We’re living in the foreshadowing of what really happened during the time of our ancestors. For two years, Texan slaves didn’t know they were actually freed by the Emancipation Proclamation in 1865. Today in 2020, we have the president of the United States taking credit for making the holiday famous in the midst of rescheduling his first 2020 presidential campaign in Tulsa, Oklahoma. Though there could be some truth to that statement for many Americans, Trump is not the reason why I know about Juneteenth and also many other people who are fortunate to be educated on the true history of the Emancipation Proclamation.
Juneteeth 2020 was more proactive because of the current social climate of our country. Since the death of George Floyd by the Minneapolis police department on Memorial day, daily protest bringing attention to police brutality and excessive force has remarkably surged throughout the nation. People are making it their duty to protest in support of their stances against systemic racism and support or police reform. Every day there are new updates around the country changing legislation and proposed laws. It’s liberating to see.
But it was a first for me to see black people telling others how to celebrate Juneteenth. Entertainment site xoNecole shared a series of infographics encouraging how people could celebrate their Juneteenth. While I am a black woman, I have never had a tradition for this day. But as I’ve gotten older, I’ve learned that there are many black people who honor it.
I felt like I needed to do something to bring more awareness of my history, especially currently with what’s happening. Until June 19th, I’ve remained in my home social-distanced, and my only knowledge of what’s occurring in the outside world is met through the Internet. I needed to get out of my selfmade COVID-19 dungeon. So Juneteenth, I thought of doing something safe that could give me an escape and purpose.
After George Floyd, my boyfriend and I talked about our feelings about our current social climate in America. Both of us expressed a desire for wanting to do more with our brands in support of the Black community. I don’t know what it was, at that moment we felt like we weren’t doing enough. It’s like a kick of activism sparks in your spirit when something you know that isn’t right eludes in fairness. So boom I had an idea. Taking pictures of BLM signs, morals, businesses in support of #BlackLivesMatter while driving around Baltimore could give us that oomph we were missing. We can still do this and remained social-distanced.
Defund the Police. Need I say more?
I don’t think it’s necessary. We haven’t kept quiet since Floyd. I think people are fed up and won’t keep quiet.
CtrlMyCamera takes the credit for all these photos. That’s why I want to bring attention to supporting this talented black artist.
It’s always fun to catch an artist at work. It’s even more fun when you can get a class from it. Haha. Akeel is the most skilled photographers that I personally know in Baltimore city. So if it came down to finding the perfect person to coach me during a photo walk, no doubt it would be Ctrlmycamera.
A nice night hanging by the fire with friends in our blackness 12 am on Juneteeth.
Akeel Shabazz is the owner of the photography brand CtrlMyCamera. CtrlMyCamera specializes in portrait, event, wedding, landscape, and nature photography. Check out more from Akeel found on his Instagram @ctrlmycamera.
When did you first hear about Juneteenth? Leave your comments below.
I started writing this blog last week. I revised and deleted it a few times. I’m still weird about publishing this now. But to tell you the truth, I feel the same feeling of word vomit eroding my mouth today as I did 5 years ago when I wrote “#OpinionEssay: The “Real” Revolution Will Not Be Televised. #ILoveBaltimore” during the unrest in Baltimore resulting in the Baltimore Uprising. I don’t care how the blog comes off because it is another protest about what is happening around me. I just asked God to use me as he did before.
On Memorial Day, May 25, 2020, George Floyd, a black American man was executed on video by Officer Derek Chavin of the Minneapolis Police Department. The video went viral like a plethora of other police brutality videos that surface online. But this one…this one might just be the video that dropped a major bomb into white people’s reality. Do we actually have white people on alert as to what happens to Black people in America? Because a week later after this horrific image was shared countless times on our feeds, America also has seen protests and riots in cities across the country calling for justice for Floyd.
Credit:Nick Oxford/Reuters
When I wrote my Opinion Essay about how a revolution and revolt would not be televised, it was to send a message to Black people to come together and educate their families on the realities of being black. I wanted people to talk to their children about Black history. I needed black parents to take the time to teach their kids about a culture and a reality that has led their children to face a different lifestyle than those of other backgrounds. I wanted black people to heal in their black pride by sharing themselves with each other. It wasn’t my intention to tell black people to seek help or compassion from anyone who is white. When black people feel betrayed, that is the last thing they’re thinking of doing. I really believe many black people, like myself, took the time to immerse themselves in their blackness and grew in their pride because I saw so much uplifting and positivity living in the midst of the 2015 Baltimore Uprising. But the revolution was not going to be televised and all the positivity Black Baltimoreans experienced was short-lived.
