Today’s musician I’d like to highlight is Baltimore’s own R&B/ Soul artist 4TAE.
4TAE launched his professional career in 2005 playing with the Eubie Blake legacy jazz band and Marcell and the Truth. He has opened up for various artists, such as Anthony David, Anthony Hamilton, Algebra Blessett, and Lupe Fiasco.
He also played alongside artists, such as jazz violinist Regina Carter and Raheem Devaughn. Along with the Trombone, 4TAE plays piano, bass guitar, and is a producer. He is currently working on his debut EP “Blue hart”.
Stated via 4TAE’s press kit:
“His music is described as a smooth explosion of hip-hop and R&B. Music lovers will enjoy listening to the sexy smooth sounds of this new artist.”
Well, I’ve had the chance to be the judge of that as I was tagged in a recent music video of him on Facebook. Check out, “Right Where I Wanna Be” below.
The video and song were quite cool. It very well did pass off a smooth kind of vibe. I think the video complimented the theme of the song very well, too.
What did you like about the song? Leave your comments below.
Baltimore’s turmoil due to riots and protests for Freddie Gray have blossomed a hefty amount of creative masterpieces from independent artist of all sort. The Internet is buzzing of colorful opinions, many pale and others vibrant, depicting artists’ perception of peace and violence; justice and injustice; and moral or immoral.
Encouraging words from these rappers are expected since so many young people support these artist. We need them to inspire our kids to do better; to seek success and progression instead of lawlessness and turbulence, as the world watched Baltimore Youth as they rioted and looted as a result of police brutality towards Freddie Gray.
“Dumb Dumb” artist scratched the surface of reaching the you by releasing “No SunShine” in honor of Freddie Gray. Unfortunately, I do not believe he took this opportunity by storm. So much more could be done. So much more could be said.
“No SunShine” doesn’t get much praise from me because there’s more to be said than what these children who live in these neighborhoods already know. There are ways to get a message across without stating the obvious of what’s happening in our city’s black communities. We know of what our state’s governmental policies enable and forbid us from doing. We know about the “slums” that blacks have systematically become accustomed to. My concern was for artists like Young Moose to do a bit more, maybe lead more as an example.
I guess, I’m expecting too much in such a short amount of time. Huh?
Where are the programs they’re continuously supporting. As I look at each artists background and choice of brand for their music, I’m a little concerned about outsiders not understanding what’s needed to be said for our city. It could easily be misinterpreted if someone would listen to more of Young Mouse’s discography as his music is majority about drugs and trap life.
We need more “substance.” We need more positive messages young people will enjoy and support.
What do you think? Did you like Young Moose’s “No Sunshine?” Leave your comments below.
Today’s Doc’s Thumbs Up goes to a boy I’ve met while at work. Haha.
Meet Duck Myers
First introduced in my post “Shoutout to Baltimore Punk Rock Band Ballyhoo for Setting Off Halloween the Right Way,” Duck Myers caught my attention when he walked to my booth while working an event for CBS Radio. We-vibe for a little while about Baltimore’s lack of support for local talent. Then I let him listen to a track I recorded. He took an interest in my music and I couldn’t wait to hear what he had.
When it came time Mr. Duck Myers would finally send me something to hear, I was amazed because not many people who walk up to me at an event for CBS follows through and actually are talented. Haha. “Like Stars” is his second song submitted.
Thumbs up:
Like their name (Rage)aholics, the song gives me that feeling of wanting to lose control. It’s one of those get-up and party hard like you were born to live a Project X type of lifestyle.
I suddenly want to make a documentary of my life’s desire to want party. Hmm…
I’m uncertain if this song has visuals, like a music video or lyric video. But I can picture this video being very colorful and full of alluring activity similar to what goes on in the film Project X. The director might have to “eff” around with these effects to create their own sequel for the movie.
What do you think about Like Stars? Does this sound like a song worthy of radio play? Leave your comments below.
It’s here. After the wait, I can no longer say “Sorry for the Wait” like I’m Mr. Weezy F. Baby, himself. My first EP is here for you to take a listen to. It’s about time!
As part of my list of tasks to complete on my bucket list, I can say this is one of the most lengthy projects I completed thus far. However I caught myself not wanting to finish it a few times, and the production process was bumpy along the way. Anyway, I said “eff it” to my woes and decided to drop what I had anyway. It’s the first of what I hope will be more music projects, so I won’t beat myself up for how it sounds. I know I’ll produce way better material in the future. I’m just glad to have the opportunity to do something like this. Writing music has become one of the many creative activities I do to keep my mind busy.
It’s now official; I will scratch off release mixtape off my Bucket List! Yay!
You may download my EP “Songs From Da Dugout” via my Bandcamp page or Soundcloud at Alissa Feré. So it’s easier for you, take a look at the Playlist below and download it. Thanks for listening!
