Category: Creative Juices

Baltimore’s Shot By Swish Directs 4Da Streetz Tribute to Wiz Khalifa’s Kush & OJ

This ain’t just a mic drop. It’s a love letter to Kush & OJ. Directed by Shot By Swish. Inspired by legacy. Alissa Fere returns.

Donte Hutchins, a highly talented director and videographer known in Baltimore’s underground arts scene as Shot By Swish, was the perfect choice to craft the visuals for the 4Da Streetz music video. His lens doesn’t just capture moments. It translates legacy.

Swish and I go back over a decade. I can say our creative chemistry is unmatched. It’s rooted in trust, rhythm, and a shared hunger to elevate Baltimore’s voice. So when it came time to craft a visual tribute to one of my all-time favorite rappers, Wiz Khalifa, I knew Swish would bring the grit and reverence this project demanded.

I pitched the idea to Swish casually. This will be a mic drop video, not a full music video. He insisted on calling it a treatment once we agreed to collaborate. It’s my love letter to Kush & OJ. I told him this was a tribute to the master of Taylor Gang, inspired by my favorite song and mixtape.

“It’s the 15th anniversary of Wiz Khalifa’s Kush & OJ. I need to do something to show my appreciation,” I tell Swish during one of our weekly meet-ups in my art studio.

“Knowing how much and important Wiz Khalifa is as an influence to Alissa, I know for this to be her stepping out visuals, it’s extremely special to her,” Swish said.

Kush & OJ shaped many memories, inspired the song Jose (Liquor Talkin), and left fingerprints all over Alissa Fere’s story. It deserved a tribute that felt personal and cinematic.

Read: The Essay I Never Wrote—Until Now

This mic drop video had to stand apart because mic drop videos are everywhere. Most artists perform in front of a mic, delivering verses with raw energy. But I didn’t want to replicate what’s already been done on platforms like The Floaters or SpitCam University’s Instagram. I wanted something that felt like a moment, a moment similar to when Alissa Fere was recording in the Underground Dojo. A statement. A visual exhale.

4Da Streetz Mic Drop, 2025

Swish isn’t foreign to shooting these types of videos either. He immediately understood the assignment. His Instagram is a living archive of Baltimore’s creative pulse, recaps of milestone moments, portraits of ambition, and collaborations that turn ideas into impact. He’s not just a videographer; he’s a memory keeper. His work turns fleeting ideas into lasting visuals, and his journey reflects a belief I share: with vision and perseverance, anything is possible.

DJ The Rapper Int’l Players Anthem Freestyle

Shot By Swish

Shot By Swish Logo, 2025

Shot By Swish is the brand name for Donte Hutchins, a photographer and videographer with over 8 years of experience in visual media. He’s collaborated with legendary artists like Mary J. Blige, Gucci Mane, SZA, and Kendrick Lamar, and contributed to projects with major platforms including ESPN. His work alongside influential figures such as DJ Quicksilva and Lil Mo further cements his reputation.

But Swish’s heart is in Baltimore. He’s committed to elevating local talent and embracing opportunities that push the boundaries of his craft. His work on 4Da Streetz isn’t just a video — it’s a mic drop for a Baltimore creative culture. 

If you’re looking to book a shoot with Swish, hit up Shot By Swish on his Instagram. Whether you’re a seasoned artist or just getting started, Swish’s visuals can shape your legacy.

Have you heard 4Da Streetz by Alissa Fere? Watch the lyric video below.

Recording 4Da Streetz at The Lineup Room: Where Baltimore’s Sound Comes Alive

The Lineup Room is a Baltimore Hip Hop and Rap Recording Studio with mixes that are featured on Netflix, Billboard, and HBO. It’s the stomping grounds for many of the city’s creatives—Eze Jackson, TT The Artist, DDm, Mighty Mark, SU The Clique, Jay Ivy—who’ve all tapped into its production and engineering magic. The resume and notoriety of the studio alone is immaculate, and a big motivator for why I chose it as the location to record the official 4Da Streetz music video.

A Hub for Baltimore Creatives

The Lineup Room isn’t just a studio, it’s a cornerstone of Baltimore’s hip-hop ecosystem. Known for its professionalism and artist-first approach, it consistently rises above the noise of other city studios by nurturing talent and respecting the creative process. Whether it’s helping songwriters refine their sound or supporting recording artists in shaping their vision, The Lineup Room delivers with intention and care.

