Pharaoh Slumzyniah Produces Fire With Release of 2nd Underground Album “No Role Models, No Rules”

This week, Baltimore native Pharaoh Slumzyniah released his second underground album No Roles Models, No Rules and reveals that embracing your dark side can be quite cultivating, too. He further introduces to the world a new type of hip-hop, which he calls menace rap, a new style of music that has no regards to what society expects. It’s an album geared entirely to “not giving any f*%@s.”

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No Role Models, No Rules was set to release Saturday, November 15, 2014. Unfortunately, the anticipated underground album was delayed an additional 3 days building more anticipation for Slumzy fans. But despite the contrary, the album still exceeded fans’ expectations, and has proven a bigger and better composition than his previous discography .

The album is composed of 18 somber, but still upbeat, tracks that, though may get you pondering whether you should be nodding your head or seeking to drown in your sorrows, will have you dancing nonetheless.

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To name a few artists who have been featured on the Pharaoh’s new mixtape are War Drumz Audio artists FLuX, Leon Dominick, Quinn Shabaz and Based rap artists Lor Bluntz and Hazmat Caz.

Experimental sounds of dubstep, old school, westcoast, and hardcore hip-hop influenced and blended together on No Role Models No Rules to create an exquisitely composed masterpiece. Majority of the album’s producer credits comes from Pharaoh Slumzyniah, himself, as Slumzy along with Exclusive Orchestra, Def Starz, The Marvel, Clyde Strokes, Xeno Carr and other talented producers, including Baltimore and War Drumz Audio Art artist Tony Bonez Sinatra.

“Thumbs Up” Tracks

My favorite tracks on No Role Models, No Rules are “Fall of Pete” featuring Hazmat Caz and “Cypress Hill” featuring Lor Bluntz & FLuX.

“Fall of Pete” is a song that’ll place you in nostalgia of west coast rap. Do you remember Snoop Dogg’s “Who Am I (What’s My Name)?” The instrumental will have you thinking the music video should be set in a neighborhood similar to East Compton. I wonder if that’s something to look forward to from Mr. Slumzyniah, hmm?

“Cypress Hill” is a pothead’s anthem and we just don’t get enough of those, right? Depicted from three perspectives, the listener gets the inside to how the infamous Mary Jane comforts and provides remedy while they all float their way to solace on cloud nine.

No Role Models, No Rules is now available for download on Datpiff.com. Be sure to get your copy today! (CLICK THIS LINK FOR DOWNLOAD) Don’t forget to follow Pharaoh Slumzyniah’s social media at Pharaoh Slumzyniah on Facebook, Slum_Money on Instagram, and SKSlumzy on Twitter.

Do you expect to hear more from Pharaoh Slumzyniah in 2015? Leave your comments below.

Have you read our last WDAA Alert? Read Music Highlight: Quinn Shabaz ft. Jimmy Apoet & Leon Dominick on Doc’s Castle Media.

Kat Dahlia Shows Baltimore Lots of Love at Baltimore Soundstage For My Garden Tour

On Sunday, November 16, 2014, hip-hop artist Kat Dahlia stopped through Baltimore for her My Garden Tour to give us a little preview of her debut album My Garden.

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It was my first time seeing Kat Dahlia perform and she definitely came through and showed us the best of what she had while on stage that night.

Kat Dahlia’s line up during her set consisted of a few familiar songs, which any Kat Dahlia fan would easily know and sing the words to. The energy of the crowd that night was awesome, though the audience was a little tight nit. It was what Kat described to be “small and intimate.”

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The performance set included a playlist of her songs Crazy, The High, and more of her classics. As she performed, she painted a picture for her listeners, giving everyone the back story to her love life, and ultimately explained to everyone what each song to her album stemmed from. It was very interactive as she asked people if they’ve ever been through what she’s gone through and if they understand heartbreak how she has. She also performed covers to Lauryn Hill’s “Zion” and A Great Big World’s “Say Something.” But the crowd absolutely turned up for her popular debut single, “Gangsta,” dancing and singing every word of the lyrics.

Kat Dahlia brought with her a band of men from different cultures. She stated with a settle giggle, “My men come from all over.”

A bass player from cuba…

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A white man who showed us his smooth skills on the piano and guitar…

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And a black man who let us bump while banging on the drums…

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The night was at its best.

While I spoke to a few people at the concert before Kat blessed the stage, I asked them how they’ve got familiar with this musical goddess. Lots of people said they researched who she was using Google and found some of her videos posted on YouTube. Since then, they’ve kept up with what she’s been releasing. Cool!

