Shoutout to Baltimore Punk Rock Band Ballyhoo for Setting Off Halloween The Right Way

This Halloween, I did something I’ve never done before.  I attended an 80s/Halloween Dance Party, also reggae/rock concert, at Baltimore Soundstage hosted by Baltimore’s own punk rock group Ballyhoo.

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Courtesy of HFS 104.9 Alternative Rock and CBS Radio, I experienced my first rock concert and 80s Dance Party, all in one night. How great was it that the stars of the evening are from Harford County, Maryland, just a jump, hop, and a skip from Baltimore city.

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My natural high from the evening’s festivities started when I heard about Chipotle Mexican Grill’s yearly Halloween special, three dollar meals for anyone dressed in costume. Of course, since I was working for HFS 104.9, I wasn’t dressed to walk in Chipotle to get some grub. But please believe, I worked out some magic and found an Annabelle (view preview for film) mask in the CBS company vehicle to take up on the offer. I was hungry and determined. I was not going to wait until next year to get some $3 Chipotle.

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I knew I was going to have a good night. Halloween’s so weird. People are so happy to impersonate others. They find anything to dress up as. At the party I’ve seen all types of costumes. From 80s hipsters to zombie princesses, people were creative in creating their costume for this annual bash. It was HFS 104.9’s duty to grant prizes to those party goers who were best dressed while they signed up to win tickets in our station’s contest for a future concert.

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See more pictures of people’s Halloween costumes on HFS 104.9 Website

It definitely was different from what I’m use to. I’m always attending hip-hop showcases and shows. It was like breath of fresh air to be taken out of what I’m use to and see how another audience, or group of music lovers, listen to what they enjoy.

I haven’t listened to punk rock, or basically any music genre other that hip-hop, pop & R&B, in a while. When growing up, I had a rock music phase in the 10th grade, simply jamming to a range of rock music from indie rock, alternative, and heavy metal. It was a period when Sony MP3 players were popular, and I had the classics from Fallout Boy, Bullet From My Valentine, Paramore, and Killswitch Engage on a playlist. I don’t know whatever happened to me keeping up with my collection of music. But that breath of fresh air was amazing.

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Tribal Seeds was the opening act for Ballyhoo. They’re a reggae band from San Diego, California. The lead singer of the group sounds similar to the Marleys. So it was cool to hear the sounds he contributed for my ears that night. I’m not use to listening to too much reggae. But it was enough for everyone to get their hips swaying and head bobbing for the night. All I needed was some rum punch to set it off. Too bad I was working.

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Ballyhoo rocked out something simply awesome. They played out the rest of the night quite well. The crowd suddenly gotten fuller and became ALIVE. I’m sure by this point, majority of the audience might have been drunk after going to Baltimore Soundstage’s bar multiple times.There were 2 extra bars created to serve the growing crowd. So it was “TURNT,” for real!

See more pictures from the event at HFS 104.9 Website

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Ballyhoo turned up during mid-party as a reminder that Halloween night was just beginning. There will be plenty of time to spare once the concert was over for many people who’d participate in the Fells Point and Federal Hill Halloween tradition. But for that moment, Ballyhoo had everyone’s attention. The venue’s ora completely changed, and I was enjoying feeling like I was partying during the wee hours of the morning when in actuality, they hopped on stage at 10:30 pm. My favorite memory of the night was when the bass player started playing the bass and my butt was jiggling on my seat. It was so loud and funny. My coworker and I were laughing so hysterically about that. Of course, I’m simple for getting enjoyment from that. Haha.

The crowd was really into their performance; waving lighters, singing along to the music, and dancing. I could tell people really were enjoying themselves. For Ballyhoo, this was another successful Halloween showdown and a night well spent in their hometown.

I’d love to have the chance to work at another rock concert. Better yet, I would love to be invited to an indie rock concert outside of CBS. I’m very active in the hip-hop scene but I wouldn’t mind dabbling in the festivities of other genres of music. I’m not aware of many venues that host these concerts or many of the Baltimore indie bands. (If you know of any, please be sure to list them in the comments below so I may invest some of my time getting to know some of the Baltimore indie bands.)