Today I feel different about this revolution for Black America. I mean, the revolution is definitely on TV lol. There are so many black people who are already strong, having pride for themselves and culture. Black people live in their blackness daily. We don’t need to keep being reminded of why we go through these harsh realities. We’ve even gotten accustomed to healing each other whenever we’re knocked down with each release of a new video or news story. Though so many people yell #AllLivesMatter or Black on Black crime -blah, blah, blah- that is absolutely irrelevant to what attention we want. Black People are faced with injustices that people are deliberately ignoring. The revolution we’re watching for sure needs to be televised but this part of it is not for our spectatorship, it’s for our voice.
This revolution needs our labor at this moment to be a voice in our pure authentic blackness. This revolution needs for us to share our black stories, our black experiences, our black pain, and our black hopes. We need to share these things with our white friends so they can empathize with them. We need them to find some way to feel how we feel so that it can provoke them to fight for their allies because when white people care, they fight. It’s liberating to see more of my white friends, co-workers, and acquaintances speaking up after seeing this video. It’s amazing seeing white people taking the initiative to do the things that I asked of from Black people.
June 2, 2020, is a unique day in history particularly because #BlackOutTuesday will mark a day when industries and companies around the world chose to stop what they were doing to stand in solidarity against systemic racism. It’s the day America is literally acknowledging the bullshit. It might not be the whole country because there are still many doubters. But America today looks like it wants to listen to what we have to say. Black people have been screaming for such acknowledgment since forever ago. I’m a little overwhelmed with America lending an ear to Black folks, but goddammit about time. It’s the first time in all my life that I’m seeing white guilt on such a huge magnitude. I watched a video on Baltimore Fox 45 Facebook Live of hundreds of white people kneeling in solidarity on Northern Parkway and Roland Ave. We’re nowhere near the endpoint of racism but at least I’m seeing white people just as outraged as we are.
Several hundred protestors are kneeling for 9 mins on Northern Pkwy and Roland Ave. Eddie Kadhim WMAR is on scene (Source: Facebook WBAR-2)
It’s not over. We still need our white allies. But we need this issue to be in their faces constantly. That’s the just reality of it. Once George Floyd’s investigation dies down in the media, will white people stop trying to learn what’s really affecting people of color? When I think of the answer to this question in general, it’s no because it’s a really uncomfortable subject. People do not like facing being uncomfortable. A huge part of me believes that once we stop talking about it, we’ll fall back into this being black people’s reality, and I’m not being a narcissist when I think this because this is my reality. I’m black and there are a lot of wow factors about my daily escapades of being a black woman I often gaze over as just another thing I’m used to.
This is the new challenge that I would like white allies to face now that we’ve got a lot of their attention. I challenge them to continually diversify their mind while learning black culture because many of us have concerns about what’s genuine. All these awesome stances are being made, but will they make an effort to continue to learn about systemic racism and seek ways to help fight it? Will they deliberately seek moments that may make them uncomfortable with the intentions of it helping them grow? The country needs unity and in order to get there, we need collaboration and understanding that will not expire once the next headline takes the lead, I’m just saying.
Credit: Stephen Maturen/Getty Images
I’m tired. So are a lot of other black people. Are white people truly tired?
Wine and beer festivals and tastings scattered all around this country. A person could probably find over 25+ festivals in the DMV alone. When it comes to heavier liquor and spirits tastings, one would need to pay for the excursion on an exclusive vacation to attend one that’s worth experiencing. It’d simply be a waste of time, money, and gas to go to any local liquor store for a tasting. I know this so I decided to throw a tasting many of my friends would enjoy in a safe and comfortable environment.
Few people know that they can find tastings at their local liquor stores. They tend to be lackluster events. A tasting hosted in the average neighborhood spirits store would usually host a 2 hour tasting of a bottle sold in their store. They invite customers to taste small swigs of drinks housed on the shelves of their store as they shop. So most times these tastings aren’t formal or advertise for the public to attend. This could be due to Maryland liquor laws that prohibit many businesses from serving based on the type and class of a business.