Doc’s Castle Media ran a contest for dedicated readers and fans of Kat Dahlia a few days before the concert. Two lucky winners got the chance to see Kat Dahlia free with a special guest.

Ms. Brittany

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Mr. Anthony

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I hope both contestants enjoyed themselves at the show. I was secretly spying on them while I was there to see if they enjoyed. I would hate it they’d went and they didn’t have fun. Haha. I think the mission was accomplished.

Baltimore showed Kat Dahlia so much love that evening. I hope she comes back to our charmed city once the album drops to give us sort of delayed encore so more people can get in tune with this refreshingly new style of hip-hop, which she refers to as ….

What’s your favorite Kat Dahlia song? Let us know in the comments below.

Have you read about the last concert Doc attended at Baltimore Soundstage?  Read Shoutout to Baltimore Punk Rock Band Ballyhoo For Setting off Halloween The Right Way on Doc’s Castle Media.

Win Tickets to See Kat Dahlia This Sunday Nov. 16

This Sunday, November 16th, Kat Dahlia’s coming to Baltimore Soundstage and Doc’s Castle Media is running a contest to get you some free tickets to come see her perform!

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Do you know Kat Dahlia?

She’s coming to show Baltimore what she’s all about, and hopefully, what she’s has in store for her debut album “Garden,” set to release January of 2015. I can’t wait! Can you? As a celebration for her new release, Doc’s Castle Media giving our most dedicated readers who are Kat Dahlia fans two reserved tickets to this Sunday’s show!

Do you know Kat Dahlia? If you’re able to answer all four questions correctly, you’ll qualify for two free tickets to see the beautiful and very talented Kat Dahlia. So here’s how it works…

If you answer all four questions below correctly, you’ll receive an email from Doc’s Castle Media congratulating you, along with more information for how to obtain your free tickets. So are you ready?

Who is Kat Dahlia?

Where was Kat Dahlia Born?(required)

What record label is she currently signed to?(required)

Who is Kat Dahlia's biggest influence?(required)

What's the name of Kat Dahlia's debut single released in March 2013?(required)

Also, this Sunday, see Baltimore recording artist 4thQu perform for the first time in front of a live audience.

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4thQu has a reputation of choosing the anonymous path of exposure as he pursues his musical career, which means there isn’t many chances we get to see the kid perform. Talk about building up suspense. 4thQu has done just that for quite some time. So it’s a must see to watch him perform ahead of Kat Dahlia.

Check out one of my favorites from 4thQu! Listen to Nostalgia by 4thQu, below.

[soundcloud url=”http://api.soundcloud.com/tracks/152554309″ params=”auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true” width=”100%” height=”450″ iframe=”true” /]

Would you like more contest like this under Doc’s Castle Media? Leave your feedback in the comments below.

*THIS CONTEST ENDS FRIDAY, NOVEMBER 14, 2014 AT 7:30 PM.

Read about the last time I visited Baltimore Soundstage: Shoutout to Baltimore Punk Rock Band Ballyhoo for Setting Off Halloween The Right Way on Doc’s Castle Media.

Vote for Doc’s Castle Media in 2014 Mobbies Maryland Blog Competition

What an honor! I have been nominated under three categories in the 2014 Mobbies Blog and Social Media Competition. Yay! Thank you everyone!

I have never been nominated in any competition as such, especially for my writings, and I’m extremely thankful for all of you who were active in deciding to nominate me under the following three categories: Best Label Defying Blog, Best Music Blog, and Best Personal Blog.

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This competition is sponsored by the Baltimore Sun and the Creative Alliance, LLC.

I love to write, though I didn’t always know that. Doc’s Castle Media opened my eyes to my talents. I always knew I had a knack for ideas because I always owned a composition notebook or sketchbook full of thoughts since the age of 10. But to really take an active role in blogging or any kind of journalism, my mind wasn’t with it until it was made one of my duties to complete while working for an internship. I strongly opposed the idea of being a journalist my entire 4 years attending high school. I guess now, I’ve made myself out to be a liar because look at my site! It’s 3 years going strong with over 300 blog posts. I write like a journalist and I do it a lot!

I write because I believe that my voice matters. I believe that my thoughts and feelings about things carry value. My whole purpose for creating a blog was to use my words to influence others to do something meaningful in their lives. Each day, I ponder the possibilities of that actually happening. Seeing that people took the time to nominate me has shown me that my purpose might be working. Apparently, I offer something you all like.