I also met a friendly hip-hop artist while working at Ballyhoo’s concert. We talked for 15 minutes exchanging music and I made sure to get his contact information because the songs he let me hear were awesome! Anything that sounds better than a rapper on a trap beat is going to catch my attention and his sound is far from trap music, maybe a little dubstep is what I’ll call it. Below, is a song from Duck Meyer’s Soundcloud. Please take the moment to listen to his track and leave some feedback in the comments below.

[soundcloud url=”http://api.soundcloud.com/tracks/158314849″ params=”auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true” width=”100%” height=”450″ iframe=”true” /]

Would you like to see more indie bands on Doc’s Castle Media? Send me links, submit some of indie bands from the DMV that you like. Doc’s Castle Media welcomes all!

Are you a frequent visitor of local clubs and restaurants in Baltimore? Make sure to read Doc’s Venue Review for Club 347 on Doc’s Castle Media.

Does Club 347 Even Have A $10 Spending Minimum? (Venue Review)

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Last night, I attended the 2nd Recrd Breakrs event hosted at jazz club, restaurant and bar Club 347 for a networking event created specifically for local artists to meet with Baltimore bloggers and other media. I attended with my artist and we mingled with people at this event for a total of 25 minutes.

The night started off smooth with nice soothing jazz music. I jammed to lovely rhythms and live music from Lia Songbird & Fmajor and DJ Trelly Trell. The networking event was beautiful itself. But I wasn’t too pleased with the service from the waitresses or owner of the venue, that’s if he can be labeled as the owner because I’m not sure.

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I sat down and started speaking with my artist about a possibility of using Club 347 as a spot for future performances, when it wasn’t even 2 minutes later that one of the waitresses walks up to our table and asks us, “Could she get us something?” We told her “no, thank you,” and that’s when the commotion began.

“There’s a $10 minimum because tonight the club is open for free,” said the waitress who looked to be only 5 feet tall, a little on the thick side, and had long blonde tracks of weave.

We replied saying that we weren’t told about the minimum and the flyer didn’t specify it. We knew that the event was meant for networking, and that’s what we were there for. We were there to participate in the cause of supporting local talent.

The waitress walked away from our table on a mission. A mission that would start a chain of events that was completely unnecessary and could have been avoided if things were communicated slightly different. Little did we know the waitress after leaving our table went to her supervisor on a snitching spree.

Five minutes later, a guy who looked as if he’s of another nationality,  probably of somewhere of Eastern culture, like Middle East or Asia, walks up to my artist and signals with his fingers to follow him out the door. My artist follows him out of the club, where he is told there is $10 minimum and if he doesn’t have it, he’ll have to leave. Now heated, my artist walks back into the club to tell me we have to leave. I refused to budge because that night was not about the negativity. There was something positive happening around me, and I wasn’t for letting that guy ruining my night if the event was advertised as free. I wanted to be apart of the positive things happening. So we stayed inside.

We continued to mingle with a few folks. I met other artists who shared flyers for their event, which is below…

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…and the same waitress approaches us, a second time, reminding us of the club’s $10 minimum charge. My artists look to me with an expression on his face that told it all. He was too through, ready to turn on his “niggerdom” trait, a characteristic I refer to as pure ignorance and disregard when someone feels they’ve been disrespected. So I told him we weren’t staying there long. Then I proceeded to continue enjoying the music of the band.

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I moved around the club and started talking to some people, who I’ve spent time speaking to online but never officially met in person, as my artist mingled with the group of artists who were sharing their flyers with others. While I’m on the opposite side of the club, my artist witnesses those who were passing out flyers be told they couldn’t give them out at the event by the same Asian looking guy.

What?! This is a networking event, sir! This is how these artist are choosing to share what they do. How could they be forbidden of this right if the event was specifically for that?! Did this guy not know what was going on? Did he not get the memo that there was a live meet and greet event happening in front of him?