Three stores you can visit for weekly tastings in Baltimore, MD:
HoneyGo Wine and Spirits located in Perry Hall, MD, has weekly tastings in their tasting room on Friday’s from 4pm to 7pm.
Quarry Wine and Spirits, located in Baltimore, MD, often hosts wine tastings in their liquor store on Fridays from 3pm to 6pm.
Wine Loft in Pikesville, MD does tastings if their wine collections on Saturdays from 1pm to 6pm.
These tastings are slim in their pickings of alcohol as they make the choice of beverage for you per the tasting. But if you are someone looking to buy a drink for later, such satisfaction is suitable in attending a tasting as such. But wouldn’t you want to really experience your drink? How will you know you really like it from just a sip? Why wait for later? Honestly the taste isn’t something great in any alcoholic drink, either. A spirits or wine tasting should let the drinker know what they’re getting themselves into.
That’s how it was for me at least. Wine tastings are best when you have them on cruise ships like how I’ve experienced when cruising to Mexico over the summer.
Doc and her dad in the Blue Agave fields in Mexico.
During my vacation cruising to Mexico, I did three tastings of my favorite drink, tequila. All the tastings educated its attendees about how tequilas are made, how many different types there are, and how to tell what brands are authentic tequila brands. I visited a field of Blue Agave Cactuses with my family and enjoyed exploring tequilas distilled into many different delicious flavors such as mango, coffee, and cream.
This experience was so fun to have I wondered if there were any tasting for Tequila in Maryland. It wasn’t a surprise to find the kind of tasting I would come across is the usual Wine and Spirit Store sample tasting. Really, where are the tequila tastings?! Not in Baltimore. The closest someone might find a tequila tasting is in a restaurant in Washington, DC.
So I threw my own tequila tasting during the holidays and I had a blast!
I spent hours and days prepping to grant my friends and family an experience worth sharing with others. I wanted this tasting to be talked about for weeks, or maybe even months. I wanted people to experience something they’ve never done before. So I studied, studied, and studied long to really educate my guests on what they’d be consuming. I became Catadora, someone who specializes in tasting tequila, for the night pairing my holiday chocolates with a kick of tequila. Bien de salud (in sound health, of course.)
Simply having people taste tiny sips of tequila wasn’t enough. I needed to know that my guests were gaining knowledge from me lecturing them about my favorite drink. So I threw a pop-quiz using a spinning wheel that ultimately turned my tasting into the most exciting Tequila trivia game known to man.
The night was so lit, I slightly beat myself for not preparing to have people in my house until 4 am. But no worries, I enjoyed the company and knowing everyone was safe. They had fun learning about Tequila and I loved being the teacher. I’ll definitely throw more tastings in the future.
What’s your favorite drink? Have you gone to a wine or spirits tasting for your favorite beverage? Share your experience in the comments below.
We’re going to conquer our dreams. We’re getting back to master planning and sharing vision boards.
Boom! I’m coming back to use this zombieland of a blog I’ve had for over a year in hopes of inspiring people to take on the new decade in high confidence! We’re going to conquer our dreams. We’re getting back to master planning and sharing vision boards.
I’ve been on a hiatus from blogging for numerous reasons that I promise I’ll update in a later post. Today I want to share the vision board I created while prepping for my Doc Castle return. My board is solely my vision for 2020. Though I did draft a plan for a better decade in my daily notebook, I chose to share only what I have in mind for this year so I will not bore you all.
These things are what I consider to be concrete and achievable plans. I’m sharing and posting my board online to solidify and make declarations for my desires. I’ve written yearly goals since attending college, and it has proven to be very effective for me because it helps me get things done. It helps me make steps toward becoming the best version of myself each year. In achieving my goals, my life feels more colorful and more meaningful, and more recently I’ve found that my writings about my experiences completing my goals are my greatest motivation when I’m not feeling 100%.
I’ve shared bucket lists on Doc’s Castle Media in previous years with follow-up blog posts of sharing what I’ve done. Those experiences lead to creating music with friends and being featured in fashion shows. I met amazing people who introduced me to exploring a bigger world. It might not be a bucket list but in sharing my goals for 2020, I hope I can see more vividly and continue living more meaningfully.
Just a few things on the 2020 board…
Travel More
#Thirsty30
Living and Growing Happily with My Boyfriend
Honoring Taylor University Hours
Utilizing my office as a space for productivity and as box of inspiration for brewing ideas.
Stop living in your what if’s and just do what it!