I often talk to people while I’m out in the streets of Baltimore or while on Facebook, and people compliment me on my commitment and dedication to continue writing about what’s happening around the city from a unique and entertaining perspective. I appreciate that plenty of you take notice. I’m even more grateful to hear that many of you read on a consistent basis. It’s still weird getting this type of attention from writing freely. But I love you all more each day as you continue to support me and share my thoughts with the world! It drives me more…like really, I’m so motivated to keep doing this.

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As I’m busting my tail to provide something unique and special for you all, please do me the favor in voting for me, just as you all nominated me, in this year’s annual Mobbies Blog and Social Media Competition. It’d mean a lot to me if I could actually win in any of the categories I’m nominated for.

Below is the link to the directions for voting for the nominees in the 2014 Mobbies. Please register with one of your social media accounts and vote for Doc’s Castle Media!

VOTE NOW

Vote Now

VOTE Now

Vote NOW

VOTE!

As 2015 slowly approaches, Doc’s Castle Media looks to include a few new additions to the website. I’m counting on my readers to offer me some new suggestions for what you all think can make Doc’s Castle Media a little better. Please leave your feedback and concerns in the comments below as I’ll review all of them carefully. Hopefully I’ll get some very good suggestions that’ll spice the site up.

Have you read Doc’s Castle Media submission for the Editor’s Pick in the 2014 Mobbies Competition? Read Hopping on that Train Back to 1990s on Doc’s Castle Media.

Shoutout to Baltimore Punk Rock Band Ballyhoo for Setting Off Halloween The Right Way

This Halloween, I did something I’ve never done before.  I attended an 80s/Halloween Dance Party, also reggae/rock concert, at Baltimore Soundstage hosted by Baltimore’s own punk rock group Ballyhoo.

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Courtesy of HFS 104.9 Alternative Rock and CBS Radio, I experienced my first rock concert and 80s Dance Party, all in one night. How great was it that the stars of the evening are from Harford County, Maryland, just a jump, hop, and a skip from Baltimore city.

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My natural high from the evening’s festivities started when I heard about Chipotle Mexican Grill’s yearly Halloween special, three dollar meals for anyone dressed in costume. Of course, since I was working for HFS 104.9, I wasn’t dressed to walk in Chipotle to get some grub. But please believe, I worked out some magic and found an Annabelle (view preview for film) mask in the CBS company vehicle to take up on the offer. I was hungry and determined. I was not going to wait until next year to get some $3 Chipotle.

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I knew I was going to have a good night. Halloween’s so weird. People are so happy to impersonate others. They find anything to dress up as. At the party I’ve seen all types of costumes. From 80s hipsters to zombie princesses, people were creative in creating their costume for this annual bash. It was HFS 104.9’s duty to grant prizes to those party goers who were best dressed while they signed up to win tickets in our station’s contest for a future concert.

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See more pictures of people’s Halloween costumes on HFS 104.9 Website

It definitely was different from what I’m use to. I’m always attending hip-hop showcases and shows. It was like breath of fresh air to be taken out of what I’m use to and see how another audience, or group of music lovers, listen to what they enjoy.

I haven’t listened to punk rock, or basically any music genre other that hip-hop, pop & R&B, in a while. When growing up, I had a rock music phase in the 10th grade, simply jamming to a range of rock music from indie rock, alternative, and heavy metal. It was a period when Sony MP3 players were popular, and I had the classics from Fallout Boy, Bullet From My Valentine, Paramore, and Killswitch Engage on a playlist. I don’t know whatever happened to me keeping up with my collection of music. But that breath of fresh air was amazing.

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Tribal Seeds was the opening act for Ballyhoo. They’re a reggae band from San Diego, California. The lead singer of the group sounds similar to the Marleys. So it was cool to hear the sounds he contributed for my ears that night. I’m not use to listening to too much reggae. But it was enough for everyone to get their hips swaying and head bobbing for the night. All I needed was some rum punch to set it off. Too bad I was working.

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Ballyhoo rocked out something simply awesome. They played out the rest of the night quite well. The crowd suddenly gotten fuller and became ALIVE. I’m sure by this point, majority of the audience might have been drunk after going to Baltimore Soundstage’s bar multiple times.There were 2 extra bars created to serve the growing crowd. So it was “TURNT,” for real!