As the night continues, I sit back down at my original table. The waitress comes to me again to tell me, “My boss wants me to remind you of the $10 spending minimum.”

WTH! Am I the only one not buying anything?! This minimum wasn’t specified. How many times is this going to happen? To my surprise, this happened 4 times throughout the night. Look, I may be free loading from the experience happening in your club, sir and ma’am. But isn’t that what I’m there for, to experience a night of great music and meet some awesome people within the Baltimore hip-hop scene,  (cough, cough) and for no charge?

The fourth time was our last time. My artist stormed out and went to the car before I caught on to his whereabouts. I had to call his cell to get the idea that we just weren’t welcomed by the owner. We had no money. We couldn’t be there. So I met up with him at the car 3 minutes behind him.

Even as I get home to share my experience on Facebook with my friends because some of them were still enjoying the atmosphere, they tell me that the event was absolutely free. They were lost, also, at the reason for why I was treated like that. It was twenty-five minutes; 25 minutes of a man showing me his pure greed.

Why were we singled out? Why were we followed around the bar continuously reminded about a nonexistent mandatory fee? Were we truly the only two who didn’t buy a drink? If so, well damn!

I’m upset because I felt like I was singled out for not having money. It was embarrassing. It made me more mad as I thought about why I couldn’t pay $10, even coming to the event straight from work. I guess, that damn 9-5 of mine can’t support me attending even the FREE events and that’s truly some genuine bs!

I’m on a come up, seriously. I budget the events I attend under Doc’s Castle Media often. The ten dollars in my pocket that night was actually to go towards my attendance to Baltimore Crown Awards this Saturday. I’ll still be in attendance since I didn’t break down to give into a greedy old man.

Instead of creating a scene, which I absolutely felt like doing after being treated that way, I chose to avoid any further embarrassment to myself and my artist by writing why I’m not going there again. I don’t want to be that one customer who the owner feels is okay to single out. I don’t want to feel ostracized. I damn sure don’t want to spend the same amount of time spent driving there inside of the club, again. So there you have it. My artist won’t have the venue for future shows, and I won’t be writing about this club in future post for other artists, either. So greedy guy, thanks for my first experience in Club 347 and bringing me out of my writer’s block.

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Hopping On That Train Back to 1990s

Not too far in the distant past rested a decade where a lovely young writer was born. That young writer’s name was Taylor, know to many of you as Doc. The decade was the 1990s. Oh, how I miss my childhood years so much.

I may have literally been a baby growing up during this decade, but there are so many things I’ve experienced as a child growing alongside a mature family, I think I can luster up at least 3 things a lot of people my age and older may relate to that we all might miss. So here they are, the things I want to bring back from my years of retro.

My favorite things I’d bring from the 90s would be…


Music has always had my heart, man.

The Box

The best music channel in the world is of the past. Forget about MTV. The Box was the best because they played variety with little to no commercials and absolutely no teen pregnancy shows. MTV has always been a little picky with what they wanted on there channel, in regards to music, and always remained mainstream. When The Box was around music lovers could see their favorite underground artists if they wanted. Of course, the music industry was very different then. But what I loved the most about The Box was the option to see what music videos were coming on next during the music breaks. WHY DON’T THEY DO THIS ANYMORE?!

Equivalent to The Box today, we have MTV Jams and MTV University, which can be found if you have Verizon Fios or Comcast Xfinity. These channels are “okay.” But I prefer a more organic and original feel for music. Too much of the same thing turns me off, so you can imagine how much time I spend watching either channel. If MTV Jams and MTV University were combined, they’d probably scratch the surface, but only the surface. Can we please bring The Box back?


