Taylor "doc" Walker Archives - Page 5 of 10

Quality Vs. Quantity (Part 2): The Lack of Distinction In Baltimore’s Underground Media is also Why Baltimore Lacks an Art “Industry”

As we should all know, the media helps shapes the perspectives and minds of many that stay abreast of current events. There are millions and millions of people in the know of what’s happening around them. They take what they read and watch on news outlets as fact. It shapes the way each individual chooses to live their life. Most importantly, it’s extremely influential in molding the opinions of people participating in buying and selling. More recently we’ve found it’s one of the leading factors as to why America is in so much turmoil in politics and policy with our current president. So this is why I cannot overlook critiquing Baltimore Media in my second post of Quality vs. Quantity because, with or without media, it continues to be influential to Baltimore’s art culture.

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Indie Media has the ability to mold the careers of inspiring artists by helping them move from 0 to 100 through merely talking about an artist’s successes and downfalls. From covering an artist’s success when they have a breakthrough project to talking about movements that aren’t too favorable to the progression of an artist’s career, the media has the power to make or break whether an artist will make it to legendary status.

Having this knowledge that the media has this much an impact in shaping an artist’s career should be the leading factor for why artists should be involved with getting to know their local underground media like the bloggers, podcasters, and many other commentators who are fans of the city’s art culture.

Artists and media need to work hand-and-hand in the progression of the industry of Baltimore’s art culture. But somehow the light bulb hasn’t powered on with that idea and there’s is a big gap in linking the two.

Why is Baltimore Indie Media not helping the Baltimore Art Culture Progress into an Industry?

Traditional media is falling by the wayside as more journalists are left without work. There are fewer printed newspapers and more online news sites. But passionate journalists work hard to continue to do what they love; by recording the history of which they currently live through. They do this on more accessible platforms that some of these journalists invest in on their own.

Underground media has little to no funding to push its indie brands. This leads them to depend heavily on instant gratification online. No longer are they going to work for large media companies aiding them with story leads and money to put food on the table. They report where most people spend their time in order to get recognition, which means social media is where the majority of these outlets can be found excelling.

But if they all can be found on the same platforms, it means most media has the same story leads. They all report about the same things. One great example is knowing about Baltimore’s own comedian Monique’s recent battle with Netflix. Everyone knows she’s called out the black community to a boycott. But, I can bet you that no one can remember which news sites reported the Monique story first.

Major outlets, like the Baltimore Sun, 92Q, Fox 45, and Baltimore Magazine are not the only sources for breaking and entertainment news in the city. There are a plethora of small name underground websites, blogs, podcasts, and magazines that flood social media with opinions about current events on a daily basis. If more local artists and media worked together to saturate the internet with UNIQUE stories on smaller platforms instead of focusing on what everyone else is reporting, we wouldn’t have to see recurring topics on our timelines.

How many times are we going to talk about the same stories? How many times will we only talk about Young Moose or Lor Scoota like they were Baltimore’s only rap artists? Or why aren’t local media coming up with new creative ways to highlight an artist on their websites without doing the usual “get-to-know-the-artist” interviews of creatives who nobody knows about on their podcasts or blogs? There’s a lack in the quality of content in the media that’s similar to the lack of quality in the artists. I think it’s time we stop ignoring the lack of distinction in media if we want to work towards the change I spoke about in my previous essay Quality vs Quantity Part 1: The Saturation of Wanna Be Artists In Baltimore Art Scene.

Underground media in Baltimore city are not exempt from the numbers of individuals seeking to be the voice of the culture. Like many artists and entrepreneurs, inspiring journalists seek to be the “it” factor for change in Baltimore, as well. Everyone wants to be a legacy. But each platform shows proof that following the same formula doesn’t help push progression. We have multiple online radio stations in the city that follow a similar strategy for marketing and studio production, which shows there’s little research done to help each radio brand standout amongst larger successful media. We have podcasters whose production comes off parallel to the other, which shows there’s a lack of research for what’s actually working that’s helping successful podcast accelerate. It’s easy to tell who’s taking the necessary steps to push their brands and who’s not. Who’s going to be our leading TMZ of the city- breaking all the details of our industry if these brands can’t differentiate themselves?