See more pictures from the event at HFS 104.9 Website

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Ballyhoo turned up during mid-party as a reminder that Halloween night was just beginning. There will be plenty of time to spare once the concert was over for many people who’d participate in the Fells Point and Federal Hill Halloween tradition. But for that moment, Ballyhoo had everyone’s attention. The venue’s ora completely changed, and I was enjoying feeling like I was partying during the wee hours of the morning when in actuality, they hopped on stage at 10:30 pm. My favorite memory of the night was when the bass player started playing the bass and my butt was jiggling on my seat. It was so loud and funny. My coworker and I were laughing so hysterically about that. Of course, I’m simple for getting enjoyment from that. Haha.

The crowd was really into their performance; waving lighters, singing along to the music, and dancing. I could tell people really were enjoying themselves. For Ballyhoo, this was another successful Halloween showdown and a night well spent in their hometown.

I’d love to have the chance to work at another rock concert. Better yet, I would love to be invited to an indie rock concert outside of CBS. I’m very active in the hip-hop scene but I wouldn’t mind dabbling in the festivities of other genres of music. I’m not aware of many venues that host these concerts or many of the Baltimore indie bands. (If you know of any, please be sure to list them in the comments below so I may invest some of my time getting to know some of the Baltimore indie bands.)

I also met a friendly hip-hop artist while working at Ballyhoo’s concert. We talked for 15 minutes exchanging music and I made sure to get his contact information because the songs he let me hear were awesome! Anything that sounds better than a rapper on a trap beat is going to catch my attention and his sound is far from trap music, maybe a little dubstep is what I’ll call it. Below, is a song from Duck Meyer’s Soundcloud. Please take the moment to listen to his track and leave some feedback in the comments below.

[soundcloud url=”http://api.soundcloud.com/tracks/158314849″ params=”auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true” width=”100%” height=”450″ iframe=”true” /]

Would you like to see more indie bands on Doc’s Castle Media? Send me links, submit some of indie bands from the DMV that you like. Doc’s Castle Media welcomes all!

Are you a frequent visitor of local clubs and restaurants in Baltimore? Make sure to read Doc’s Venue Review for Club 347 on Doc’s Castle Media.

Does Club 347 Even Have A $10 Spending Minimum? (Venue Review)

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Last night, I attended the 2nd Recrd Breakrs event hosted at jazz club, restaurant and bar Club 347 for a networking event created specifically for local artists to meet with Baltimore bloggers and other media. I attended with my artist and we mingled with people at this event for a total of 25 minutes.

The night started off smooth with nice soothing jazz music. I jammed to lovely rhythms and live music from Lia Songbird & Fmajor and DJ Trelly Trell. The networking event was beautiful itself. But I wasn’t too pleased with the service from the waitresses or owner of the venue, that’s if he can be labeled as the owner because I’m not sure.

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I sat down and started speaking with my artist about a possibility of using Club 347 as a spot for future performances, when it wasn’t even 2 minutes later that one of the waitresses walks up to our table and asks us, “Could she get us something?” We told her “no, thank you,” and that’s when the commotion began.

“There’s a $10 minimum because tonight the club is open for free,” said the waitress who looked to be only 5 feet tall, a little on the thick side, and had long blonde tracks of weave.

We replied saying that we weren’t told about the minimum and the flyer didn’t specify it. We knew that the event was meant for networking, and that’s what we were there for. We were there to participate in the cause of supporting local talent.

The waitress walked away from our table on a mission. A mission that would start a chain of events that was completely unnecessary and could have been avoided if things were communicated slightly different. Little did we know the waitress after leaving our table went to her supervisor on a snitching spree.

Five minutes later, a guy who looked as if he’s of another nationality,  probably of somewhere of Eastern culture, like Middle East or Asia, walks up to my artist and signals with his fingers to follow him out the door. My artist follows him out of the club, where he is told there is $10 minimum and if he doesn’t have it, he’ll have to leave. Now heated, my artist walks back into the club to tell me we have to leave. I refused to budge because that night was not about the negativity. There was something positive happening around me, and I wasn’t for letting that guy ruining my night if the event was advertised as free. I wanted to be apart of the positive things happening. So we stayed inside.

We continued to mingle with a few folks. I met other artists who shared flyers for their event, which is below…

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…and the same waitress approaches us, a second time, reminding us of the club’s $10 minimum charge. My artists look to me with an expression on his face that told it all. He was too through, ready to turn on his “niggerdom” trait, a characteristic I refer to as pure ignorance and disregard when someone feels they’ve been disrespected. So I told him we weren’t staying there long. Then I proceeded to continue enjoying the music of the band.

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I moved around the club and started talking to some people, who I’ve spent time speaking to online but never officially met in person, as my artist mingled with the group of artists who were sharing their flyers with others. While I’m on the opposite side of the club, my artist witnesses those who were passing out flyers be told they couldn’t give them out at the event by the same Asian looking guy.