The Cassette

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I use to listen to the radio all day just to catch my favorite song to record on an audio cassette, and not just any audio cassette. When I didn’t have a blank tape available, I would rummage through my room to find an old “storybook” tape, which originally had Disney bedtime stories on it, and shoved some notebook paper in the top holes, close to where the tape could be found, so I could re-record over its boring stories. Talk about desperate to get a song! My only issue doing this was the radio dj talking through the tracks and the unwanted radio edits. If it wasn’t a Ludacris or DMX song, I’d hate to not hear what the artist was really saying. The struggles of downloading music was too real then. But it was worth it.

Now, life has made it easier to hear my favorites anytime I want. I can simply go to Soundcloud and YouTube with a swipe and click of a finger on my phone. Just type it into the search box and voilà, it’s there! But I do miss the struggles of getting my song from the radio. I knew every song that was played on air.


I’m a cartoon fanatic!

Saturday Morning Cartoons

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Remember waking up early on the weekends to watch cartoons like Johnny Quest, Goosebumps, Bobby’s World, or Digimon Digital Monsters? I use to dread getting up in the morning for school during the week. But when Saturday rolled around, I was up watching cartoons right on time while I ate breakfast. Cartoons from my past could be the reason I’m so animated today because I still watch them. I recently rewatched the entire first seasons of Jackie Chan Adventures and Digimon Digital Monsters on Netflix. All it did was make me upset that I had to get ready for work later that day.

I feel so bad for kids today. They don’t get to have that Saturday morning experience like I had. The moment the clock struck noon, I was already outside hanging with my friends afterwards. Of course, going outside is another thing kids don’t experience, but that’s another story. On top of not having the Saturday morning cartoons to wake up to, kids rarely have a good variety of cartoons to choose from. Broadcast networks like The CW, FOX, and CBS rarely show cartoons, unless it’s the holidays. Plus, Every time I’m channel surfing the tv guide, I find marathons of the same cartoons running for hours on cable networks. It was never like that while growing up on 90s cartoons. There were too many that needed to be aired.


There is so much more that I can talk about that I’d bring back from the 1990s. But this blog post would be entirely too lengthy. So I literally shared with you the first three things that came to mind. Haha! What do you think you’d bring back from the 90s? Let me know in the comments below.

ALSO, this post is part of a local blogger competition The Mobbies, sponsored by Baltimore Sun and Creative Alliance. I’ve been nominated for three categories: Best Music Blog, Best Personal Blog, and Best Label Defying Blog. Thanks, Guys!

Voting begins November 3rd! I’d like to ask all my loyal readers to please add this date to your calendars to participate in the voting process and visit this link when voting begins, Baltimore Mobbies.  Thanks for all for always reading! I have to do something special for y’all.

Doc Talks About Supporting Artists In Baltimore With @BaltimoreFlavaRadio

Last Friday, I was on Baltimore Flava Radio’s as a guest speakers to talk about the infamous topic that’s been stirring up quite a controversy; what’s wrong with these Baltimore artist’s that have this crabs-in-a-barrel mentality and why is it a lack for support for other artists here?

What did you do this past Friday? Did you tune into Baltimore Flava Radio, syndicated on Baltimore Internet radio station WPB Radio?

Last Friday, I was on Baltimore Flava Radio’s as a guest speakers to talk about the infamous topic that’s been stirring up quite a controversy; what’s wrong with these Baltimore artist’s that have this crabs-in-a-barrel mentality and why is it a lack for support for other artists here?

Antwon, one of the show’s hosts, came across my article, “#NewBaltimore or #OldBaltimore, We’re All Crabs,” while surfing the web, one day, and apparently loved it. I’m flattered, haha. But really, I’m glad he enjoyed reading it and offered the opportunity to come talk about it on his show.

I thought about all of you and made sure to have it recorded so I could share it with some of my readers who were out partying Friday night, instead of doing what my article says. It’s okay and I forgive you for missing it, haha. You may still have a listen, here.

Thanks for watching. I can’t tell you how much it means to have such a wonderful group of supporters supporting me talk about supporting one another.

This is a start to changing this city’s reputation. You choosing to do this is showing that you’re defying my theories of being crabs. This is exactly what I want you to do, show the rest of the world that we aren’t crabs. We care about our city’s talent reaching new levels of success. We want to see them do better. We want to show the rest of the world what we’re capable of. Let’s keep it up!