Beyond the booth, the studio plays a vital role in community uplift as a proud contributor to The Dream Bigger Community Institute’s flagship initiative, Beats Not Bullets, a transformative program that empowers at-risk youth through hands-on education in music production, sound engineering, and the business behind the art.

The Lineup Room Instagram. Sept 2025

I Chose the Lineup Room

I’ve recorded at The Lineup Room multiple times, working closely with engineers who provided exceptional customer service. The sounds were crisp—even before mixing and mastering. While being serviced at the studio, I worked with individuals who not only recorded my songs but also gave vital feedback and encouraged the development of a sound for Alissa Fere, my music persona and alter ego.

Now, let’s be real. While working on 4Da Streetz, I hit a few bumps. Some engineers were a bit shaky to work with. But what business doesn’t have a few bad apples trying to get a come-up? When I ran into issues, I knew my guy Brandon Lackey would make sure my project was handled with care. One quick call to an old friend, and he ensured I was satisfied with how everything turned out.

Read: The Music Highlight: Jose (Liquor Talkin) by Alissa Fere on Doc’s Castle Media

A Voice of My Own, a standalone chapter from 4Da Streetz The Book, traces Alissa Fere’s journey through Baltimore’s Underground Dojo, a space where raw experience meets lyrical truth. While her breakout track “Jose (Liquor Talkn)” wasn’t recorded at The Lineup Room, it’s the studio where the visual heartbeat of 4Da Streetz came alive. Filming there wasn’t just about location. It was about intention. The Lineup Room became a vessel for Alissa’s reclamation—a sonic sanctuary where she sparked a continuation of her story, embodying her voice, her truth, and her power.

Daniel Hess Interview with Brandon Lackey of The Lineup Room Studio

To learn more about Brandon Lackey and his journey with The Lineup Room, check out the interview with Daniel Hess of To Tony Productions.

This interview was awesome, mainly because they did it while coloring with Crayola crayons. Shout-out to the crayon plug. I love to color! Beyond that, it gave me deeper insight into Brandon, the owner of The Lineup Room, where he discussed the history and mission of a studio that’s been serving Baltimore artists since the early 2010s.

If you’re looking to book a session, hit up The Lineup Room on their official site. Whether you’re a seasoned artist or just getting started, this studio knows how to honor your sound and your story.

Have you heard 4Da Streetz by Alissa Fere? Watch the lyric video below.

Postpartum

Interlude:

This piece is about what happens after birth—the unraveling, the rebuilding, and the silence that surrounds it. It’s not a celebration. It’s a confrontation. “Postpartum” is the first in a series that names the struggle, honors the survival, and refuses to stay quiet.

So this is postpartum.

I didn’t expect it to feel like this.

I used to think it was exaggerated, just something women said to fill the silence.

But then I met it face-to-face.

And here I am.

The thoughts came in floods.

Not gentle waves, riptides.

Anxiety, I didn’t know I’d been carrying for years, suddenly had a name.

I thought everyone’s mind raced like mine.

I thought talking to yourself was just how people processed life.

Turns out, I was already surviving something I hadn’t yet defined.

I didn’t expect to be left when my son was six months old.

Didn’t expect his father to choose selfishness over family.

Didn’t know I was never part of his definition of “us.”

He was faking it.

And I was believing it.

I didn’t think betrayal would be part of my postpartum vocabulary.

But here we are.

I didn’t expect to still be in postpartum,

while raising someone who mirrored the man I was learning to unlove.

My son carries his father’s face,

with a flicker of mine tangled in the corners.

It’s a strange inheritance.

I heard the harshest words of my life

from the man I kept choosing,

even after he stopped choosing me.

And I was supposed to swallow them.

But how do you digest lies

When you’re trying to build a life rooted in truth?

I didn’t expect to carry most of the weight—

while promises dissolved into absence.

Fatherhood, it seems, was optional for him.

For me, it was never a choice. It was a vow.

Postpartum.

Is this something I was just supposed to know how to survive?

It’s chaotic. It’s loud.

Questions pile up like laundry I never asked for.

I’m overwhelmed.

but is it hormones?

Is it grief?

Is it just life showing up without warning?

I didn’t expect to lose people who once swore they’d never leave.

