcamp. It’s definitely worth blasting in your car, or even maybe in some headphones during your work shift since that’s how I listened. The LP is composed of 14 original tracks and features five other local Baltimore music artists. Awesome is she that the previously featured Doc’s Thumb Up artist for Faded, T.Ali is one of the honor guests.  Mentioned in her Bandcamp biography, Miss Kam “sets the tone with her rich, yet gritty contralto voice; all while being paralleled with angelic harmonies and unique production.” While she creates this audio art, she makes it “clear on delivering the audible conceptualization of what it truly means to be a Gemini.”

Miss Kam is definitely a “make it happen” queen. She understands the power of social media and uses it to promote original content. Simply check her numbers. She always keeps her social media booming running up retweets and likes while posting weekly freestyles and supporting other artists in Baltimore. My favorite campaign to watch is Freestyle Fridays when she posts new weekly freestyles for social media followers. She’s also a huge supporter of Bandcamp Fridays, a day when listeners can purchase music and an average of 93% of their money reaches the artist/label (after payment processor fees).

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Miss Kam often creates campaigns to promote her music and encourage the support of her peers. She collaborates with local business entrepreneurs promoting natural skincare and haircare products. Last summer she launched a campaign selling self-made beanies to raise money for her Tew Faced campaign. Doc’s Castle Media supported by purchasing and we received such a thoughtful note from the queen.

All this greatness said about this goddess, we want to give her her props where it’s due and grant FTCU with a Doc’s Thumbs Up for the hard work she’s putting in. 

FTCU features two other Baltimore’s hip-hop artists Ddm and Kotic Couture, both artists and representatives of the LBGTQ community, and also advocates in Baltimore’s Club music culture. They both made appearances in the club culture documentary Dark City Beneath the Beat directed by TT the Artist. Miss Kam couldn’t have chosen a better duo to shut it down for the video. Stylish, poised, and polished, yet still giving us a jab of fierce savagery through their lyrics, they definitely band together to show us how they come to “fuck the check up.” The track truly is giving us Gemini vibes. I’m a Gemini, myself. So I approve this message.

Watch full Video to FTCU featuring Ddm and Kotic Couture 

Listen to Miss Kam’s Tew Faced by visiting her Bandcamp.

What do you think about FTCU? Let’s start a conversation. Leave your comments below.

Baltimore Club Music Documentary Produced By Issa Rae and Directed by TT The Artist Now Streaming on Netflix

You could feel the spirit of K-Swift in the production in this one. Issa Rae, TT the Artist, and Nexflix come together to showcase Baltimore city’s club culture in Dark City Beneath The Beat documentary. 

Dark City Beneath The Beat initially premiered at the South by Southwest (SXSW) Music and American Black Film Festivals prior to the 2020 pandemic. The documentary premiered mid-April 2021 with a bang on Netflix while artists in Baltimore share in pride and excitement across their social media timelines opening weekend.

I can speak for many in Baltimore when I say we were a little skeptical of the documentary. It’s been years since I celebrated club music. I reminisce of my peak in embracing Baltimore’s club culture when I joined dance battles amongst my middle school classmates. I miss making up dance routines with my neighborhood friends. Those fun moments in my past that I associate with club music and viewed as a distant memory, aren’t as extinct to many artists like TT the Artist, DJ Mighty Mark, and DJ Blaqstarr.

It was in the early 2000s when the city lost its club music queen K-Swift. There are small glimpses of a rise of Baltimore’s club culture – back when K-Swift traveled and advocated nationally for house music prior to her passing. Without K-Swift, the aura is not the same. It’s like the people of Baltimore secretly get jealous of acclamations that other house music listeners from states like, for example, New Jersey claims “to being the land of the greatest club music, ever.” & Such claims are absolutely absurd, of course.

TT The Artist is a Baltimore city arts advocate and director of Dark City Beneath the Beat. She speaks about the hate she receives considered an outsider of Baltimore. Originally from south Florida, TT moved to Baltimore city and fell in love with Baltimore’s club culture while attending the Maryland Institute College of Art. When she left to pursue dreams in Los Angeles, she exited carrying with her the precious sounds of the Baltimore club mix to push an evolution. TT saw something magical. She felt that club music and dance were too good to keep confined to the streets and people of Baltimore city. She sees a culture that uplifts a community that also needs to be uplifted in return. So she created this documentary.