Let’s start by supporting Baltimore Flava Radio! Follow them on Twitter at @BatimoreFlavaRadio and Instagram at @BaltimoreFlavaRadio. Join their group on Facebook and get active. Share the love!

What resources do you think Baltimore needs to help artist here progress to the next level of success? Leave your comments below.

Do you think this city’s hip-hop scene is too worried about supporting who they know and not the art itself? Read Baltimore is Too “Cliqued” Up To Have Supporters on Doc’s Castle Media.

Time To Take A Doc’s Castle Media Break

 

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Don’t let this come as a surprise to you. I’m taking a blogger’s break and here’s why…

You ever had one of those moments where you’re sitting around thinking of the many things you could be accomplishing but aren’t because you find yourself being too busy trying to keep up with what everyone else is doing? Have you ever felt that moment when you realize you’re losing interest in something because you’re seeking approval of your brand? I feel like that in the chase of trying to find a purpose for Doc’s Castle Media.

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There are so many reasons I could list for why I’m losing interest in what I currently do for DCM. (I won’t be posting them here. I might be posting my reasons in a future post.) As I’m getting older, I’m constantly questioning what’s more important to me. I’d rather stick to things that will keep me happy than working for the approval of someone else. So as I’m working for Doc’s Castle Media, I’m seeing I’m losing the love I once had for my blog site because I feel the pressure that comes with being one of Baltimore’s sought after small entertainment bloggers.

I’m a drifter. I started to pick up on that as time passed by. People would often asked me what I wanted to do as a career when I get older. My reply always varied within the arts until I reached the age of 21, where I rarely gave an answer at all. My reply became “I don’t know, probably something in the communications field.” Today, I still don’t know and my reply is the same. I “lowkey” hate that. I just want to be able to do what the hell I want and be appreciated for it. I don’t know why something as simple as that is so hard to do. When I feel like it’s not happening, I know things have to change. So here I stand trying to use my drifter abilities the best way I can.

It’s important for me to let you know that I’ll be on a mini disappearance because a lot of you have kept a continuous and very loyal following by reading whatever new posts I’ve published to the blog. I definitely don’t want to leave anyone assed out. Some people even expressed on my status where I first announce me going MIA that I’ll be missed. Thanks!

Will I Be Gone Forever?

Not even! I might even publish something after I post this. I just wanted to let people know in case there was a delay in my postings and if any of you would start to question my absence.

I’ll continue to guest blog and write for other sites in the meantime. But I’m trying to figure what I can do for Doc’s Castle Media that won’t make me revert to thinking about all the negative thoughts that I’ve developed about writing for Doc’s Castle Media.

I want to stay far away from becoming a grumpy person who’s frustrated about her art as long as possible. I don’t want the fun behind what I do to be taken away from me. I seek that feeling of a childlike sense of wonder in majority of what I do. If the feeling I get from writing becomes a dreadful duty, I would not know where I’d choose to go for my future because writing about what I feel, think, and believe helps give me purpose. I can’t lose that. I owned this talent. I’d be damned to lose it!

I don’t know how long I’m going to take a time out, though I’m always writing.

What I’ll be doing in the meantime…

I consider myself to be an “artistic writer.” So I’ll be practicing different mediums of writing during my quiet time. If you guys haven’t already been keeping up with me on my social sites, I’ve mentioned my interest in doing some songwriting, screenwriting, and book writing. In the future, you may see new pieces done from any of the three. I’ll also be continuing to guest blog for people at their requests and keeping my spirits and other’s spirits high in supporting other writers. So I may be quiet here, but I’m not completely silent.

What I’m expecting to come from this…

First, I expect to gain some kind of wisdom. I want to know myself better. I want to be able to place a better focus for where I’m going with myself. Second, I’m expecting to exercise my creative strengths while practicing writing other mediums. Lastly, I’ll be grasping for all hope in keeping my childlike sense of wonder while doing this because I do not want to turn writing into a dreaded job. Writing is a career. It’s been a hobby since I was 12 and I plan to enjoy doing it for the rest of my life.