“Best friends” vanished.

Support systems crumbled.

The curtain dropped, and behind it,

I saw the truth:

I can’t depend on the same people who rely on me.

Not when I need them most.

What is a best friend when you’re postpartum?

When you’re not your most polished self?

When you need someone to just sit beside you,

without needing a reason?

I’ve asked for that kind of presence.

Unconventional, quiet, real.

But they don’t show up.

Not like I did.

And I don’t know why.

Maybe they don’t either.

Maybe silence is their only language.

Is it postpartum depression?

No.

This ache predates motherhood.

It’s the slow realization that some relationships

are built on expiration dates.

Outside of family,

Impermanence is the only promise I’ve ever seen kept.

I grew up knowing one thing for sure:

Family is what remains when everything else falls away.

But now, people want to pin my pain on postpartum.

They offer commentary like it’s comfort:

“Families look different these days.”

“Conventional love is outdated.”

“You’re strong—you can raise him on your own.”

They don’t get it.

I didn’t bring my son into this world for a situationship.

I wanted permanence.

Postpartum doesn’t excuse betrayal.

I didn’t expect to carry the full weight of shaping his future alone.

But I refuse to be a temporary figure in his life—

not when I’ve lived through too many of those myself.

Flashbacks.

Faces that faded.

Promises that dissolved.

I see the facade now.

I’m too blunt, too real, too rooted for people who only show up when it’s easy.

They can’t take me.

And I’ve stopped trying to be taken.

Turns out, it’s not postpartum at all.

It’s ADHD. Maybe bipolar.

Maybe just me—finally learning the language of my own mind.

I’m the one who’s going to know.

I’m the one who’s going to name it.

I’ve always seen the world in systems.

Now I understand why I’ve always felt like the outcast.

Postpartum?

My ass.

That label was never big enough to hold me.

I never knew my racing thoughts were tied to anxiety.

Never realized that what I called “normal” was actually depression,

threaded through years of my life like an invisible inheritance.

My mood swings?

They’re not character flaws.

They’re coded in my lineage.

And what is me—is not to blame.

I’ve always carried expectations this world doesn’t know how to hold.

They’ve called them unrealistic.

But I know how to reshape them,

How to bend perspective without breaking my truth

especially for the family I’m building.

The realization shook me.

Grief came in waves.

But this isn’t just postpartum.

This isn’t just a season.

These aren’t new wounds

They’re old truths finally being named.

And now, I know.

The blame was never mine.

The knowing is.

Postpartum is not.

But I empathize with the woman with postpartum, the one that people forget.

Have you heard 4Da Streetz by Alissa Fere? Watch the lyric video below.

No Egos Spared: A Woman’s Voice in the Echo Chamber

No Egos Spared marks a turning point in my writing—a conscious shift toward clarity without sacrificing depth. Through layered storytelling and honest critique, I examine the raw fault lines of creative community, betrayal, and resilience. This piece doesn’t just tell—it demands attention, challenging conventions with a style shaped by experience and sharpened by purpose.

I let him see the blueprint to my dreams—unrolled it in front of him like sacred scripture. I thought we were building together. But he used the plans to wall me in. Am I doing it because I’m a Gemini? Is it Fere’ that you want to see?

In the rooms where sound is supposed to matter—studios, stages, writing circles—my voice was often the most inconvenient thing in the mix. Not because it lacked strength. But it wasn’t his, and I asked too many questions. I needed too much help. God forbid him doing anything beneath him. He claims that he’s above it.

We had history. The kind that blurs boundaries between romance and artistic kinship. I believed that intimacy and creativity could co-exist. That if I bared my struggles and ambitions, he’d respond with support—not possession.

But some men in this industry respond to uncertainty not with curiosity, but control. When they can’t predict me, they try to contain me. When they can’t mold my message, they challenge my value. My art becomes a threat, not because it’s loud, but because it’s mine.

His jealousy wasn’t thunderous—it was tactical. It crept in through gossip, manipulation, and the halting of collaborations. He began favor-banking our friendship, stacking emotional IOUs like poker chips because he’s his mother’s child. Every compliment came with a receipt. Every gesture, priced. I didn’t realize our connection had turned transactional until I stopped paying—and the interest he’d quietly collected came due. “I already do too much for you, Taylor.” Well, excuse me if you chose to buy my son cookies for Christmas last year. I didn’t ask.