Make Dozens upon dozens of Decorative Vases
When entering into a new year, do you make goals? Share some of the goals you have in the comments below.
Has Baltimore found it’s new Wire series? It’s possible to say after viewing the premiere of the Lost Kings Series this week at the Charles Theater July 24th.
Terrence Smalls, director at 89 Crowns and writer of the independent film, may be onto something with his new series because it’s been a long time coming since Baltimore had such rich production embedded with its culture. In Lost Kings, Smalls shares his perspective of the city trenches, finally giving a glimpse of the inside from an insider of Baltimore City.
Any Baltimorean can tell the world is ready for more insight into how we live our lives whenever our radar flashes anytime tourists compare the lifestyle of the residents in Baltimore City to actors in the phenomenal HBO Series The Wire. Watching the Lost Kings at its premier made me realize it could have the same potential. From people’s accents to the infamous dirt bike riding in Baltimore streets, this fictional story portrays our city life artistically instead of, in recent years, the common factual documentary.
Through Smalls’ enactment of Max, played by Baltimore’s dirt bike Wheelie Queen, we watch her journey to avenge her brother’s death and thrive in an arena full of corrupt men. According to the premiere’s Facebook e-vite, Lost Kings’ purpose is to “bring Baltimore Culture to the forefront, while also highlighting and examining factors that contribute to psychological trauma.”
The film did great in portraying its purpose. Many artists throughout Baltimore’s art scene had a part in the production of the film. So it was easy to pick up on the city’s culture naturally as we watch the native actors. The film also highlighted characters having Post Traumatic Stress in situations highly aggravating and aggressive.
The series premiere is broken into 3 chapters in a total length of 30 minutes. It didn’t feel like 30 minutes at all with its many break in-between scenes acting as identifiers for the audience to refresh their attention on a new direction the story will take lead. We can see Smalls create a signature of his artistry while implementing this playwright style into the first episode. It also sets the series apart from independent “hood films” of its time, labeling a little more cinematic than that of what I can find “googling” indie hood films or come across on YouTube. So let’s say in three chapters Baltimore’s rawness is indeed depicted authentically and successfully in a swift 30 minutes.
I also did my part as I was a production assistant for the film, which is always great. Woo! I enjoyed having met many of the cast a crew since last year in 2017 at the start of shooting. Other participants in the production took to social media to share that they felt the same.
Terrence Smalls shares his appreciation for the turnout of the Lost Kings Premiere:
Does the Lost Kings series look like a series that you’d tune into? Leave your comments below.
If you missed out on the Lost Kings Series first premier, you have the opportunity to check it out really soon. The producers are expecting for the Lost Kings Series second premier to be held this August 2018.
The Rotunda Baltimore threw a mini block party in front of Cinébistro for food truck lovers at The 2018 Summer Solstice Gathering. Over hundreds came out showing their support for their favorite caterers while many were also there being introduced to new cuisines.
It’s not foreign for me to spot a food truck anywhere in Baltimore City during the summer months. I’m always attending entertainment and art festivals because of the nature of my job. I’ve come to the conclusion that it’s basically THE season for celebrating festival dishes. So I had to do a special blog dedicated to what I catch myself getting involved in supporting every year.
I’ve eaten from a number of the food trucks present while attending other festivals. But I have never seen such presented as if I was entering a little community full of nothing but mobile eateries. It was like going to a food court at your local mall except it was outside. People could walk straight to the counter at the window, view all the choices on the menu, and order away.
I had a smorgasbord of delicious delicacies of all sorts. If you mesh a bunch cultures together in one space, you’ll run into people of all different backgrounds enjoying tastes from around the world in a small cul-de-sac. Just to name a few of the trucks at the gathering were Deedle’s Mini Donuts, Taco Bar, Bistro Lunch Box, Mexican on the Run, Greek on the Street, and many others.
Even in the rain people came out to get what their taste buds couldn’t resist. The gathering was scheduled to go on through both rain and shine. Tents were set up to fit any occasion. For this day, it was to shield people from getting wet. The turn out remained notable and people continued to show their satisfaction with what was happening.
The food was great! I had Bistro Lunch Box Old Bay fries, which is exactly what it states it is; a basket of french fries smothered in Old Bay seasoning and Vinegar. Also, I ate some delectable Curry Lamb from Bombay Kitchen. My best friend who came along with me to the festival had Shrimp tacos from the Taco Bar and Fruity Pebble Donuts from Deedle’s Mini Donuts.