So please be so kind to have some understanding while I go on this mini break. I’ll be posting other writings on other platforms. If you follow me on any of my social sites, I’ll direct you to them with the proper links when done. Thank you for all your support!

#NewBaltimore Or #OldBaltimore? We’re All Crabs!

It’s official. I’m convinced that the entire Baltimore hip-hop scene is confused about what creating a “New Baltimore” should be about.

This post was originally meant to be a recap of #NewBaltimore2, an artist showcase event that took place last Saturday in Baltimore. But that obviously changed as the event, itself, changed unexpectedly. The event was scheduled to be from 7:30 pm to 3:00 am, but ended up shutting down approximately around 12:15 am, leaving some music fans disappointed that they didn’t see who they were anticipating to watch perform that evening. BUT that’s not what I want to highlight in this blog. I want to talk about the event’s mission and if it was truly met this weekend.

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This was the second #NewBaltimore event. The first event was held around the same time last year and sponsored by the same people, DaCornerStore. I attended both events and have stated my opinion for both via social media. I will NOT be discussing how I’ve been scolded for my opinion on both events. I will say that people’s decision to attack me further pushes me to write why I believe we’re all still crabs looking for an exit from the rusted old barrel.

But as this topic of New Baltimore vs. Old Baltimore starts buzzing in the ears of people here, I want to emphasize my stance on the topic as a supporter of all art that comes from my fellow Baltimoreans. I attend all art events big or small; exclusive to the public or open to the public. I do not look to discriminate. I’m simply there to practice my art like many others who go to these artsy shows. I support everyone because I’m tired of this city’s talent being continuously overlooked. We deserve some recognition!

First, I want to say how proud I am of the turnout for #NewBaltimore2. There had to be around 200 people who showed up to support good music. I was even more proud to hear people in the crowd singing the lyrics to some of these artists music. It was all love and there was a lot of it. That’s something different from what I usually see while attending shows. I applaud the promoters for that.

So what’s circulating about this “New Baltimore,” (& I’m going off of what I’ve heard from talking to other artists on Twitter and Facebook) #NewBaltimore is here to provide a platform for the new, younger generation of artists, in Baltimore, as opposed to the older generations or vets in the city’s scene, who are said to have more chances and opportunities for their music be heard.

All of Sunday, I watched a few of the younger artists in Baltimore expressed their concerns, openly over Facebook, about how they’re not having the opportunity to “shine” alongside veteran artists due to a lack of support from those who throw, plan, and promote hip-hop events. Some say promoters are bias when choosing who to include in showcases and its unfair that they aren’t getting support similar to the veterans. But I say, this shouldn’t be a thought in anyone’s mind, at this point, because we all aren’t shit. (Excuse my French) But I believe it’s this state of thinking that’s causing a huge ruckus about what’s happening today. It’s when people dislike seeing other’s doing better than them that they make this artsy thing become a competition when in reality no one’s even signed to a major record label.

The controversy that comes with #NewBaltimore starts with its title as it points to the attention of something new happening within Baltimore. But what’s really new? I didn’t know that #NewBaltimore was meant to be a door for the newcomers to break into Baltimore’s hip-hop scene, rather than being about the attitude of people in this city, which is what we should be focusing on.

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Everyone’s attitude is the same. We’ve proven this Saturday that we’re crabs, still, because why is it that we show up to this showcase and not the other numerous showcases in Baltimore that has new talent each day. Did we really come to hear some good new music or was it the names on the flyer that drew us in? Were we, as artists, really there to check out the competition because these performers have reserved spots in a show while some of us in the audience aren’t? Some of us only get to perform one song at Love and Hip-hop Open Mic Night held at St. Mary’s Restaurant.