Special Thank You to the lovely staff of people who helped me with this project:
Producer and Engineer: FLuX; Album Cover Art: Boutzie; Photographer: Rebellious Rebel; Promotional Art: Alissa Fere; Creative Consulting: K.A. Walker and Tony Bonez Sinatra; Featured artist: Quinn Shabaz, Leon Dominick, and Boutzie; Studio Production: The Dugout Dojo
Do you think I should make more music? Leave your thoughts in the comments below.
With less than two weeks away from my EP “Songs From Da Dugout” release, I am pleased to finally release the official cover artwork for my project to the public. The EP is expected to release March 21, 2015 via the Alissa Feré Bandcamp and Soundcloud music pages.
Like many of my other projects, Briana Ragler was given the pleasures of handling majority of my visuals. Starting from taking on the responsibility of styling my creative persona to designing my cover of my first musical project, Briana, also known as recording artist Boutzie’, utilizes all her creative abilities to make sure Alissa Feré was ready for the world to take in. She was my photographer, stylist, and graphic designer.
Ayeee!
I’ve decided to take the Rebellious Rebel approach while working on my EP because Briana’s creative style is that “clear and clean” image I was aiming for that steers away from the average look associated with sports and hip-hop. I commonly see a more “rigid and rough” images used for things associated with both hip-hop and sports. Both are hard topics dominated by men, which I am not. So my thoughts for my project already being assumed as “hard” had to be challenged to seem more “fluffier” for Feré’s sake.
By creating a more cleaner representation for this project, I hope to promote interests that’s grabs the onlooker’s eye. I want my listeners to know from the moment they see the cover that there’s meaning behind being left in the Dugout for women. This clear and concise illustration captures the beauty behind what I believe this game we call love really is. It’s a cloudy, mysterious, dangerous, and very uneasy to understand, but it continues to be alluring, mesmerizing, and worth taking. Briana captured that we’ll in this very simply put work of art.
On top of it all, it’s very professionally presented. *applauds*
Along with the help from Baltimore artist FLuX, who’s the owner of the Baltimore brand The Dugout Dojo and the engineer of “Songs From Da Dugout,” I was ensured that each song would sound superb. I had no doubt about how my EP would turn out because listening to FLuX’s previous works, I was already blown away. (Listen to The Sky Is Blue by FLuX, here.)
The EP’s track listing is also finalized with six semi- complete songs ready for me to share.
José (Liquor Talkn) ft. Boutzie (prod. Doowy Lloh)
Rufus Bush (prod. mjnichols)
Only You Ft. Quinn Shabaz
Tonight (prod. Cmbeats)
When The Stars Align ft. Leon Dominick (prod. Davinci)
(Bonus Track): Pleasant Nightmares (prod. André 3000)
“Songs From Da Dugout” is expected to release this month March 21, 2015. For more updates on Alissa Feré, subscribe to Doc’s Castle Media social sites.
I decided to get a little creative for this release. I thought Why should I leave you guys with only an expected date for my project? I should give you a little more, and maybe some more background to what to look forward to. So I partnered up with my favorite photographer/blogger to give something extra as we wait for my dropping day.
Songs From Da Dugout is a representation of my emotions. Often I feel I’m left in limbo on a lot of issues when I’m dealing with guys. I think lots of women can relate. It can feel like I’m sitting in a dugout waiting to be called on for the next play. It can get restless waiting on these guys, and they should know that I don’t wait very long for my moment.
Women have so many questions that could be left unanswered while waiting on their next call in a partnership; there’s so many expectations that should be fulfilled on the behalf of the man that aren’t met in relationships. I relate to those women because when someone’s left in the dugout, how is anyone expected to win the game? How is anyone expected to conquer the battle?
These brothers got us yelling to the coach like, “Come on. Call me, coach! I’m ready to play.”
Baltimore artist Boutzie arrives on the indie music scene with her new single “Intoxico,” a track meant to show the woes of partaking in the various choices of recreational activity.
Indeed, this isn’t your ordinary turn up “let’s pop a molly” type of hip-hop song. Many tracks I come across usually praises the “glorious” life of drugs and living in the fast lane. But this submission doesn’t quite get you hopping out your seat ready to twerk or even imagine yourself in a room full of “Thots” ready to “pop-off,” like an average 2 Chainz song. Instead, it inflicts a self-conscious feeling. Thoughts like ‘why do I even do this drug or condone this behavior’ pops in your head while listening to it.
With lines like ‘Oh it’s murder, the conceivable thoughts that’s unheard of…,’ I’m unsure if I’m suppose to feel a little dark inside for wanting to take that shot of Jose I commonly do.