His whispers traveled farther than my melodies. A man with too much time and too little grace, spinning tales like rollers in a salon chair—comparing, competing, resentful of what he couldn’t imitate. Telling tales to uncommon realism as if he knew realism at all. He’s stuck in a realm believing that becoming a leader will give him everything his yearning heart desires. But all he’s doing is waiting for his mommy’s approval.

As women, we are trained in the choreography of making ourselves digestible—smiling through dismissiveness, softening brilliance to seem less threatening, praising fragile egos while our confidence starves. Mother fucker, I was quiet enough listening to your whining.

But I’m done tiptoeing.

This isn’t an indictment. I’m not here to name or shame. This is an elegy for the kind of bond I thought we had—a goodbye to the version of friendship where love came without listening. Laughter in between the smoke now is just leftover ashes in my 2002 Chevy Malibu.

When I create, it’s not for approval. It’s survival. It’s reclamation. It’s medicine.

So yes—these words are intentional. These metaphors are machetes, clearing space for my expression. Consider this not an apology, but a declaration:

He thought blocking my art would trap me in his silence. But silence is a room—I’ve kicked down the door.

I will not be silenced.

I will not dilute my art for the comfort of any man, mentor, or self-proclaimed “best friend” who flinches at my full volume. 

My story will be told—with fire, with elegance, and without permission. I’ll leak it.

Words crafted in my declaration. I will make sure you drown in Fere’s abbess. Now, who really wants to play chess with the queen of Doc’s Castle?

Have you heard 4Da Streetz by Alissa Fere? Watch the lyric video below.

The Power of Art: How We Saved the Creative Collective Art Gallery

I initially came as a vendor for Doc’s Castle Media to participate in a pop-up shop. Little did I know that my adventure would transform into an act of activism to save a beloved community space for Myrrh Made Queen and numerous artists in Baltimore.

The Creative Collective Art Gallery was on the brink of closing when I saw a Facebook post by Myrrh. She was offering a pop-up show space to any artist willing to participate in a protest to save the gallery. For the past year, the gallery had been a vibrant hub for artisans in the city, showcasing their creative talents and handmade crafts.

Creative Collective

The Creative Collective Art Gallery is the home and artistic haven of the Creative Collective Commyrrhnity, founded by Myrrh Made Queen in 2024 as an artist collective in Baltimore specializing in crafts such as body art, face painting, and canvas and mural artistry. The gallery provides a vibrant platform for artisans from all over the city to collaborate and showcase their talents alongside Myrrh Made Queen’s brand. 

The Creative Collective has become home to a plethora of canvas art events in the emergence of Sips and Paints, sparking excitement within the creative community. Events such as Sip and Paints, lively Karaoke and Paints, and even the energetic Twerk and Paint sessions are a testament to the lively and inclusive atmosphere the space fosters, which has kept the gallery full of life.

Myrrh Made Queen

MyrrhMade, pronounced like mermaid, is a freelance artist and owner of MyrrhMadeArt LLC. 

She specializes in a diverse range of painting techniques, from body and face paint to canvas art and murals. MyrrhMade isn’t just an artist—she’s an inspiration. Hosting a series of art events that champion self-love and liberation, her creations are designed to heal and uplift.

I love to dive into the lives of my fellow artists through social media, and Myrrh Made Queen stands out as one of the most genuine and raw talents you’ll encounter. If you’ve ever watched her Instagram stories, you’ll know she shares her authentic self daily, offering followers a glimpse into the life of an artist in Baltimore City. She doesn’t just create art—she lives it, embodying the essence of a true MyrrhMade.

What I admire about Myrrh is her uniqueness and resilience. She has built a dedicated following despite the challenges she’s faced. Her journey hasn’t always been smooth, but she exemplifies tenacity and the power of carving out your own path. As we watch her continue her journey, she inspires us all with her story of survival and success as a full-time freelance artist.

Saving The Creative Collective

When I walked into the Creative Collective, Myrrh shared her grievances about losing the gallery due to her business partner’s decision not to continue renting the space together. The landlord was unwilling to renew the lease without both partners’ signatures and planned an open house on President’s Day for potential tenants to tour the building.