About the Film

The artists featured in the film have the charisma to share with the world what Baltimore’s club culture is about. What I and many other people lack is the knowledge of how they do this. The film sheds light on groups and organizations working to keep the Baltimore club music culture alive. Viewers learn a brief history of club music, the names of staple icons, such as dancers, singers, and producers, in the current Baltimore’s club music scene, and soak up the essence of feeling Baltimore’s original beat. The documentary isn’t so caught up on historical breakthroughs in club music by highlighting influencers that we so often hear of like the well-known Frank Ski, Rod Lee, and Ms. Tony. Rather we learn about influencers in the culture today. A new list of artists comprised of dancers and community leaders like Uneek and Tsu Terry.

I gave the documentary a shot the morning it premiered on Netflix and wasn’t disappointed. I had faith in it doing well so I support it. It stands as a good representation of what Baltimore club music does for those who live here. It’s not so prevalent in my lifestyle as it once was for me as a child, but the beat still speaks to me whenever I do hear Baltimore club mix. It’s near impossible to watch the film without doing the crazy legs or sexy walk in my chair. It should be the same for anyone who’ll stream the film on Netflix. I encourage others to give it a shot, too.

Overall the film gets a Doc’s Thumbs Up because TT The Artist served her purpose well. She paid homage to Baltimore and forged a visual representation for a famous Baltimore art subculture. She works her ass off helping to pave a lane for this art. The film is beautifully done. I commend her and everyone involved in the production of Dark City Beneath the Beat. It deserves to be celebrated.

Watch Hey Baltimore! Produced by Kariz Marcel and written by Rufus Roundtree and Eze Jackson.

This song was featured and can be streamed via the Dark CityBeneath the Beat soundtrack.

Do you have a favorite Baltimore club song? Leave your answers in the comments below.

YTube Vid of the Week: Young Moose “No Sunshine” Feat. Martina Lynch

Baltimore’s turmoil due to riots and protests for Freddie Gray have blossomed a hefty amount of creative masterpieces from independent artist of all sort. The Internet is buzzing of colorful opinions, many pale and others vibrant, depicting artists’ perception of peace and violence; justice and injustice; and moral or immoral.

I even had the opportunity to vent: Read “#OpinionEssay: The “Real Revolution Will Not Be Televised”

This week’s YTube Vid of the Week Is from Baltimore Rapper Young Moose.

[youtube http://www.youtube.com/watch?v=ggU4t0ZFVbA]

Many of Baltimore’s youth look up to local independent rappers Young Moose and Lor Scoota, who recently reconciled musical differences in February over disputes of competition at a local rap summit.

Encouraging words from these rappers are expected since so many young people support these artist. We need them to inspire our kids to do better; to seek success and progression instead of lawlessness and turbulence, as the world watched Baltimore Youth as they rioted and looted as a result of police brutality towards Freddie Gray.

“Dumb Dumb” artist scratched the surface of reaching the you by releasing “No SunShine” in honor of Freddie Gray. Unfortunately, I do not believe he took this opportunity by storm. So much more could be done. So much more could be said.

“No SunShine” doesn’t get much praise from me because there’s more to be said than what these children who live in these neighborhoods already know. There are ways to get a message across without stating the obvious of what’s happening in our city’s black communities. We know of what our state’s governmental policies enable and forbid us from doing. We know about the “slums” that blacks have systematically become accustomed to. My concern was for artists like Young Moose to do a bit more, maybe lead more as an example.

I guess, I’m expecting too much in such a short amount of time. Huh?

Where are the programs they’re continuously supporting. As I look at each artists background and choice of brand for their music, I’m a little concerned about outsiders not understanding what’s needed to be said for our city. It could easily be misinterpreted if someone would listen to more of Young Mouse’s discography as his music is majority about drugs and trap life.

We need more “substance.” We need more positive messages young people will enjoy and support.

What do you think? Did you like Young Moose’s “No Sunshine?” Leave your comments below.

Do you think that some children’s toys are too inappropriate for kids to be playing with? Watch “YTube Vid of the Week: Tree Change Dolls” on Doc’s Castle Media.

Alissa Feré Releases Title & Promo Art For Spring 2015 Project

Something new had to be brewing in the Doc’s Castle Media kitchen for there to be such a long and lasting silence. It’s been almost a month since my last blog post….sorry, guys.

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My silence is partially justified with the new goals I’ve acquired throughout the last two quarters of 2014. While I’ve aspired to become a master resumé and songwriter, I’ve neglected my original hobby for writing blogs. But as you can see, I always come back of course.