What?! This is a networking event, sir! This is how these artist are choosing to share what they do. How could they be forbidden of this right if the event was specifically for that?! Did this guy not know what was going on? Did he not get the memo that there was a live meet and greet event happening in front of him?

As the night continues, I sit back down at my original table. The waitress comes to me again to tell me, “My boss wants me to remind you of the $10 spending minimum.”

WTH! Am I the only one not buying anything?! This minimum wasn’t specified. How many times is this going to happen? To my surprise, this happened 4 times throughout the night. Look, I may be free loading from the experience happening in your club, sir and ma’am. But isn’t that what I’m there for, to experience a night of great music and meet some awesome people within the Baltimore hip-hop scene,  (cough, cough) and for no charge?

The fourth time was our last time. My artist stormed out and went to the car before I caught on to his whereabouts. I had to call his cell to get the idea that we just weren’t welcomed by the owner. We had no money. We couldn’t be there. So I met up with him at the car 3 minutes behind him.

Even as I get home to share my experience on Facebook with my friends because some of them were still enjoying the atmosphere, they tell me that the event was absolutely free. They were lost, also, at the reason for why I was treated like that. It was twenty-five minutes; 25 minutes of a man showing me his pure greed.

Why were we singled out? Why were we followed around the bar continuously reminded about a nonexistent mandatory fee? Were we truly the only two who didn’t buy a drink? If so, well damn!

I’m upset because I felt like I was singled out for not having money. It was embarrassing. It made me more mad as I thought about why I couldn’t pay $10, even coming to the event straight from work. I guess, that damn 9-5 of mine can’t support me attending even the FREE events and that’s truly some genuine bs!

I’m on a come up, seriously. I budget the events I attend under Doc’s Castle Media often. The ten dollars in my pocket that night was actually to go towards my attendance to Baltimore Crown Awards this Saturday. I’ll still be in attendance since I didn’t break down to give into a greedy old man.

Instead of creating a scene, which I absolutely felt like doing after being treated that way, I chose to avoid any further embarrassment to myself and my artist by writing why I’m not going there again. I don’t want to be that one customer who the owner feels is okay to single out. I don’t want to feel ostracized. I damn sure don’t want to spend the same amount of time spent driving there inside of the club, again. So there you have it. My artist won’t have the venue for future shows, and I won’t be writing about this club in future post for other artists, either. So greedy guy, thanks for my first experience in Club 347 and bringing me out of my writer’s block.

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Hopping On That Train Back to 1990s

Not too far in the distant past rested a decade where a lovely young writer was born. That young writer’s name was Taylor, know to many of you as Doc. The decade was the 1990s. Oh, how I miss my childhood years so much.

I may have literally been a baby growing up during this decade, but there are so many things I’ve experienced as a child growing alongside a mature family, I think I can luster up at least 3 things a lot of people my age and older may relate to that we all might miss. So here they are, the things I want to bring back from my years of retro.

My favorite things I’d bring from the 90s would be…


Music has always had my heart, man.

The Box

The best music channel in the world is of the past. Forget about MTV. The Box was the best because they played variety with little to no commercials and absolutely no teen pregnancy shows. MTV has always been a little picky with what they wanted on there channel, in regards to music, and always remained mainstream. When The Box was around music lovers could see their favorite underground artists if they wanted. Of course, the music industry was very different then. But what I loved the most about The Box was the option to see what music videos were coming on next during the music breaks. WHY DON’T THEY DO THIS ANYMORE?!

Equivalent to The Box today, we have MTV Jams and MTV University, which can be found if you have Verizon Fios or Comcast Xfinity. These channels are “okay.” But I prefer a more organic and original feel for music. Too much of the same thing turns me off, so you can imagine how much time I spend watching either channel. If MTV Jams and MTV University were combined, they’d probably scratch the surface, but only the surface. Can we please bring The Box back?


The Cassette

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I use to listen to the radio all day just to catch my favorite song to record on an audio cassette, and not just any audio cassette. When I didn’t have a blank tape available, I would rummage through my room to find an old “storybook” tape, which originally had Disney bedtime stories on it, and shoved some notebook paper in the top holes, close to where the tape could be found, so I could re-record over its boring stories. Talk about desperate to get a song! My only issue doing this was the radio dj talking through the tracks and the unwanted radio edits. If it wasn’t a Ludacris or DMX song, I’d hate to not hear what the artist was really saying. The struggles of downloading music was too real then. But it was worth it.