In response, Myrrh transformed her impromptu pop-up shop into an act of activism to save her gallery. The creatives hoped that prospective tenants would be more interested in the art rather than renting the gallery. The idea was that if the landlord saw how the space brought life and vibrancy to the community, he might reconsider and lease the gallery solely to MyrrhMade.

When the prospective clients arrived that day, their curiosity turned towards the artists’ activities. They visited artist tables, inquired about creative works, and showed a genuine interest in the art rather than the lease. The open house ran for an hour before the landlord made an offer to Myrrh to lease the space for the rest of the month of February and March in the Charles Village community. The protest was a resounding success for MyrrhMade Queen.

Being part of the activism to save the gallery felt incredible. My son got to transform into his favorite Marvel character, Spider-man, and watch his mommy in action at work. Plus, I had the opportunity to sell some Doc’s Castle Art!

If you are an artist looking for a venue to host your event, the Creative Collective offers a welcoming space for the month of March. Just reach out to MyrrhMade Queen for inquiries.

Have you watched Last Call: Ex-Factor? Read Exploring Last Call: The Trivia Show That Unites Friends on Doc’s Castle Media.

*Article was reedited and republished March 4, 2025.

Just a Marvelous Time with Marvelous Oak (A Black Owned Wine Tasting Event)

During my visit to the Reisterstown Wine and Beer Tasting in 2023, I expressed the need for more wine festivals in Baltimore. It seems I’ve spoken a new wine tasting into existence by attending the annual Marvelous Oak Mo Wyne Cookout.

The Need for More Wine Festivals

Baltimore should have more wine and spirit tastings, particularly those featuring Black-owned businesses. I was fortunate to come across Marvin Parker in my ventures with alcohol last year. It led me to this wonderful event.

[Read We Need More Wine Festivals In Baltimore (A Doc’s Castle Recap) on Doc’s Castle Media]

Marvin Parker owns the Marvelous Oak Wine brand. I was thrilled to attend the Annual Marvelous Oak Cookout last summer. I loved seeing Black people enjoying themselves with cups of Marvelous Oak wine in hand.

The Marvelous Oak Experience

The star that sat gloriously in my cup was Marvelous Oak’s semi-sweet Malbec wine. At the picnic table, guests found a pitcher filled with sangria, using Marvelous Oak as its main ingredient. I enjoyed a cup while dining at the barbecue and watching the festivities. The atmosphere was lively, with guests grooving to line dances, playing UNO, and simply having a great time. The wine was smooth and stealthy, perfect for an enjoyable day.

Watch the 1st Annual Mo Wyne Cookout

About Marvelous Oak Wine Co.

Founded in 2022 by Marvin Parker, Marvelous Oak is a boutique wine brand dedicated to crafting exceptional, small-batch wines made entirely by hand. With a Level 2 WSET certification, Marvin brings expertise and passion to every bottle, ensuring a unique and memorable experience for wine lovers. Marvelous Oak also hosts exclusive wine-tasting events that highlight the artistry behind each vintage.

Posted on the Marvelous Oak Instagram page, there are details about an upcoming tasting event planned for March 29th! 

Have you been to any wine and spirit festivals in your town? Share your favorites in the comments below!

Exploring Last Call: The Trivia Show That Unites Friends

Well, well, well. We meet again, Mr. Karlito Freeze. This time, in a thrilling challenge thrown down by another Baltimore artist, Symone Hardy of Graphite Pulse.

In 2017, Doc’s Castle Media featured Karlito Freeze because we collaborated on a podcast when he was a former “intimate.” Whiskey Girl hosted the podcast back then, and things were a bit different with Mr. Freeze and me.

Listen to #LoveandHipHop Baltimore Featuring #StrongWayRadio and #DocsCastleMedia on Embrace the Crazy Podcast by Whiskey Girl (Gallery)

After years of silence over obvious things (our breakup), I reconnected with songwriter and aspiring multimedia mogul Karlito Freeze on a few art projects this year, with Last Call being one of our standout collaborations.

The chemistry between Freeze and me is unmatched and worthy of celebration. It’s why we return for Last Call Season 1 to showcase the same fire we exhibit on Ex Factor. It’s an exceptional example of building bonds beyond emotionally impactful differences we may have faced in the past. As a story may appear to end one way, it doesn’t mean it has to be the end all be all.