Since May 2014, I took on a mission to complete my bucket list, which I thought would be easy to do. I was sadly mistaken, and since then, I’ve even added more tasks to my bucket list. I can’t help the feeling I get from accomplishing a new goal. Though sooner or later, I’ll have to set limitations on these goals because I don’t know how much of my list I’m willing to take on now. Haha.

One of the tasks I’ve added to my lengthy list is the release of my 2015 mixtape. It began another duty on my list the moment after I released “José (Liquor Talkn).” Eight months later, I give you the promotional art for my project!

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Songs From Da Dugout is as general as it sounds. It’s a project compromised of multiple tracks about my life, or emotions I’ve experienced, between the time period of May, when I released José (Liquor Talkn), and January. All the songs were recorded in Baltimore city studio The Dugout Dojo with head producer and artist FLuX.

Songs From Da Dugout is an EP formulated to speak on the thoughts and emotions of a woman in heartache. Feel the agony and scornful words of Alissa Feré as I speak upon situations every girl can relate to, and every man probably heard of before. Listen to a new rhythmic style only sure to be found in underground Baltimore hip-hop.

Are any of your favorite indie artist releasing any projects that you’re anticipating? Let us know about it in the comments below.

Have you seen my Bucket List? Read “Bucket Listing It Up” on Doc’s Castle Media.

Doc Talks About Supporting Artists In Baltimore With @BaltimoreFlavaRadio

Last Friday, I was on Baltimore Flava Radio’s as a guest speakers to talk about the infamous topic that’s been stirring up quite a controversy; what’s wrong with these Baltimore artist’s that have this crabs-in-a-barrel mentality and why is it a lack for support for other artists here?

What did you do this past Friday? Did you tune into Baltimore Flava Radio, syndicated on Baltimore Internet radio station WPB Radio?

Last Friday, I was on Baltimore Flava Radio’s as a guest speakers to talk about the infamous topic that’s been stirring up quite a controversy; what’s wrong with these Baltimore artist’s that have this crabs-in-a-barrel mentality and why is it a lack for support for other artists here?

Antwon, one of the show’s hosts, came across my article, “#NewBaltimore or #OldBaltimore, We’re All Crabs,” while surfing the web, one day, and apparently loved it. I’m flattered, haha. But really, I’m glad he enjoyed reading it and offered the opportunity to come talk about it on his show.

I thought about all of you and made sure to have it recorded so I could share it with some of my readers who were out partying Friday night, instead of doing what my article says. It’s okay and I forgive you for missing it, haha. You may still have a listen, here.

Thanks for watching. I can’t tell you how much it means to have such a wonderful group of supporters supporting me talk about supporting one another.

This is a start to changing this city’s reputation. You choosing to do this is showing that you’re defying my theories of being crabs. This is exactly what I want you to do, show the rest of the world that we aren’t crabs. We care about our city’s talent reaching new levels of success. We want to see them do better. We want to show the rest of the world what we’re capable of. Let’s keep it up!

Let’s start by supporting Baltimore Flava Radio! Follow them on Twitter at @BatimoreFlavaRadio and Instagram at @BaltimoreFlavaRadio. Join their group on Facebook and get active. Share the love!

What resources do you think Baltimore needs to help artist here progress to the next level of success? Leave your comments below.

Do you think this city’s hip-hop scene is too worried about supporting who they know and not the art itself? Read Baltimore is Too “Cliqued” Up To Have Supporters on Doc’s Castle Media.

#NewBaltimore Or #OldBaltimore? We’re All Crabs!

It’s official. I’m convinced that the entire Baltimore hip-hop scene is confused about what creating a “New Baltimore” should be about.

This post was originally meant to be a recap of #NewBaltimore2, an artist showcase event that took place last Saturday in Baltimore. But that obviously changed as the event, itself, changed unexpectedly. The event was scheduled to be from 7:30 pm to 3:00 am, but ended up shutting down approximately around 12:15 am, leaving some music fans disappointed that they didn’t see who they were anticipating to watch perform that evening. BUT that’s not what I want to highlight in this blog. I want to talk about the event’s mission and if it was truly met this weekend.

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This was the second #NewBaltimore event. The first event was held around the same time last year and sponsored by the same people, DaCornerStore. I attended both events and have stated my opinion for both via social media. I will NOT be discussing how I’ve been scolded for my opinion on both events. I will say that people’s decision to attack me further pushes me to write why I believe we’re all still crabs looking for an exit from the rusted old barrel.