The attitude of local artists has to change if we’re seeking to be recognized. ALL artists need to reframe from placing themselves on pedestals and for once, in this hard knock city, and learn to truly support. Aren’t you tired of lagging behind other cities’ reputations as society portrays them to be places of progression when we have an abundance of fresh new sounds right in our backyard and the potential to be as great as the people who come out of Atlanta, LA and New York?

Come on, now. Majority of the people at #NewBaltimore have made some dent in the hip hop scene here. So I asked myself this question when I left. “Taylor, when’s the last time you’ve seen any of these people at an open mic? If they claim they love hip hop so much, why is it so hard to support someone else’s event? Why are they showing up because they know who’s throwing this event instead of celebrating the art?” I have not seen one person that I saw at #NewBaltimore at any other open mic in Baltimore. Eargasim, Monumental Mondays, Be Free Fridays, Love and Hip-Hop, the list goes on and these venues are ghost towns each week. Answer that! We’re not encouraging the artist at these events. We’re not pushing for something new.

I guess #NewBaltimore really opened my eyes to how many crabs we’re dealing with, even with the entire city knowing we’re stuck in a barrel. It’s not people who aren’t artist we should worry about getting to these show. First, we need to worry about living the lifestyles we glorify and speak of. We need to be changing our attitudes and supporting talented people regardless of their names. We need to come together, then encourage others to come out to support.

But I’m just a blogger and my words have no value because I’m not an artists myself. At least that’s what some of these new artist say. I’m just tired of writing about the same thing. Seven months later, I’m still saying Baltimore Is Too “Cliqued” Up to Have Supporters. I shouldn’t be scolded for what I’m observing. My observations aren’t far-fetched. There isn’t a new Baltimore, not yet. We still have time to create it.

But what do you think? Am I wasting my breath? Will we ever escape this barrel? Will the newcomers and the vets come together? Will artist support these other showcases around the city? Let me know in the comments below.

Have you read my last music highlight? Read Music Highlight: Quinn Shabaz’s Day One ft. Jimmy Apoet & Leon Dominick on Doc’s Castle Media.

Nominees for 2014 Maryland Music Awards Are In

So the nominees for Maryland Music Awards have been revealed!

Were you aware of the Maryland Music Awards? I know I wasn’t. There has to be a better way to be informed about such things. I found out about the awards through reading another blog. But I didn’t hear any more reports about this newly found music celebration until I started doing an extensive Google search. I wonder why they didn’t include the people who commonly write about independent Maryland artists for this selections process, or why they didn’t send word out about it to the local magazines and bloggers.

Nominations are already in! Here’s the video announcing this year’s nominees.

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I don’t know any of these artists. Do you? Haha. I guess, the show will meet it’s purpose by promoting awareness of each of these artists. But come on, I know hip-hop artist in Baltimore with more buzz than any of those who were mentioned.

I look forward to more of these award shows. But for the next go round, lets add some more artists that I can actually vote for in the next show. I wish all the current nominees the best of luck in their journey to being the first to win a Maryland Music Award.

To read more about the Maryland Music Award, check out their site here.

How do you feel about the Maryland Music Awards? Will you be tuning in to watch it? Leave your comments below.

Did you see the last Music Highlight? Read Quinn Shabaz Day One ft. Jimmy Apoet and Leon Dominick on Doc’s Castle Media.

The Current Generation Doesn’t Take Part In Civil Rights Movements Because…

In the awakening of the protests that have taken place across the nation over the course of these past few weeks, I’ve seen opinions from different people all over the “interweb” about whether people should participate in the cause to stop police brutality. I have some opinions, myself, on such a subject.

At my nine-to-five job, I speak to older people often about the justifications for why younger generations choose not to participate in civil rights movements or protests. They are astonished at my answers but they agree with my assumptions quite often. So I made a list explaining why I feel the younger generation doesn’t put much effort in protesting in causes similar to Michael Brown’s.

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1.) This generation is selfish and lazy.