Being similar isn’t the only thing that’s keeping Baltimore’s Underground Media from helping progress the art culture…

The rise of social media brings a wave of opinionated perspectives from every crevice and corner of the Internet. People are not afraid of sharing their thoughts online. But there comes an increase of sensitivity to the opinion that has arisen which makes me concerned about the status of Baltimore City’s urban art culture. More people are sensitive to opinions, and it’s one of the reasons Baltimore’s art scene is lacking genuine underground media outlets willing to step up when it comes to critiquing Baltimore artists. This is a problem because constructive criticism is what Baltimore artists need in order to improve their crafts.

There is a downfall of quality in even the highest-rated of underground media. I believe it’s caused by the lack of direction of each company’s branding techniques, and the additional pressure to chase lead stories. What we’re experiencing as readers and followers of pop culture is brands fearing their power being lost because they’re considering readers’ opinions of what they share. Instead, these companies should be focused on pure facts of what’s necessary to share and not what’s going to make them popular.

The integrity of emerging media is at stake alongside the quality of artwork being circulated. Both sides need to take a moment to pause when evaluating their influence in Baltimore’s Art “Industry.” To improve the stance of our industry, the questions that should be asked by both artists and underground media are “what am I doing to help the current art community,” “Am I making a positive or negative impact in this culture,” “Is what I’m doing necessary for this industry’s growth,” and “Are there any other platforms available currently doing what I do that I can collaborate with and add my input?” Once creators can answer these questions with the benefit of the city’s culture in mind and become successful in getting implementing their findings, then maybe we will see a change for the better?

What do you think? Do you believe the underground media outlets in Baltimore have an impact on the stance of Baltimore’s Art Culture? Leave your comments below.

Did you read about the grand opening of Baltimore’s first ever Mini Hip-Hop Museum? Read Why Every Baltimore Artists Should Have Attended the Grand Open of In My Lifetime: MHHM on Doc’s Castle Media.

Why Every Baltimore Artist Should’ve Attended the Grand Opening of The In My Lifetime Mini Hip-Hop Museum

On the weekend of Jan 19, 2018, history was made in Baltimore. For the first time, there’s a Hip-Hop museum opened in Baltimore city! As a follower of the culture in Baltimore, I speak for many when I say this is a much-needed space for aspiring artists in this city.

Located in the same building as The SAND Gallery, an art museum formerly known as the Incredible Creations Art gallery geared to showcasing the talents of the visual arts of people in the DMV and Baltimore region, the In My Lifetime: Mini Hip-Hop Museum premiered with a similar mission and to also to preserve and educate about hip-hop culture. There has never been a place in the history of hip-hop to be solely dedicated to the preservation and advancement of hip-hop culture until now.

The grand opening took place the entire weekend; from Friday to Sunday. Each day had events catered to educating and informing artists about discussions in hip-hop. The weekend at the museum was filled with book signings, workshops, and discussion panels. Each day was geared toward helping people who were seriously passionate about improving their career in hip-hop.

I decided to attend the grand opening on Friday for the Put Yourself On Discussion Panel. It was a panel that every artist in Baltimore should have made their duty to not miss because it had the right information needed to be heard for any artist who wants to take their career to the next path.

Four panelists who are participants in Hip-Hop Culture shared valuable information on how knowledge gained through fully indulging themselves in hip-hop helped push their growth in their individual fields. To name a few professions that took the floor were artists managers, producers, DJs, publicists, former rap artists, media, and brand ambassadors. Each panelist came from a seasoned background within the industry and with useful input of more than what’s in the forefront of our television screens.

These curators came with tips from avenues many artists who are eager to excel in Baltimore’s art culture are quick to omit. Some advice shared were tips on how to study people who inspire an artist’s craft, how artists should measure progression through monetization and not online attraction, the importance of staying relevant and aware of current events and entertainment news, and staying genuine to what’s desired instead focusing on being ahead of the opponent.

The material picked up at the panel could be applied to anyone pursuing a career in arts, not just people invested in hip-hop. I believe that’s why the audience was so engaged in the conversation. It was more than just about rap and the Baltimore Rap Artist. There were producers, songwriters, and even visual artists present nodding their heads in agreement with what they took in. Because the information was presented generally, I make the statement every artist should have come to the museum’s grand opening. These are resources artists in this city often complain about lacking.

As mentioned before in the first installment of my blog series Quality Vs. Quantity (Part 1), Baltimore’s art culture needs more resources to help artists improve their approach to building a legacy of brands. The In My Lifetime: Mini Hip-Hop Museum is well on its way to becoming one of those sources to help artists improve their quality. The kickoff Put Yourself On Panel was an eye-opener and extremely helpful first attempt at its premiere.