Support a young Black Baltimore Artist today with her dreams to open her very own food truck! Chef Kierra is an aspiring local culinary artist seeking donations for her food truck start-up! Help Donate to her Best Mobile Catering Service Campaign “Food Truck In Atlanta” via her GoFundMe.
Chef Kierra has awesome food. I tried a few dishes while attending collaboration events with the Mini Hip-hop Museum. One of her delicious meals I’ve had the pleasure of taste testing was fish nachos. Mmm, mmm good.
Have you ever attended a Food Truck Festival? Tell us about your experience in the comments below!
My way of celebrating Black History Month this February 2018 was through showing my support for those who are creating waves in our city currently as entrepreneurs. I showed my support for local black-owned restaurants by participating in the Baltimore Black Restaurant Challenge.
The Baltimore Black Restaurant Challenge was created and hosted by Chef Casey Jenkins in 2014 after a wave of challenges arose on social media, one in particular which drew direct inspiration was the infamous 2014 ALS Water Bucket Challenge. The Black Restaurant Challenge encourages local foodies when choosing to dine out in the month of February, they should visit at least 2 black own restaurants in Baltimore.
There are a number of participating black restaurants in Baltimore that offer specials during the challenge. People who are eager to try out delicacies from those restaurants can find a list of who’s participating by visiting at the Black Restaurant Challenge official website or any of their social media channels. But for me, I just thought of a few names of restaurants I often hear about and strolled right through their front doors.
The two restaurants I chose was Teavolve and American Fusion Flight Baltimore.
I went with my best friend and boyfriend to each spot and ordered popular dishes.
At Teavolve, I had their signature Carolina Shrimp and Grits with a side of roasted potatoes. The food was so good. I failed to get a picture before my meal was half devoured.
Partially Eaten Shrimp and Grits from Teavolve
The atmosphere of Teavolve was giving me “millennial young black professional” vibes. Everyone present in the restaurant that afternoon felt like they were someone of great importance. I even thought to myself maybe I should talk with my volume a little low. I didn’t want to feel the “ratchetness” of my conversation in the air. Especially since it was also a special guest in the building that afternoon. State Attorney Marilyn Mosby often dines at Teavolve, and she chose the day that my best friend and I was there to eat, too. I still didn’t filter my mouth. Real is real.
Teavolve is the perfect place for young professional to have small business meetings and small intimate events.
Check out some of what’s listed on their drink menu.
My second choice to dine at was Flight American Fusion, also known as Flight Baltimore, with my boyfriend for Valentine’s day. It was my treat to him to celebrate the holiday with one of his favorite foods…fish! There I ordered Salmon Quesadillas for my appetizer and a Vegan Veggie Mojo as an entre.
Flight Baltimore’s atmosphere was laxed. There was only one other couple there that afternoon. I could tell business was slow because of the time. But it was the best afternoon for me because it made my visit a lot more romantic that way. I enjoyed viewing the artwork posted on the walls by local artists while I appreciating good conversations with my man. I’d definitely go on another date there.
Flight Baltimore is a great restaurant for people who aren’t tied to the idea of impressing others. It’s a small quaint neighborhood restaurant. They have the option to order your food as carryout so it gives a feeling that you don’t have the obligation to dine in. Food is affordable for a quick bite, too.
Though I did the bare minimum to complete this challenge by only attending 2 restaurants, next year I hope to visit more because I hope to have more money to cash out. Ya feel me?!
What are some black-owned restaurants you frequently visit in Baltimore? Leave your comments below.
Thanks to one of my nine-to-five jobs, I was able to attend the 2018 American Art Craft Show held at the Baltimore Convention the last weekend in February. It was amazing and very inspirational being in the presence of “real” artists.
I work as a promotions assistant at Entercom radio for the 80s, 90s, and today’s pop hits station Today’s 101.9. My job had the pleasure of being press at the craft show on Saturday morning. We did our usual at the show; assist our radio personality Fran Lane with the spinning wheel and gift giveaways. So I didn’t do anything that was out of the norm workwise. But I’m grateful, to say the least, that I was working in surroundings in which capacity I’m not familiar. When I go to these events with my job, we have only a few moments where the promotion staff can walk away to take a look at what’s happening throughout the show. But this time our press appearance was only for 2 hours. So I didn’t have the time to see what the featured artists had to offer until later in the afternoon when I came back to walk the show off the clock.