Sym’s, the host of Last Call, work is already so inspirational in Baltimore City. She captivates me because she’s a Baltimore Creative, just like me. You know, I love our people. I heard of Last Call from Freeze when he told me Sym was creating an experience bringing people together that I haven’t seen many people in Baltimore do before. I’m walking into the experience blind, not knowing what to expect, and only being told my opponent is my ex in a Trivia game. All that’s next came a gesture of the birdman hand rub and a declaration to Freeze that it was now, “Game on!”

Who knew I’d be such a trivia beast? Not me! It’s all thanks to the countless hours of Wheel of Fortune playing in the background at my grandparents’ house growing up. Trivia knowledge whispers to me even in my sleep. Freeze didn’t have a chance. The Graphite Pulse Last Call experience brings people together for a good time and plenty of laughter. I had a blast and would do it again if invited.

Who is Graphite Pulse?

Graphite Pulse is an art platform run by multimedia artist Sym, showcasing her art practices and the events she attends due to her incredible talents.

Follow Sym’s Instagram!

Last Call

Last Call is a lively trivia game show that brings people together for a night of fun, laughter, and mystery! With three exciting rounds, each featuring five random and entertaining trivia questions, players are tested on their knowledge across a wide variety of topics. But there’s a twist—the contestant with the lowest score at the end of each round must drink a mystery shot, adding an element of surprise and humor to the game. Perfect for families, friends, and communities, Last Call is all about creating connections, sparking friendly competition, and building camaraderie.

Watch Last Call: Ex Factor

How do you feel about couples collaborating on projects for their brands? Do you think it can be done? Leave your thoughts in the comments below.

Why not just be Cancel Culture for Halloween?… Again

The Doc’s Castle Media Halloween 2021 costume is a spinoff from a previous costume from 2019 when I wanted to be “triggered” for Halloween. So it’s considered part two. It’s what happens after a group of people take heed to a “triggered” person’s opinion and make it into a fact; the reaction. After someone is triggered, things get canceled.

I am Cancel Culture for Halloween 2021. It does feel a little redundant to do this again, but this year I decided to make my costume an interactive experience. Take the fake gun out of the picture, decorate my black shirt with a few quotes from a few canceled celebrities, and BOOM! I’m now an interactive game for people to play at my best friend’s Halloween game night.

I was “triggered” for Halloween 2019

[Read about me as a Covid-19 Germ for Halloween 2020 on Doc’s Castle Media]

I didn’t know what to do this year. Unlike previous years where there is a common theme that occurs in pop culture that’s easy to point out as a potential idea, this year was tough coming up with a costume. I don’t know whether it’s because Donald Trump isn’t president anymore, so the news seems quieter than the last 4 years he was in office, or if it’s just slow because the world is still coping with living in a Covid-19 era. News and current events in pop culture are a little dull. So it took some time to get the ideas flowing.

Cancel Culture is Alive and Thriving

There’s nothing that stood out more than the continued and non-stop outrage that people have on Twitter. It’s recurring and well alive online. People get angry over everything and anything. Everyone has a platform to share their anger. Those people who have an influence on these sites have more power than we think. Online angry mobs form having the say-so in killing multiple people’s careers. What once felt like it started with just the #MeToo movement is now a show stopper for everything wrong in society. Cancel Culture sweeps in sabotaging many people’s lives. We’re just living here like it’s okay.

It concerns me to think we’re living in a society that is sensitive to hearing opinions. How can we learn to live in a world where people think it’s better to cut ties with someone because their opinions differ, rather than to learn to accept to disagree and live peacefully and respectfully amongst each other? It’s now where someone could even cancel themselves if they aren’t too careful with the things they say or have said in the past.

There are many cases where celebrities can make comebacks from being canceled. Kevin Hart, Dave Chappelle, and the list grows with every celebrity who powers through. Therefore it is possible to make it out of the storm of online shaming.

[Read Cancel Culture Is Alive and Well in 2021 on Distractify.]

My Cancel Culture costume took part in highlighting 7 celebrities who are still canceled in 2021. I wrote the actions and quotes of these celebrities that caused them to be canceled on note cards and stuck them to my shirt to turn my costume into an interactive game for a Halloween Game Night.

Gamers capable of guessing who the quotes of these canceled celebrities belonged won candy because, of course, it’s Halloween night.