It’s looking up for the “urban” art culture in Baltimore as we see more avenues readily available to help artists. Places like Impact Hub and events like the Baltimore Beat Club help provide resources for improvement and exposure. Artists need to be aware of taking sacrifices with choosing to invest in their career progression. There are more than studio sessions and basement rap.

There has to be a way to publicize the importance of improving their quality to artists. I assume the best way is to keep talking and sharing the little things we do have and spreading what the benefits are when utilized.

But what do I know? I’m just writing myself into existence….

What do you look forward to with the opening of the In My Lifetime: Mini Hip-Hop Museum in Baltimore? What do you think it can offer to the DMV? Leave your comments below.

Have you read Quality Vs. Quantity (Part 1): The Saturation of Wanna Be Artist In Baltimore’s Art Culture? Check it out on Doc’s Castle Media.

Quality vs. Quantity (Part 1): The Saturation of Wanna Be Artists In Baltimore’s Art Culture

This blog was bound to come. For it’s been brewing for me to bring up this topic for a couple of years since my article Baltimore is Too Cliqued Up to Have Supporters. I never knew how to approach it until now after years of living as a writer, artist, and social influencer in Baltimore’s Art scene. It’s not until now that I know how to express my observations on what has changed, and what we as artists and influencers should be doing to finally let go of our crab in a barrel mentalities and work together to show the value of our city.

I decided to write a four-part blog series about the quality of the Baltimore arts scene since I’ve become a participant of the culture in 2013. When I began frequently attending open mics, showcases, and other artsy events in the city, I met a lot of talented people while writing about my experiences. I learned that this culture is constantly changing but there’s a stigma that remains were artists fight for support. Though I haven’t heard the saying “Baltimore city artists are crabs in a barrel” thrown around much this past year, this city has not overcome it. So I thought I’d reflect on some of my speculations.

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It all starts as a response to my friend and blogger of Uncommonrealist Shae McCoy who discusses her sudden lifestyle change as her opinion for Baltimore’s Art scene changed in her December 2017 article “Becoming an Introverted Creative: Being Seen Ain’t Always Peaches and Cream,” I’ve found a lot of bloggers and artists, including myself, who once took a front seat in being influencers of their crafts slow down and become more reserved since the 2015 Baltimore Uprising while a plethora of newcomers stood in a line waiting for their glorious turn to have their shine in the front seat. There was a slew of folk taking larger interests in things already innovated in the present art culture, and until this day there remains a culture of creators lacking originality; very few creating a lasting impact for “real” talent represented in Baltimore.

Shae discusses her shift to becoming an introvert having sparked from observations of the social environment that surrounds Baltimore creatives. With this generation’s desire to chase instant gratification, Shae finds that she isn’t a creative that resonates with the fascination of social climb visible on social media. The temporary fame that follows instant gratitude lacks substance and becomes similar to debates contrasting quantity and quality. For people who want to be remembered for what they spend most of their lives perfecting, building a legacy is what’s most important for many artists in Baltimore. Shae doesn’t believe that a legacy can be met focusing on the attention attracted through staying abreast on social media and each amount of likes on a post does nothing but temporarily boost self-esteem.

There is more to the artists that meets the eye. Have we forgotten why we like art? Have we forgotten why we pursue these artistic dreams?

Why has the art scene in Baltimore become much more saturated with people pursuing similar passions?

As social media usage breeds more creators and self-starters, an increase of there being less unique content fills the pages across our browsers. Everyone who wants to be anyone creates startups for podcasts, blogs, vlogs, websites, and more. There are more rappers, painters, party promoters, models, producers, photographers, videographers, graphic designers, and clothing designers. The scene is lacking originality and a true understanding of good branding because everyone wants to do the same thing. It comes off as people being more ready for their big break and quick fix.

Published Book by Baltimore Photographer Devin Allen

Could these newcomers be looking for their craft to become their savior? Influencers like D. Watkins, author of memoirs The Cook Up and The Beast Side, Devin Allen, photographer and author of A Beautiful Ghetto, and Kwame Rose, activist, and public speaker during Baltimore Uprising, gained recognition and a social following for their talents after the tragedy of Freddie Gray’s death. They sparked a career in their passions that people see and admire with the help of the Uprising. People from around the world seek to hear the stories of Baltimoreans during a time of adversity and these people showed a promising perspective while using their talents. They also received support from many locals because they presented a story of our city that we could all agree upon.