Sheeeeeesh. Should I chill or what? *Pours shot down kitchen sink drain*
Intoxico features Baltimore artist Jimmy Apoet and Baltimore artist and producer FLuX, both very talented emcees and previously highlighted on Doc’s Castle Media. With a talented group like this coming together to spread common awareness in this very unique way, a person could already tell this may even spark a movement.
I love the eery feeling that comes from hearing “Intoxico.” Though it makes me question my lifestyle, its “read between the lines” call to action is rewarding not only to me, but also in generation that prides itself in doing illegal and very questionable recreational activities. With depicting the dark truths of how being intoxicated can overtake your body in mesmerizing, without a care, sense, maybe there is a chance to push these unconscious motives that I have for the song in others; subconsciously just suck the “turn up” out of their little unruly bodies.
I sound like I’m 75 years old. Believe, I do turn up. *cough cough*
Let’s be for real here. If more artists can take part in pushing songs like this, people would walk around second guessing what they do for fun. It might not be a guarantee to resist but it leave space to ponder. I like when people are made to think.
This new sound from Boutzie makes me anticipate what the visuals, if there should be any, may look like for this eerie track. I see darkness, lots of slow motion shots, and maybe a creepy church bell? I guess, we’ll have to wait and see.
What do you think about this song? Leave your comments below.
Something new had to be brewing in the Doc’s Castle Media kitchen for there to be such a long and lasting silence. It’s been almost a month since my last blog post….sorry, guys.
My silence is partially justified with the new goals I’ve acquired throughout the last two quarters of 2014. While I’ve aspired to become a master resumé and songwriter, I’ve neglected my original hobby for writing blogs. But as you can see, I always come back of course.
Since May 2014, I took on a mission to complete my bucket list, which I thought would be easy to do. I was sadly mistaken, and since then, I’ve even added more tasks to my bucket list. I can’t help the feeling I get from accomplishing a new goal. Though sooner or later, I’ll have to set limitations on these goals because I don’t know how much of my list I’m willing to take on now. Haha.
One of the tasks I’ve added to my lengthy list is the release of my 2015 mixtape. It began another duty on my list the moment after I released “José (Liquor Talkn).” Eight months later, I give you the promotional art for my project!
Songs From Da Dugout is as general as it sounds. It’s a project compromised of multiple tracks about my life, or emotions I’ve experienced, between the time period of May, when I released José (Liquor Talkn), and January. All the songs were recorded in Baltimore city studio The Dugout Dojo with head producer and artist FLuX.
Songs From Da Dugout is an EP formulated to speak on the thoughts and emotions of a woman in heartache. Feel the agony and scornful words of Alissa Feré as I speak upon situations every girl can relate to, and every man probably heard of before. Listen to a new rhythmic style only sure to be found in underground Baltimore hip-hop.
Are any of your favorite indie artist releasing any projects that you’re anticipating? Let us know about it in the comments below.
For a moment, I thought we were being faked out because it’s been a while since we heard from WDAA artist FLuX. But two weeks ago, while I went stalking the War Drumz Audio Art Soundcloud page, I found a repost from the soulful rapper’s personal Soundcloud. ‘Why not check to see what else there is?’ was what I thought, and then as I clicked on FluX’s link to his page, I found another little goodie.
Two songs, “Rear view Mirror” and “The Sun is Blue,” were released on December 28, 2014 with the original cover art for FluX’s prospected project initially set to be released last month December 3rd. The project has been delayed until further notice. But it’s starting to slowly make its way to our ears as time surpasses.
Hallelujah *in my gospel choir voice*
Each song gives me what y’all Beyonce fans call “life” because each sounds like they deserve radio play. It’s refreshing to hear something new and worthy. But of course, isn’t that how all good independent music feels?
YASSSSS!!
“The Sun is Blue” sounds like an old school hip-hop song from your late 90s and early 2000s, mostly because of the sample used in this track. It’s a song about frustrations and stress. I definitely could tell FLuX used this song to let off some steam. It’s relatable for people who feel a little overwhelmed with life’s many frustrations.
Now, ladies, if you take a listen to “Rear View Mirror,” you might think of the usual male coming to you using his best picking up line as he seeks to sweep you off your feet, ready to forget about all your responsibilities. This song definitely paints that picture for me. It also features Baltimore artist MikeCool. It’s sure to be a 2015 summer hit.
Mr. Tony Bonez Sinatra gave us something to hold us over, too. He did promise to release something this New Years Eve. But seeing as though it’s now New Years Eve and there hasn’t been any hint to anything new coming from him, I can assume his music video release to the War Drumz Twitter account is what we should be focusing on for the moment.
“Smoked Out” was put out to the public from the War Drumz Audio Art YouTube channel the day after Christmas. Since then, I’ve watched it once a day. The video makes me like the song that much more.
Do you like this video or song? Leave your comments below.