7 Celebrities and the Quotes that Got Them Cancelled in 2021

  • Bill Cosby
  • Da Baby
  • Derrick Jaxn
  • Ellen DeGeneres
  • Kathy Griffin
  • R. Kelly
  • Tory Lanez

Doc’s Thumbs Up: Kotic Couture Celebrates One Year Anniversary of Pink Durag A Few Weeks Before #DuragHistoryWeek

Kotic Couture celebrates their one-year anniversary of the official music video for Pink Durag ft. 310N this August 2021. And I can’t help to wonder if they meant to release the video for Pink Durag weeks prior to Durag History Week. Today I share in its glory by making the Pink Durag featuring 310N official music video the latest Doc’s Thumbs Up feature on Doc’s Castle Media.

Kotic and I go way back to 2016 working for Baltimore pop hits radio station Today’s 101.9 as promotion assistants. Thank God we’ve evolved from those humble beginnings. I always loved Kotic’s straightforward tell-it-how-it-is attitude. So when they told me who they really are outside of working at the station, I kept following them closely on all their social media so I can watch their musical journey.

http://www.instagram.com/p/CFmw3-Up_Y7/?utm_medium=copy_link

Kotic makes waves in Baltimore like no other. From appearing in the Netflix documentary Dark City Beneath the Beat, DJing, and opening up for other musical artists in Baltimore, to hosting parties at arts and entertainment venue Crown in Baltimore, Couture alerts are from every direction in the DMV and tri-state area. Obviously, the couture is juicy because the Kotic buzz has been busy for a while now. They also appeared in Spotify’s DMV Ripple Effect Playlist as a feature on Miss Kam’s FTCU along with Ddm. Finally, as of recently, they’re traveling more booking gigs across the east coast from New York City to even DJing in the PBNJ Block Party club music tour on August 28th in New Jersey. Like, is this Kotic giving us all that they got? …because gah!

http://www.instagram.com/p/CS92nHpL001/?utm_medium=copy_link

Kotic Couture Pink Durag ft. 310N Official Music Video

Pink Durag is the Doc’s Thumbs Up feature because it’s long overdue. The video premiered last August while I was still learning how to build this website. Now, I remember while Kotic celebrates its one-year release via Instagram. I’ll say this post is better late than never because they deserve all the recognition they can get with this one.

In honor of #DuragHistoryWeek, Kotic Couture is here with it. Though there isn’t a durag insight in this video, the message is as strong as its staple in the black community. Kotic shares with us via email the idea came during the pandemic after watching, what felt like consecutive, fatal killings as a result of police brutality. “The deaths of George Floyd, but specifically Breonna Taylor and Oluwatoyin Salau, left such an impression on me. I was tired of screaming on the Internet. I literally had to tell myself to calm down so I started working on music.” Out of frustration, the song was born. 

The production and visuals of the video are fire, but the overall message is what should take you away. Breaking barriers from what society pictures as the norm is what makes Kotic one of my favorites in Baltimore’s art scene. They can really put on a show defying the odds and truly showing who they’ll be.  But listen closely to the spoken word closing out the video.

Kotic narrows our attention on Oluwatoyin Salu, a 19-year-old BLM activist who was murdered days after protesting for George Floyd in Tallahassee, FL. Her murder highlighted the notion that despite being the backbones of communities and large movements, Black women still face a high risk of facing a violent end. I love that Kotic took a moment to bring this message to the forefront. It is what truly should be on our minds in her case. The music video defies stereotypes, sure. This breeds a fire 🔥 reaction in itself. But Kotic is also spitting a message American’s need to hear.

The sound and video are a bit different from the usual fast tempo or club banger from Kotic. “The last time people saw a visual from me it was loud and colorful,” Kotic shares. Pink Durag is quite different which shows, early, them to be versatile through maneuvering genres. With this skill, we can expect them to work with numerous different artists in the future. Wow, oh wow, at what we get coming from little ole Baltimore, hmm?

Durag History

Over the course of a decade, summertime is designated as an hour for black people to ride the Durag wave. In September 2014, Durag History Week was declared by Van R. Newick II in a thread of memes via a tweet and Black Twitter went wild. Black people started to come together yearly in honor of celebrating durag history by sharing their favorite durag memes on social media. A few years later, visual artist and activist Dammit Wesley initiated the 1st annual Durag Festival in Charlotte, NC to showcase its history and dismiss the stereotypes associated with black hair and black culture. Just this year on Juneteenth, black folks in NC celebrated its 3rd annual durag celebration, and on July 25th the residents of Milwaukee saw their 1st durag festival. What’s to say that these durag traditions won’t evolve and carry on to more cities and states.