I once mentioned during the Uprising artist should take this moment to share what makes Baltimore city a great place to live. We should shed light on what’s positive happening rather than focus on what national media wanted to report. But never did I think that everyone would jump the gun to use their art to grasp the attention of the world.

With the rise of these artists came the many crabs of the city still seeking the same gratification. But three years later, it’s evident these crabs were not understanding why these artists were getting genuine love and support from locals. Baltimore is known for its crab in a barrel mentality; which means whenever people see others succeeding they generally find ways to hold those reaching success back by not lending support or by offering alternatives that could ruin their positive climb.

In the case of the many crabs that have emerged, there isn’t much of a pull to hold others back lately, rather a saturation of the culture. There are too many people doing the same thing. There are too many artists providing a solution to an issue already resolved by other artists that paved the way for recognition. Everyone wants to provide a platform for artists to showcase their talents. Everyone has an open mic. Everyone believes they have the “it” factor. The list goes on.

We used to hear, “Everyone wants to be a rapper.” We would hear it so frequently that we coined the term “Baltimore rapper” and knew immediately the persona of that individual. Now everyone wants to be anything they see another person doing within the arts. The entire country was watching us at our worse, and Baltimore artists decided it was a show-and-tell for literally everyone.

It could be the number of likes a successful artist gets that crabs start snipping at their glimpse of hope. But that should not be the general mission for building a better reputation for a city that’s constantly slandered in national media.

We as influencers do not chase likes. We chase a legacy. We strive to be the change the Baltimore city needs. We are the positive images opposing HBO’s The Wire, a series that outsiders praise and uphold as what they think is a true representation of Baltimore city. We are the people that work hard to erase those negative stereotypes. We cannot reach change chasing views and likes on Instagram or Facebook because those likes are only temporary. Those are only platforms that assist in the bigger picture.

I don’t believe it’s doing the Baltimore Arts Scene much justice having so many artists doing similar things, instead, people look like they’re incapable of being authentic. Artists that come after innovators are viewed as trend followers rather than trendsetters. That isn’t what true pushers of the Baltimore Arts culture wanted. The art culture in Baltimore is unique once you stumble across true gold. But saturation pushes the talented and influencers away from being the great representation the city needs. Thus why we hear so many people believe they must move out of Baltimore in order to truly gain the recognition they desire.

Why should we need to move away to get what we deserve? It should start at home, as it did for Rose, Allen, and Watkins. An artist who has real talent must bring the spark that makes an audience adhere to a story worth hearing. It must be original. They must work hard and strive for their legacy. It won’t happen overnight or in an instant with a click or like.

The quality of our cultural scene is still thriving because there are so many people that participate. But there should be more resources available to help artists own up to a legacy they see within themselves. It’s not enough if the artist is the only one who sees their own potential. Alike does not confirm that a message has been met, and there is a desperate need for someone to force these crabs to wake up smell the coffee.

What do you think? Is it a problem that there is more artist striving to do the same thing? Do you think Baltimore is on the right path to playing in the fields with artists who come from Atlanta, LA, and New York? Leave your comments below?

Have you read about DaCornerStore’s attempt to create a #NewBaltimore for hip-hop artist in Baltimore and my opinion of how it was a drastic fail? Read NewBaltimore or OldBaltimore? We’re all Crabs on Doc’s Castle Media.

FOOD: Kora Lee’s Gourmet Desserts in Baltimore #BusyDoingNothing Interview & Review (Watch Episode 27 of BDN Podcast)

On September 6, 2017, not even a full 3 months away, was the birth of another successful small black business in Baltimore, MD. Hellooooo Kora Lee’s Gourmet Desserts and Brunch! It’s about time I got around to sharing some new black excellence on Doc’s Castle Media.

Kora Lee’s Gourmet Dessert and Brunch is located in downtown Baltimore, directly off light rail stop of N Howard Street and W Monument Street. The neighborhood looked sketchy but what can anyone expect dinning on Howard Street, where more than half of the strip is out of business and filled with vacant buildings. But I digress because that’s a topic for another blog.

I visited this Gourmet shop while accompanying my fellow co-hosts of the Busy Doing Nothing Podcast to interview the owner of the newly open spot on Howard Street. Our faces were greeted with friendly faces as soon as we walked in. It felt like walking into your aunt’s or granny’s house on a Sunday afternoon.