Artist Cred: Kimmy Cantrell
The American Art Craft Show is a popular traveling art convention sponsored by Visit Baltimore, where emerging artists from all different crafty backgrounds come to one mutual space to sell their work. Like a traditional merchant’s market or flea market, the American Art Craft Show is a high-class version of original arts and goods show made available for any shopper who’s into scavenging for unique pieces not found anywhere else.
I snuck into the exhibit using the American Art Craft Show press pass given to me earlier for my work shift because I felt it necessary for me to have a deeper look into what was at the show. I needed to know what drew me to what I saw while there. Why did it feel like my spirit was suddenly lit seeing all the unique things? It was like a strong magnetic force between my eyes and the artwork, just something about it that made me fall in love with that moment. I wanted to know what made these artists work so hard and achieve such success to be placed in such a popular arts convention.
Artist Cred: Liz Cummings
The American Art Craft Show is quite a pricey show as the quality of the artifacts in the show exhibits each artist passion through sincere detail in the craftsmanship. I saw sculptures of every medium from stone, metal, glass, and traditional clay. I saw clothing designers use unique and expensive fabrics from basic cotton to rich leathers. The jewelry pieces were to die for as I literally choked off my drink of water when told what the price tag said on a pair of stunning earrings. There were immaculate paintings of mixed media forms utilizing fabric embroidery and infused clay on large canvases. Any observer could tell the artists put their everything into their work, and each piece was argumentatively worth what each price tag listed.
These artists were seasoned with their expertise. I witnessed only techniques I see online when I watch art videos on YouTube for inspiration for my own crafting. The techniques were those that people dig for when yearning to add that extra oomph to their “art baby.” The techniques were ways of the art world that makes the observer ponder how did something turn out a particular way. Ways that I could not resist having mini-interviews with the artists on how they achieved such beautiful masterpieces.
I went into journalists mode interviewing the artists from my favorite booths. One particular artist that I had the pleasure of speaking to, Natalya Aikens, creates architectural structures using fabrics and threaded stitching. She references photographs from her own collections and experiments with replicating her images by following traditional shading and coloring techniques.Her work comes off as abstract because of all the vibrant colors being used that aren’t naturally present in the original photos. Mihira Karra, who’s another artist similar to Aikens utilizes the same technique but instead recreates portraits of celebrities, landscapes, and influential figures.
Artist Cred: Mihira Karra
Artist Kathleen Scranton shares her creativity quite uniquely as her booth was unlike any other during the craft show. She takes her favorite novels and children’s books and turns them into small purses or wallets. Her station was one of the booths that had the most traffic because her idea was the most unique. She ran with the theme “Everyone reads.” The booth had to be the most recognizable because most books she used were classic American literature. The interior walls were draped with Dr. Seus, Star Wars, and The Great Gatsby. What made it even better was the buyer got to take home a copy of the novels, as well, after their purchase.
Artist Cred: Kathleen Scranton
I met many ambitious artists whose main focus while working on their art was to enjoy it. None of the artists I spoke to envisioned themselves as experts. Most didn’t think they’d be selling their art when they started. I bring this up to talk about my usual theme for Baltimore artists. With examples as those spotted at the American Art Craft Show, artists in this city could visualize true talent with purpose. It’s not about the social climb like mentioned in my blog series Quality vs. Quantity (Part 1). These artists monetize using pure passions where the love or their work comes first and everything that precedes it comes afterward. At showcases and in the work done here, we only see this reflection of that in prestigious art shows. I write about it to awaken the people who want it to more prevalent in Baltimore’s Art culture.
View more photos from the 2018 American Art Craft Show.
The biggest take away from this event was that it made me feel inspired. That’s what an artsy event suppose to do. They spark the creative soul within and changes the atmosphere around you. The American Art Craft Show did just that. It was due for my soul to feel that awakening.
What artist do you think should have attended or exhibited at the 2018 American Art Craft Show? Leave your comments or tag an artist below. Have you read any of the Quality vs. Quantity Blog Series? Catch up on it on Doc’s Castle Media.