Now, life has made it easier to hear my favorites anytime I want. I can simply go to Soundcloud and YouTube with a swipe and click of a finger on my phone. Just type it into the search box and voilà, it’s there! But I do miss the struggles of getting my song from the radio. I knew every song that was played on air.


I’m a cartoon fanatic!

Saturday Morning Cartoons

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Remember waking up early on the weekends to watch cartoons like Johnny Quest, Goosebumps, Bobby’s World, or Digimon Digital Monsters? I use to dread getting up in the morning for school during the week. But when Saturday rolled around, I was up watching cartoons right on time while I ate breakfast. Cartoons from my past could be the reason I’m so animated today because I still watch them. I recently rewatched the entire first seasons of Jackie Chan Adventures and Digimon Digital Monsters on Netflix. All it did was make me upset that I had to get ready for work later that day.

I feel so bad for kids today. They don’t get to have that Saturday morning experience like I had. The moment the clock struck noon, I was already outside hanging with my friends afterwards. Of course, going outside is another thing kids don’t experience, but that’s another story. On top of not having the Saturday morning cartoons to wake up to, kids rarely have a good variety of cartoons to choose from. Broadcast networks like The CW, FOX, and CBS rarely show cartoons, unless it’s the holidays. Plus, Every time I’m channel surfing the tv guide, I find marathons of the same cartoons running for hours on cable networks. It was never like that while growing up on 90s cartoons. There were too many that needed to be aired.


There is so much more that I can talk about that I’d bring back from the 1990s. But this blog post would be entirely too lengthy. So I literally shared with you the first three things that came to mind. Haha! What do you think you’d bring back from the 90s? Let me know in the comments below.

ALSO, this post is part of a local blogger competition The Mobbies, sponsored by Baltimore Sun and Creative Alliance. I’ve been nominated for three categories: Best Music Blog, Best Personal Blog, and Best Label Defying Blog. Thanks, Guys!

Voting begins November 3rd! I’d like to ask all my loyal readers to please add this date to your calendars to participate in the voting process and visit this link when voting begins, Baltimore Mobbies.  Thanks for all for always reading! I have to do something special for y’all.

Doc Talks About Supporting Artists In Baltimore With @BaltimoreFlavaRadio

Last Friday, I was on Baltimore Flava Radio’s as a guest speakers to talk about the infamous topic that’s been stirring up quite a controversy; what’s wrong with these Baltimore artist’s that have this crabs-in-a-barrel mentality and why is it a lack for support for other artists here?

What did you do this past Friday? Did you tune into Baltimore Flava Radio, syndicated on Baltimore Internet radio station WPB Radio?

Last Friday, I was on Baltimore Flava Radio’s as a guest speakers to talk about the infamous topic that’s been stirring up quite a controversy; what’s wrong with these Baltimore artist’s that have this crabs-in-a-barrel mentality and why is it a lack for support for other artists here?

Antwon, one of the show’s hosts, came across my article, “#NewBaltimore or #OldBaltimore, We’re All Crabs,” while surfing the web, one day, and apparently loved it. I’m flattered, haha. But really, I’m glad he enjoyed reading it and offered the opportunity to come talk about it on his show.

I thought about all of you and made sure to have it recorded so I could share it with some of my readers who were out partying Friday night, instead of doing what my article says. It’s okay and I forgive you for missing it, haha. You may still have a listen, here.

Thanks for watching. I can’t tell you how much it means to have such a wonderful group of supporters supporting me talk about supporting one another.

This is a start to changing this city’s reputation. You choosing to do this is showing that you’re defying my theories of being crabs. This is exactly what I want you to do, show the rest of the world that we aren’t crabs. We care about our city’s talent reaching new levels of success. We want to see them do better. We want to show the rest of the world what we’re capable of. Let’s keep it up!

Let’s start by supporting Baltimore Flava Radio! Follow them on Twitter at @BatimoreFlavaRadio and Instagram at @BaltimoreFlavaRadio. Join their group on Facebook and get active. Share the love!

What resources do you think Baltimore needs to help artist here progress to the next level of success? Leave your comments below.

Do you think this city’s hip-hop scene is too worried about supporting who they know and not the art itself? Read Baltimore is Too “Cliqued” Up To Have Supporters on Doc’s Castle Media.

Time To Take A Doc’s Castle Media Break

 

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Don’t let this come as a surprise to you. I’m taking a blogger’s break and here’s why…

You ever had one of those moments where you’re sitting around thinking of the many things you could be accomplishing but aren’t because you find yourself being too busy trying to keep up with what everyone else is doing? Have you ever felt that moment when you realize you’re losing interest in something because you’re seeking approval of your brand? I feel like that in the chase of trying to find a purpose for Doc’s Castle Media.