The atmosphere was great. As soon as I walked in the door, I felt like I was visiting a close aunt as I caught onto the music vibes. Classic MJ played on the radio as we waited to order some southern style brunch. I had to remind myself where I was when Thriller came through the speakers because I was ready to get in-formation to perform the infamous Thriller dance. I was ready to dance for my food.

Chris, Jill and I placed our orders. I ordered The Lanrane, a southern styled cheddar biscuit smothered in creamy gravy, itsy-bitsy bites of sausages, and a side of sliced tomatoes sprinkled with parsley leaves. I’m drooling as I’m writing about it while recalling the exact taste my taste buds experienced that afternoon. Such creamy goodness surpassed all cheddary biscuits I’ve ever tasted including Red Lobster’s famous cheddar biscuits.

Jill and Chris enjoyed their dishes too. So much so they didn’t dare to demolish them on camera. They savored them for once the interview with Kora Lee was done. But as for me, it became RIP to my plate. I was “hangry” and couldn’t wait.

During our interview with Ms. Kora Lee, we discussed many topics. Just to touch on a few, we discussed her motivation to open her restaurant in Baltimore, whether she gains a lot of support from other Black people and businesses, and what’s new to expect from this young but thriving small business.

View the full interview with owner Kora Lee of Kora Lee’s Gourmet Dessert and Brunch via the Busy Doing Nothing Podcast, below.

What’s your favorite small business to support in Baltimore? Share with our readers in the comments. Let’s start a movement to build non-traditional business customs.

Be sure to like Kora Lee’s Gourmet Desserts and Brunch on Facebook, and other social media, to keep up with events happening at the restaurant.

Have you heard of the Busy Doing Nothing Podcast? Read Doc Finally Joins A Podcast Series as a Regular on Doc’s Castle Media and learn all about it!

Lite Work Chalk Work at Madonnari Art Festival 2017 (Gallery)

I just love art!! It is truly is my first love. Since I was 10 years, I’ve had an appreciation for it. But more and more as I indulge in the Baltimore Art Scene, I’m inspired and reminded consistently why art is forever the first love of my life.

It provokes thought and emotion from something so inanimate; without speaking a single word.

To start off September 2017, artsy Baltimore memorized a plethora of eyes throughout a number of Art festivals over the weekend. To name two Festivals with outstanding attendance, art buyers pondered creations at the 1st Annual Sticky Buns Festival hosted by Appreciate Arts located on the Ynot Lot on North Avenue, and the 44th Annual Catonsville Arts and Crafts Festival in the midst of Frederick Road. But there was little attention given by my artsy peers to the art festival I attended.

Madonnari Art Festival 2017 is where I chose to feast my eyes on beauty. It was THE festival that truly made my eyes twinkle watching numerous artists work on their creations live in action, and inspired me to get into visual arts, again.

Madonnari Art Festival is annually in Little Italy, East Baltimore. This year is its third year. But the art form isn’t new to art culture. “Madonnari” has been going on since olden times. The festival is known for the immaculate pieces of chalk artwork created directly on the Baltimore City street’s asphalt.

While festival-goers stare in awe at each artist’s masterpiece, they also partake in visiting the stores and restaurants in Little Italy. But the apple of everyone’s eye for the weekend was focused primarily on the chalky artwork below their feet.

There were over 40 artists from around the country who came to Baltimore to participate in Madonnari. Some competed for prize money, and many like me came to experience the essence of the festival.

There was a variety of pieces that ranged from modern, contemporary, abstract, and even African art. So there could be a piece of every type of art to enjoy on on street.

While walking throughout the festival, you can catch some artists in the middle of their work concentrating on ways to appeal judges of the chalk artwork. Three of the judges were Master Street Artist Michael Kirby, WJZ-TV anchor and reporter Denise Koch, and Christine Sciacca, Associate Curator of the Walters Museum.

Winners of the art festival were chosen based on art categories of contemporary and classical. The winners of the 2017 Madonnari Art Festival according to Madonnari Art Festival website are as follows:

Contemporary Category
Ketty Grossi for “Black Mamba”- 1st
Ever Galvez for “Wild Horses”- 2nd
CarlosAlberto GH for “Freedom to live without fear”- 3rd
Erik Greenawalt for “Cap. Harvey West, Our Guardian of Freedom”- 3rd
KC Linn for her rendition of the Shepard Fairey posters from the 2017 Women’s March on Washington – Honorable Mention and People’s Choice

Classical Category
Katie Better for “Harriet Tubman” – 1st
Tomoteru “ToMo” Saito for “Butterfly Fairy” – 2nd
Dave and Shelley Brenner for “The Birth of the Flag”- 3rd
Francesca Arsi for the “Renaissance Woman”- Honorable Mention

High School Awards
Concordia Prep for “Modern Madonnari” – Classical
Baltimore School for the Arts for “We must fight for our freedoms”- Contemporary

What do you think about the Madonnari Artwork? Would you go to the 4th Annual Madonnari Art Festival in 2018? Leave your comments below.