As we should all know, the media helps shapes the perspectives and minds of many that stay abreast of current events. There are millions and millions of people in the know of what’s happening around them. They take what they read and watch on news outlets as fact. It shapes the way each individual chooses to live their life. Most importantly, it’s extremely influential in molding the opinions of people participating in buying and selling. More recently we’ve found it’s one of the leading factors as to why America is in so much turmoil in politics and policy with our current president. So this is why I cannot overlook critiquing Baltimore Media in my second post of Quality vs. Quantity because, with or without media, it continues to be influential to Baltimore’s art culture.
Indie Media has the ability to mold the careers of inspiring artists by helping them move from 0 to 100 through merely talking about an artist’s successes and downfalls. From covering an artist’s success when they have a breakthrough project to talking about movements that aren’t too favorable to the progression of an artist’s career, the media has the power to make or break whether an artist will make it to legendary status.
Having this knowledge that the media has this much an impact in shaping an artist’s career should be the leading factor for why artists should be involved with getting to know their local underground media like the bloggers, podcasters, and many other commentators who are fans of the city’s art culture.
Artists and media need to work hand-and-hand in the progression of the industry of Baltimore’s art culture. But somehow the light bulb hasn’t powered on with that idea and there’s is a big gap in linking the two.
Photo from Facebook
Why is Baltimore Indie Media not helping the Baltimore Art Culture Progress into an Industry?
Traditional media is falling by the wayside as more journalists are left without work. There are fewer printed newspapers and more online news sites. But passionate journalists work hard to continue to do what they love; by recording the history of which they currently live through. They do this on more accessible platforms that some of these journalists invest in on their own.
Underground media has little to no funding to push its indie brands. This leads them to depend heavily on instant gratification online. No longer are they going to work for large media companies aiding them with story leads and money to put food on the table. They report where most people spend their time in order to get recognition, which means social media is where the majority of these outlets can be found excelling.
But if they all can be found on the same platforms, it means most media has the same story leads. They all report about the same things. One great example is knowing about Baltimore’s own comedian Monique’s recent battle with Netflix. Everyone knows she’s called out the black community to a boycott. But, I can bet you that no one can remember which news sites reported the Monique story first.
Major outlets, like the Baltimore Sun, 92Q, Fox 45, and Baltimore Magazine are not the only sources for breaking and entertainment news in the city. There are a plethora of small name underground websites, blogs, podcasts, and magazines that flood social media with opinions about current events on a daily basis. If more local artists and media worked together to saturate the internet with UNIQUE stories on smaller platforms instead of focusing on what everyone else is reporting, we wouldn’t have to see recurring topics on our timelines.
How many times are we going to talk about the same stories? How many times will we only talk about Young Moose or Lor Scoota like they were Baltimore’s only rap artists? Or why aren’t local media coming up with new creative ways to highlight an artist on their websites without doing the usual “get-to-know-the-artist” interviews of creatives who nobody knows about on their podcasts or blogs? There’s a lack in the quality of content in the media that’s similar to the lack of quality in the artists. I think it’s time we stop ignoring the lack of distinction in media if we want to work towards the change I spoke about in my previous essay Quality vs Quantity Part 1: The Saturation of Wanna Be Artists In Baltimore Art Scene.
Underground media in Baltimore city are not exempt from the numbers of individuals seeking to be the voice of the culture. Like many artists and entrepreneurs, inspiring journalists seek to be the “it” factor for change in Baltimore, as well. Everyone wants to be a legacy. But each platform shows proof that following the same formula doesn’t help push progression. We have multiple online radio stations in the city that follow a similar strategy for marketing and studio production, which shows there’s little research done to help each radio brand standout amongst larger successful media. We have podcasters whose production comes off parallel to the other, which shows there’s a lack of research for what’s actually working that’s helping successful podcast accelerate. It’s easy to tell who’s taking the necessary steps to push their brands and who’s not. Who’s going to be our leading TMZ of the city- breaking all the details of our industry if these brands can’t differentiate themselves?
Being similar isn’t the only thing that’s keeping Baltimore’s Underground Media from helping progress the art culture…
The rise of social media brings a wave of opinionated perspectives from every crevice and corner of the Internet. People are not afraid of sharing their thoughts online. But there comes an increase of sensitivity to the opinion that has arisen which makes me concerned about the status of Baltimore City’s urban art culture. More people are sensitive to opinions, and it’s one of the reasons Baltimore’s art scene is lacking genuine underground media outlets willing to step up when it comes to critiquing Baltimore artists. This is a problem because constructive criticism is what Baltimore artists need in order to improve their crafts.