[Read more on “The Renaissance of the Durag” by Alisha Acquaye via Allure]

I wondered if there was any relation to releasing Pink Durag the time black people love cherishing durags so much. Actually, Kotic told me the durag didn’t have any influence on the song at all. “I definitely didn’t wear a Durag on purpose. I never want to be too predictable or cheesy and the song had nothing to do with Durags, that’s just the metaphor for things sitting on your mind, so I didn’t think that being in the video needed to be represented.” I guess I’ll scratch the idea of Kotic touring in Charlotte and Milwaukee offering to perform Pink Durag for next year’s festival is officially off the table. 

What do you think? Do you like the video? Share your comments below.

Doc’s Thumb’s Up: Miss Kam FCTU featuring Ddm & Kotic Couture

Baltimore Artist Miss Kam is a force to be reckoned with creating buzz for herself straight out of BMore. She releases our most recent Doc’s Thumbs Up feature this month. The official video for FTCU featuring Ddm and Kotic Couture dropped in early June, and what can I say? What better song to pick from the Tew Faced album to be this LP’s first visual piece of art, than FTCU?

Miss Kam has been on the Doc’s Castle Media radar for quite some time now. The first time I saw her in action was in a cipher for Beet Trip Episode 60 summer of 2020. A year later, she creates buzz traveling for her musical performances and collaborating with other talented underground artists. Her efforts aren’t going unnoticed. Miss Kam is bursting out from the shadows so much so she mentioned in an interview with The Working Title Podcast that she’s even gained attention from the legendary hip-hop artist Missy Elliott following the debut of her We Are The World featuring Zadia official music video. So this lady is certainly a big deal.

Miss Kam released her LP Tew Faced last December 2020 via Bandcamp. It’s definitely worth blasting in your car, or even maybe in some headphones during your work shift since that’s how I listened. The LP is composed of 14 original tracks and features five other local Baltimore music artists. Awesome is she that the previously featured Doc’s Thumb Up artist for Faded, T.Ali is one of the honor guests.  Mentioned in her Bandcamp biography, Miss Kam “sets the tone with her rich, yet gritty contralto voice; all while being paralleled with angelic harmonies and unique production.” While she creates this audio art, she makes it “clear on delivering the audible conceptualization of what it truly means to be a Gemini.”

Miss Kam is definitely a “make it happen” queen. She understands the power of social media and uses it to promote original content. Simply check her numbers. She always keeps her social media booming running up retweets and likes while posting weekly freestyles and supporting other artists in Baltimore. My favorite campaign to watch is Freestyle Fridays when she posts new weekly freestyles for social media followers. She’s also a huge supporter of Bandcamp Fridays, a day when listeners can purchase music and an average of 93% of their money reaches the artist/label (after payment processor fees).

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Miss Kam often creates campaigns to promote her music and encourage the support of her peers. She collaborates with local business entrepreneurs promoting natural skincare and haircare products. Last summer she launched a campaign selling self-made beanies to raise money for her Tew Faced campaign. Doc’s Castle Media supported by purchasing and we received such a thoughtful note from the queen.

All this greatness said about this goddess, we want to give her her props where it’s due and grant FTCU with a Doc’s Thumbs Up for the hard work she’s putting in. 

FTCU features two other Baltimore’s hip-hop artists Ddm and Kotic Couture, both artists and representatives of the LBGTQ community, and also advocates in Baltimore’s Club music culture. They both made appearances in the club culture documentary Dark City Beneath the Beat directed by TT the Artist. Miss Kam couldn’t have chosen a better duo to shut it down for the video. Stylish, poised, and polished, yet still giving us a jab of fierce savagery through their lyrics, they definitely band together to show us how they come to “fuck the check up.” The track truly is giving us Gemini vibes. I’m a Gemini, myself. So I approve this message.

Watch full Video to FTCU featuring Ddm and Kotic Couture 

Listen to Miss Kam’s Tew Faced by visiting her Bandcamp.

What do you think about FTCU? Let’s start a conversation. Leave your comments below.