Have you heard of Walk-A-Mile In Her Shoes event, where men put on a pair of red pumps to spread awareness of Domestic violence in Baltimore? Read GBMC Working to End Domestic Violence Through Gender Role Reversal on Doc’s Castle Media.

GBMC Working to End Domestic Violence Through Gender Role Reversal? (Gallery)

We’ve already seen the backlash of the RompHim on social media but how do you feel about men switching roles for a good cause?

Like every year, Spring 2017 is a season full of weekends for 5K Walks and Celebrations. This spring I went to a total of three 5K Walks, one of those walks being the GBMC Walk A Mile In Her Shoes 5K event, one of many programs geared to the education and ceasing of Domestic Violence amongst both Women and Men.

The GBMC Walk A Mile In Her Shoes event was organized by the Greater Baltimore Medical Center’s SAFE Domestic Violence Program, a program that provides crisis counseling, safety planning, advocacy and resource linkage for GBMC patients. It’s the only hospital in Maryland with such a program with as many services that it provides for its patients. The program helped aid over 300 individuals in 2016. Hearing a number as high as that lets someone in on the seriousness of domestic violence and the dire need for people to come out to support a cause to spread awareness.

The 2nd Annual Walk A Mile In Her Shoes 5K Walk was a huge success. Sponsors and participants raised over $41,000 to donate to an important cause. Three of the biggest sponsors of the event were Towson University, Auxiliary and Sheppard Pratt Hospital. Many others contributed in other ways such as entertainment and providing brochures and pamphlets of information about abuse. Giants Food Supermarket donated bagels, coffee, and CBS Friends and Neighbors Campaign provided music and free prizes to participants in the walk.

The GBMC Walk A Mile In Her Shoes event was full of a welcoming amount of over 250 walkers, a number that the chairman of the SAFE program Laura Clary hopes to increase in the coming years while they continue to organize events similar to Walk A Mile In Her Shoes.

Though a number of men only wore heels during the opening ceremony of Walk A Mile In Her Shoes, it served a great purpose of expressing empathy for the many women of domestic violence. Even if it only was for a few minutes, these men showed their concerns for the many women and men subjected to mental, physical, and emotional abuse.

View more photos of Walk A Mile In Her Shoes in the gallery below.

Domestic violence is an issue I’m very passionate about because I have love one’s who suffer the consequences of scars and burns from being emotionally involved in a relationship with someone who physically and mentally abuses them. It’s a serious matter that I often ponder how certain people are suddenly put into.

In many instances, I’ve asked victims of their reasoning for why they stay in a dangerous environment when they know that their situation is detrimentally unsafe. Each time, I was given the rationalize answer referring to what love is for the couple; like each situation is deeper than the surface. But I can never understand the justification of being abused.

There are programs available for both men and women to get involved in to help spread awareness of domestic violence and other forms of abuse in Baltimore, MD. The people who work with these programs are specially trained on how to deal with victims of mental, physical, and verbal abuse. So when it comes to counteracting justifications like claims that I and many others cannot rationalize, there are trained professionals that still can assist individuals into a safe place.

If a victim of domestic violence needed a place to find help, the Baltimore County Government website is a good place to start. It’s where victims can find the contact information for programs, like the 24 Hour Crisis Line, Turnaround, Inc., Department of Social Services, and more. All of this programs that help hundreds of cases of abuse from people as young as newborns to the elderly.

Do you know of any programs in Baltimore that aid victims of domestic violence? Leave your comments below to possibly help a person in need.

Whiskey’s Birthday Hip-hop Showcase at DC’s Art Gallery The Fridge (DCM Gallery and Recap)

People pour into a one room warehouse full of astounding art on a beautiful Saturday evening. The Fridge, a place where artists from DC gather to spread their inner creative abilities, whether it be through painting, poetry, singing, dancing, and any other art form a person can think of. It’s on this particular day, we all gathered to listen to spoken-word and a group of talented local hip-hop artists performs in celebration of DC blogger Whiskey Girl, owner of the Whiskey and Poetry Brand and also the host of the Embrace The Crazy Podcast, birthday celebration.