There is a downfall of quality in even the highest-rated of underground media. I believe it’s caused by the lack of direction of each company’s branding techniques, and the additional pressure to chase lead stories. What we’re experiencing as readers and followers of pop culture is brands fearing their power being lost because they’re considering readers’ opinions of what they share. Instead, these companies should be focused on pure facts of what’s necessary to share and not what’s going to make them popular.
The integrity of emerging media is at stake alongside the quality of artwork being circulated. Both sides need to take a moment to pause when evaluating their influence in Baltimore’s Art “Industry.” To improve the stance of our industry, the questions that should be asked by both artists and underground media are “what am I doing to help the current art community,” “Am I making a positive or negative impact in this culture,” “Is what I’m doing necessary for this industry’s growth,” and “Are there any other platforms available currently doing what I do that I can collaborate with and add my input?” Once creators can answer these questions with the benefit of the city’s culture in mind and become successful in getting implementing their findings, then maybe we will see a change for the better?
What do you think? Do you believe the underground media outlets in Baltimore have an impact on the stance of Baltimore’s Art Culture? Leave your comments below.
On the weekend of Jan 19, 2018, history was made in Baltimore. For the first time, there’s a Hip-Hop museum opened in Baltimore city! As a follower of the culture in Baltimore, I speak for many when I say this is a much-needed space for aspiring artists in this city.
Located in the same building as The SAND Gallery, an art museum formerly known as the Incredible Creations Art gallery geared to showcasing the talents of the visual arts of people in the DMV and Baltimore region, the In My Lifetime: Mini Hip-Hop Museum premiered with a similar mission and to also to preserve and educate about hip-hop culture. There has never been a place in the history of hip-hop to be solely dedicated to the preservation and advancement of hip-hop culture until now.
The grand opening took place the entire weekend; from Friday to Sunday. Each day had events catered to educating and informing artists about discussions in hip-hop. The weekend at the museum was filled with book signings, workshops, and discussion panels. Each day was geared toward helping people who were seriously passionate about improving their career in hip-hop.
I decided to attend the grand opening on Friday for the Put Yourself On Discussion Panel. It was a panel that every artist in Baltimore should have made their duty to not miss because it had the right information needed to be heard for any artist who wants to take their career to the next path.
Four panelists who are participants in Hip-Hop Culture shared valuable information on how knowledge gained through fully indulging themselves in hip-hop helped push their growth in their individual fields. To name a few professions that took the floor were artists managers, producers, DJs, publicists, former rap artists, media, and brand ambassadors. Each panelist came from a seasoned background within the industry and with useful input of more than what’s in the forefront of our television screens.
These curators came with tips from avenues many artists who are eager to excel in Baltimore’s art culture are quick to omit. Some advice shared were tips on how to study people who inspire an artist’s craft, how artists should measure progression through monetization and not online attraction, the importance of staying relevant and aware of current events and entertainment news, and staying genuine to what’s desired instead focusing on being ahead of the opponent.
The material picked up at the panel could be applied to anyone pursuing a career in arts, not just people invested in hip-hop. I believe that’s why the audience was so engaged in the conversation. It was more than just about rap and the Baltimore Rap Artist. There were producers, songwriters, and even visual artists present nodding their heads in agreement with what they took in. Because the information was presented generally, I make the statement every artist should have come to the museum’s grand opening. These are resources artists in this city often complain about lacking.
As mentioned before in the first installment of my blog series Quality Vs. Quantity (Part 1), Baltimore’s art culture needs more resources to help artists improve their approach to building a legacy of brands. The In My Lifetime: Mini Hip-Hop Museum is well on its way to becoming one of those sources to help artists improve their quality. The kickoff Put Yourself On Panel was an eye-opener and extremely helpful first attempt at its premiere.
It’s looking up for the “urban” art culture in Baltimore as we see more avenues readily available to help artists. Places like Impact Hub and events like the Baltimore Beat Club help provide resources for improvement and exposure. Artists need to be aware of taking sacrifices with choosing to invest in their career progression. There are more than studio sessions and basement rap.
There has to be a way to publicize the importance of improving their quality to artists. I assume the best way is to keep talking and sharing the little things we do have and spreading what the benefits are when utilized.
But what do I know? I’m just writing myself into existence….
What do you look forward to with the opening of the In My Lifetime: Mini Hip-Hop Museum in Baltimore? What do you think it can offer to the DMV? Leave your comments below.