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There are so many reasons I could list for why I’m losing interest in what I currently do for DCM. (I won’t be posting them here. I might be posting my reasons in a future post.) As I’m getting older, I’m constantly questioning what’s more important to me. I’d rather stick to things that will keep me happy than working for the approval of someone else. So as I’m working for Doc’s Castle Media, I’m seeing I’m losing the love I once had for my blog site because I feel the pressure that comes with being one of Baltimore’s sought after small entertainment bloggers.

I’m a drifter. I started to pick up on that as time passed by. People would often asked me what I wanted to do as a career when I get older. My reply always varied within the arts until I reached the age of 21, where I rarely gave an answer at all. My reply became “I don’t know, probably something in the communications field.” Today, I still don’t know and my reply is the same. I “lowkey” hate that. I just want to be able to do what the hell I want and be appreciated for it. I don’t know why something as simple as that is so hard to do. When I feel like it’s not happening, I know things have to change. So here I stand trying to use my drifter abilities the best way I can.

It’s important for me to let you know that I’ll be on a mini disappearance because a lot of you have kept a continuous and very loyal following by reading whatever new posts I’ve published to the blog. I definitely don’t want to leave anyone assed out. Some people even expressed on my status where I first announce me going MIA that I’ll be missed. Thanks!

Will I Be Gone Forever?

Not even! I might even publish something after I post this. I just wanted to let people know in case there was a delay in my postings and if any of you would start to question my absence.

I’ll continue to guest blog and write for other sites in the meantime. But I’m trying to figure what I can do for Doc’s Castle Media that won’t make me revert to thinking about all the negative thoughts that I’ve developed about writing for Doc’s Castle Media.

I want to stay far away from becoming a grumpy person who’s frustrated about her art as long as possible. I don’t want the fun behind what I do to be taken away from me. I seek that feeling of a childlike sense of wonder in majority of what I do. If the feeling I get from writing becomes a dreadful duty, I would not know where I’d choose to go for my future because writing about what I feel, think, and believe helps give me purpose. I can’t lose that. I owned this talent. I’d be damned to lose it!

I don’t know how long I’m going to take a time out, though I’m always writing.

What I’ll be doing in the meantime…

I consider myself to be an “artistic writer.” So I’ll be practicing different mediums of writing during my quiet time. If you guys haven’t already been keeping up with me on my social sites, I’ve mentioned my interest in doing some songwriting, screenwriting, and book writing. In the future, you may see new pieces done from any of the three. I’ll also be continuing to guest blog for people at their requests and keeping my spirits and other’s spirits high in supporting other writers. So I may be quiet here, but I’m not completely silent.

What I’m expecting to come from this…

First, I expect to gain some kind of wisdom. I want to know myself better. I want to be able to place a better focus for where I’m going with myself. Second, I’m expecting to exercise my creative strengths while practicing writing other mediums. Lastly, I’ll be grasping for all hope in keeping my childlike sense of wonder while doing this because I do not want to turn writing into a dreaded job. Writing is a career. It’s been a hobby since I was 12 and I plan to enjoy doing it for the rest of my life.

So please be so kind to have some understanding while I go on this mini break. I’ll be posting other writings on other platforms. If you follow me on any of my social sites, I’ll direct you to them with the proper links when done. Thank you for all your support!

#NewBaltimore Or #OldBaltimore? We’re All Crabs!

It’s official. I’m convinced that the entire Baltimore hip-hop scene is confused about what creating a “New Baltimore” should be about.

This post was originally meant to be a recap of #NewBaltimore2, an artist showcase event that took place last Saturday in Baltimore. But that obviously changed as the event, itself, changed unexpectedly. The event was scheduled to be from 7:30 pm to 3:00 am, but ended up shutting down approximately around 12:15 am, leaving some music fans disappointed that they didn’t see who they were anticipating to watch perform that evening. BUT that’s not what I want to highlight in this blog. I want to talk about the event’s mission and if it was truly met this weekend.

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This was the second #NewBaltimore event. The first event was held around the same time last year and sponsored by the same people, DaCornerStore. I attended both events and have stated my opinion for both via social media. I will NOT be discussing how I’ve been scolded for my opinion on both events. I will say that people’s decision to attack me further pushes me to write why I believe we’re all still crabs looking for an exit from the rusted old barrel.