I don’t know what to make of the start of the event on whether it was good luck or bad luck. Outside of the venue, there was a fire that occurred at Capital Hill Tandoor & Grill, directly across the street from The Fridge. People crowded the streets to sneak a peak of the damage inside the restaurant. It’s uncertain whether there were any injuries during the time.

I have tunnel vision for the arts, I guess. Haha.

Otherwise, the evening was nothing but love once I entered the showcase. The host Rich Rocket opened the night telling peers to “give an energy that can be reflected by the audience.” So whenever an artist performed, they needed to give an energy that the audience could mirror. If the performance was worth a standing ovation, it’s what the artist got. That was what made the evening lit. Everyone was respectful to everyone’s art. Artist worked with what they deserved.

A few artists to name that were in attendance were Donnie Breeze, Rello, Starve Marv, Mike Evann, Young Mally, and DC Kash. Each artist came with their own individual swag representing where they come from. Some of these artists even came long distances to share their unique flair; Starve Marv from Florida, and Donnie Breeze and Rello from Baltimore city.

I was so proud to see Baltimore recording artists Donnie Breeze and Rello perform at the Fridge. I put on my proud parent smile as I watched them perform. Whenever I see people from Baltimore out of their element, I get super hyped to support them. It’s the idea that they don’t get that type of love in Baltimore. The love was abundantly overwhelming from DC event goers because, like the Rich Rocket told them to do, they came with an energy that demanded an equal response.

Again I found myself asking why can’t it always be like this?! Every time I leave Baltimore City hip-hop scene to experience another city’s hip-hop atmosphere I ponder what could it be that my city is doing wrong which is preventing artists from getting the recognition they deserve? First, it happened as I went to Rockview Entertainment’s hip-hop showcase in Queens, NY while I was in attendance for support of DMV artist Jae Ducketts. Now I’m in DC, and the love that their peers showed was phenomenal.

I want to bring the attention back to the promoter of the event, always. The power of support is always in the event thrower. In this case, it was Whiskey who’s birthday may have been the cause of such a great turn out. But such a turnout was worthy of being mentioned when comparing to the turnouts of open mic and showcases in my hometown.

What I notice about attending both the events in Washington, DC and Queens, NY is the hosts for each event reminded their audience the importance of showing others respect when they have the floor. It’s appalling that the majority of the audience were old enough to understand modest mannerisms. But maybe that’s what it is needed in Baltimore. Promoters in Baltimore should often push more participation from the audience at the start of their events? It’s something worth pondering.

Here are some moments captured during the show by Doc’s Castle Media.

What are some ways to show support for independent artists? Leave your feedback in the comments below.

Ever heard the difference between the #NewBaltimore and #OldBaltimore music beaf back in 2014? Read “#NewBaltimore vs. #OldBaltimore. We’re All Crabs” on Doc’s Castle Media.

Doc Finally Joins A Podcast Series as a Regular (Watch Episode 4 of Busy Doing Nothing Podcast)

It was a long time coming for Doc to join a team of podcasters. Being interviewed and making guest appearances have become a regular thing. It should be expected for Doc to be added to a line-up of great host for the Busy Doing Nothing Podcast, a web series/podcast series hosted on YouTube.

Busy Doing Nothing was started by Free Minds Clothing Co. creator and main Chris “Mills” Morton and also features three regular co-hosts Christian “Pastor” Dewitt, Jill AKA J Heavy and Doc’s Castle Media’s own Taylor “Doc” Walker. The podcasts focus on various topics starting from celebrity gossip, music video reviews, “adulting,’ current events, and previously mentioned on Doc’s Castle Media Loafer’s Sports Bar and Grill closures and controversy.

In episode 4 of the Busy Doing Nothing Podcast, the four host interview their first local Baltimore guests; music producer Jonny B and hip-hop artist 7ucus (pronounced Loo-cus). Music guests join in on the conversation sharing their views on polygamous relationships, Beyonce’s beyhive, and generational differences. Watch the full episode below.

At the start and end of each episode, hosts make a toast opening and closing the show. Accompanied with each episode’s salute is an alcoholic drink that hosts rate the taste weekly on the podcast’s Instagram page. In this episode, the drink highlighted was Afrohead Rum. There wasn’t a group rating for this rum but it was the preferred drink during this episode.