But as this topic of New Baltimore vs. Old Baltimore starts buzzing in the ears of people here, I want to emphasize my stance on the topic as a supporter of all art that comes from my fellow Baltimoreans. I attend all art events big or small; exclusive to the public or open to the public. I do not look to discriminate. I’m simply there to practice my art like many others who go to these artsy shows. I support everyone because I’m tired of this city’s talent being continuously overlooked. We deserve some recognition!

First, I want to say how proud I am of the turnout for #NewBaltimore2. There had to be around 200 people who showed up to support good music. I was even more proud to hear people in the crowd singing the lyrics to some of these artists music. It was all love and there was a lot of it. That’s something different from what I usually see while attending shows. I applaud the promoters for that.

So what’s circulating about this “New Baltimore,” (& I’m going off of what I’ve heard from talking to other artists on Twitter and Facebook) #NewBaltimore is here to provide a platform for the new, younger generation of artists, in Baltimore, as opposed to the older generations or vets in the city’s scene, who are said to have more chances and opportunities for their music be heard.

All of Sunday, I watched a few of the younger artists in Baltimore expressed their concerns, openly over Facebook, about how they’re not having the opportunity to “shine” alongside veteran artists due to a lack of support from those who throw, plan, and promote hip-hop events. Some say promoters are bias when choosing who to include in showcases and its unfair that they aren’t getting support similar to the veterans. But I say, this shouldn’t be a thought in anyone’s mind, at this point, because we all aren’t shit. (Excuse my French) But I believe it’s this state of thinking that’s causing a huge ruckus about what’s happening today. It’s when people dislike seeing other’s doing better than them that they make this artsy thing become a competition when in reality no one’s even signed to a major record label.

The controversy that comes with #NewBaltimore starts with its title as it points to the attention of something new happening within Baltimore. But what’s really new? I didn’t know that #NewBaltimore was meant to be a door for the newcomers to break into Baltimore’s hip-hop scene, rather than being about the attitude of people in this city, which is what we should be focusing on.

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Everyone’s attitude is the same. We’ve proven this Saturday that we’re crabs, still, because why is it that we show up to this showcase and not the other numerous showcases in Baltimore that has new talent each day. Did we really come to hear some good new music or was it the names on the flyer that drew us in? Were we, as artists, really there to check out the competition because these performers have reserved spots in a show while some of us in the audience aren’t? Some of us only get to perform one song at Love and Hip-hop Open Mic Night held at St. Mary’s Restaurant.

The attitude of local artists has to change if we’re seeking to be recognized. ALL artists need to reframe from placing themselves on pedestals and for once, in this hard knock city, and learn to truly support. Aren’t you tired of lagging behind other cities’ reputations as society portrays them to be places of progression when we have an abundance of fresh new sounds right in our backyard and the potential to be as great as the people who come out of Atlanta, LA and New York?

Come on, now. Majority of the people at #NewBaltimore have made some dent in the hip hop scene here. So I asked myself this question when I left. “Taylor, when’s the last time you’ve seen any of these people at an open mic? If they claim they love hip hop so much, why is it so hard to support someone else’s event? Why are they showing up because they know who’s throwing this event instead of celebrating the art?” I have not seen one person that I saw at #NewBaltimore at any other open mic in Baltimore. Eargasim, Monumental Mondays, Be Free Fridays, Love and Hip-Hop, the list goes on and these venues are ghost towns each week. Answer that! We’re not encouraging the artist at these events. We’re not pushing for something new.

I guess #NewBaltimore really opened my eyes to how many crabs we’re dealing with, even with the entire city knowing we’re stuck in a barrel. It’s not people who aren’t artist we should worry about getting to these show. First, we need to worry about living the lifestyles we glorify and speak of. We need to be changing our attitudes and supporting talented people regardless of their names. We need to come together, then encourage others to come out to support.

But I’m just a blogger and my words have no value because I’m not an artists myself. At least that’s what some of these new artist say. I’m just tired of writing about the same thing. Seven months later, I’m still saying Baltimore Is Too “Cliqued” Up to Have Supporters. I shouldn’t be scolded for what I’m observing. My observations aren’t far-fetched. There isn’t a new Baltimore, not yet. We still have time to create it.

But what do you think? Am I wasting my breath? Will we ever escape this barrel? Will the newcomers and the vets come together? Will artist support these other showcases around the city? Let me know in the comments below.

Have you read my last music highlight? Read Music Highlight: Quinn Shabaz’s Day One ft. Jimmy Apoet & Leon Dominick on Doc’s Castle Media.