But as this topic of New Baltimore vs. Old Baltimore starts buzzing in the ears of people here, I want to emphasize my stance on the topic as a supporter of all art that comes from my fellow Baltimoreans. I attend all art events big or small; exclusive to the public or open to the public. I do not look to discriminate. I’m simply there to practice my art like many others who go to these artsy shows. I support everyone because I’m tired of this city’s talent being continuously overlooked. We deserve some recognition!

First, I want to say how proud I am of the turnout for #NewBaltimore2. There had to be around 200 people who showed up to support good music. I was even more proud to hear people in the crowd singing the lyrics to some of these artists music. It was all love and there was a lot of it. That’s something different from what I usually see while attending shows. I applaud the promoters for that.

So what’s circulating about this “New Baltimore,” (& I’m going off of what I’ve heard from talking to other artists on Twitter and Facebook) #NewBaltimore is here to provide a platform for the new, younger generation of artists, in Baltimore, as opposed to the older generations or vets in the city’s scene, who are said to have more chances and opportunities for their music be heard.

All of Sunday, I watched a few of the younger artists in Baltimore expressed their concerns, openly over Facebook, about how they’re not having the opportunity to “shine” alongside veteran artists due to a lack of support from those who throw, plan, and promote hip-hop events. Some say promoters are bias when choosing who to include in showcases and its unfair that they aren’t getting support similar to the veterans. But I say, this shouldn’t be a thought in anyone’s mind, at this point, because we all aren’t shit. (Excuse my French) But I believe it’s this state of thinking that’s causing a huge ruckus about what’s happening today. It’s when people dislike seeing other’s doing better than them that they make this artsy thing become a competition when in reality no one’s even signed to a major record label.

The controversy that comes with #NewBaltimore starts with its title as it points to the attention of something new happening within Baltimore. But what’s really new? I didn’t know that #NewBaltimore was meant to be a door for the newcomers to break into Baltimore’s hip-hop scene, rather than being about the attitude of people in this city, which is what we should be focusing on.

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Everyone’s attitude is the same. We’ve proven this Saturday that we’re crabs, still, because why is it that we show up to this showcase and not the other numerous showcases in Baltimore that has new talent each day. Did we really come to hear some good new music or was it the names on the flyer that drew us in? Were we, as artists, really there to check out the competition because these performers have reserved spots in a show while some of us in the audience aren’t? Some of us only get to perform one song at Love and Hip-hop Open Mic Night held at St. Mary’s Restaurant.

The attitude of local artists has to change if we’re seeking to be recognized. ALL artists need to reframe from placing themselves on pedestals and for once, in this hard knock city, and learn to truly support. Aren’t you tired of lagging behind other cities’ reputations as society portrays them to be places of progression when we have an abundance of fresh new sounds right in our backyard and the potential to be as great as the people who come out of Atlanta, LA and New York?

Come on, now. Majority of the people at #NewBaltimore have made some dent in the hip hop scene here. So I asked myself this question when I left. “Taylor, when’s the last time you’ve seen any of these people at an open mic? If they claim they love hip hop so much, why is it so hard to support someone else’s event? Why are they showing up because they know who’s throwing this event instead of celebrating the art?” I have not seen one person that I saw at #NewBaltimore at any other open mic in Baltimore. Eargasim, Monumental Mondays, Be Free Fridays, Love and Hip-Hop, the list goes on and these venues are ghost towns each week. Answer that! We’re not encouraging the artist at these events. We’re not pushing for something new.

I guess #NewBaltimore really opened my eyes to how many crabs we’re dealing with, even with the entire city knowing we’re stuck in a barrel. It’s not people who aren’t artist we should worry about getting to these show. First, we need to worry about living the lifestyles we glorify and speak of. We need to be changing our attitudes and supporting talented people regardless of their names. We need to come together, then encourage others to come out to support.

But I’m just a blogger and my words have no value because I’m not an artists myself. At least that’s what some of these new artist say. I’m just tired of writing about the same thing. Seven months later, I’m still saying Baltimore Is Too “Cliqued” Up to Have Supporters. I shouldn’t be scolded for what I’m observing. My observations aren’t far-fetched. There isn’t a new Baltimore, not yet. We still have time to create it.

But what do you think? Am I wasting my breath? Will we ever escape this barrel? Will the newcomers and the vets come together? Will artist support these other showcases around the city? Let me know in the comments below.

Have you read my last music highlight? Read Music Highlight: Quinn Shabaz’s Day One ft. Jimmy Apoet & Leon Dominick on Doc’s Castle Media.