Other drinks featured on Busy Doing Nothing are Ciroc Summer Colada Vodka, Christian Brothers Brandy, Barefoot Moscato, and Doc’s favorite drink to sing about, Jose Cuervo.

What drink do you think the Busy Doing Nothing crew should try for the next podcast? Leave your comments below.

2nd Annual Light City Baltimore Event Ends In Success (Doc’s Castle Picture Gallery)

Baltimore’s annual week-long art festival that incorporates a mixture of lights and sculptures ended this past Saturday with a success bringing out more participation from businesses and festival-goers throughout the city.

The event was held starting at the peak of evening hours and ending just in time for bedtime; between the hours of 7p to 10p. For nine nights, visitors enjoyed parades, tasty cuisines, entertainment, and beautiful sightseeing in the heart of Baltimore’s Inner Harbor.

According to an article found on Baltimore’s news station website WJZ, “Estimates show that roughly 470,000 people attended the 2017 Baltimore Light City festival during its nine-night run. That’s a 17 percent increase from the previous year.”

The festival brought lots of revenue for the hotels and businesses in the downtown area. Businesses, like Hotel Monaco, even partnered up with Light City organizers with intentions to attract Light City attendees. Shahram Khan, general manager of Hotel Monaco says they provided hotel deals, and in return, it was a win for the hotel.

Each glowy night was a spectacular experience for art lovers and foodies. Simply through walking the Inner Harbor’s square, visitors were able to experience the exhibits lined up just a few steps from each other.

For those who were unable to visit the light exhibits in the downtown Inner Harbor, Doc’s Castle Media captures the moment for you. View the opening night of Light City Baltimore below.

Dates for next year’s Light City Baltimore will be discussed later this week. To keep up with Light City Baltimore updates, subscribe to www.lightcity.org or follow them on Instagram at @LightCityBmore.

Did you attend Light City Baltimore? Tell us your favorite attraction in the comments below.

Listen to #LoveandHipHop Baltimore Featuring #StrongWayRadio and #DocsCastleMedia on Embrace the Crazy Podcast by Whiskey Girl (Gallery)

Doc did something out of her element over the weekend. Dun, Dun, Dun. Doc’s Castle Media was a special guest alongside the owner of the Strong Way Radio brand on DC’s favorite Whiskey Girl podcast, Embrace the Crazy, to discuss the topic “Love and Hip-hop.” It was an interesting show, indeed, and I’m sure many of my readers will know why.

Most people who know me, know that I’m not very open with my love life. I’m far from the mushy type. Many may recall me being more of a goofball than a love bug. Until more recently, I’ve even gone as far as YEARS since posting a single photograph online of myself with a fling. But apparently, times have changed for Doc because exclusively for the DC Whiskey Queen, I’ve opened up my love life as an open romance novel for her podcast and it wasn’t bad at all.

As stated on WG’s Whiskey and Poetry Blog,

WG is a blogger, self-published author, spoken word artist and single mother with a full-time professional career in the nonprofit mental health arena. She lends her unique voice and perspective to her own WG’s Embrace the Crazy blog as well as MyTrendingStories.com. In addition to writing, her true passions include public work and serving as a mouthpiece to address mental health issues within the black community.

Embrace the Crazy podcast is a series of audio shows hosted by Whiskey Girl on her website WhiskeyandPoetry.com and Soundcloud. The series focuses on a plethora of topics ranging from hip-hop and poetry to mental health and “staying woke.” The sky’s the limit on her show.

While Karlito and I interviewed on the Embrace the Crazy podcast with Whiskey Girl, we covered topics on hip-hop and love, such as the Karlito and Doc love affair, couples collaborating with their brands, Nicki Minaj and Remy Ma beef, how local artists should prepare for hip-hop showcases, and much more. Listen to the full podcast below by visiting Whiskey Girl Souncloud.

After the podcast, the three of us did a raw photoshoot. Because I had so much fun, I thought it would only be right to share the photos on Doc’s Castle Media with the hashtags #BlackLove and #RelationshipGoals to fit the mood. View the gallery for Love and Hip Hop Episode of Embrace the Crazy Podcast below.

http://soundcloud.com/user-167368140/love-and-hip-hop-baltimore

How do you feel about couples collaborating on projects for their brands? Do you think it can be done? Leave your thoughts in the comments below.

Have you heard Doc’s interview with MDMA Cobain on CutThaCheck Podcast? Listen to Episode Four on Doc’s Castle Media.