If we can’t even make the choice to be in a monogamous relationship and stop glorifying side pieces, how are we able to commit to a few protests. It’s sad to say but really, how are we able to be positive if even the intimate situations are left unanswered? If we aren’t loyal to our own culture by not participating in genocide, how are can we march together? We also look for quick solutions because we’re too lazy to search for what will truly help. How can we organize a successful protest without passion for helping someone else, or without the urge to help?

2.) They don’t see protesting as often as previous generations so it’s hard to justify the reason for why they should do it. This generation is sort of “privileged” because we never had to march for the chance to be including in something “white america” has for themselves. Racism is still prevalent today but the difference between then and now is racism is a secret to majority of the white culture. It’s so secret that white people who look past color differences often look at black people’s complaints about racism as “nagging.” This generation turns a blind eye to racist acts, and when they do that, there isn’t further action for stopping hate crimes when they do happen.

3.) There isn’t a civil rights leader to lead this generation.

Martin Luther King Jr. and Malcolm X are icons of the past. This generation looks up to Beyoncé, Jay-Z and Kanye West to be influenced to do something. I have yet to see either one of them do anything in support of the people protesting in Ferguson for Michael Brown. I think it sucks that what these artists think can influence other people’s thoughts and actions, especially when it comes to Kanye. People feed off this man’s negativity more than the positive. Now tell me, how would this country react if Kanye decided to be a civil rights leader. We need someone to provoke greatness in our culture, not meaningless idiocy.

5.) They’re unaware of what’s happening in the community.

This generation doesn’t read or watch the news unless it’s about entertainment. To add to that, the media also pushes the same stories 50 times like people didn’t hear it 30 times from a different media outlet. What happened to promoting awareness. I think we’re well informed about how great the 2014 VMA’s went. Let’s get back to what’s tearing this country apart.

6.) They don’t believe that anything will change.

Majority of this generation thinks negatively before looking at the positive in a situation. Just look at our Instagrams. There are thousands of memes that are used to describe our feelings about certain things. I see majority of memes that have negative undertones. I have people on my social networks who live by “twitter logic.” If they keep pushing negativity,  who’s to say they’ll change?  It takes strength to change. Can we say this generation is strong?

I don’t participate in every movement created in remembrance of Michael Brown. Not every cause is in favor of everyone. This week I was invited to participate in a protest that, in my opinion, doesn’t support the cause  for equality at all. Have you heard of the Blackout Monday protest?

BOYCOTT-SEPTEMBER-8

Blackout Monday is doing the exact opposite of fighting for equality! How are we working to become a better nation if we’re telling people not to support businesses because they are in support of “the system” (whatever the hell that is). Last time I checked, all of America owes other countries a piece of our shares. Everyone needs a little money to support their love ones. Why jeopardize how someone survives based off what’s currently happening? What is the reason for seizing shopping at stores that employ blacks or other minorities? What is one day shopping at Black own businesses going to do? If you’re going to support blacks, why let it be for one day?

So if I don’t shop at Best Buy or Wal-Mart on Monday, September 8, 2014 and support black businesses in America, we’ll be better as a nation? Somethings wrong with this logic. We should be pushing for EQUALITY and not aiming to be further SEGREGATED.

It wasn’t too long ago we chanted how we wanted change while Barack Obama ran for president. One man can’t do it. Let all generations come together to change. Let all people come together to change. Let’s stop talking about change and really change this time!

We should all be leaning on the proposition that we need a leader to point us in the right direction for making a change. There are too many people with multiple opinions inflicting their morals on others. Not everyone’s morals are for the good. We need someone like Martin Luther King Jr., someone who’s going to speak of protesting in peace and unity because the rioting in Ferguson is doing the opposite of what we’re expecting to change.

What do you think? Why do you think the younger generations don’t participate in protests? Leave your comments below.

Did you participate in the online protest in honor of Michael Brown? Read The Online Protests In Honor of Those Mistreated By Law Enforcers: #IfTheyGunnedMeDown on Doc’s Castle Media.

YTube Vid of the Week: Why You Should Read The Alchemist by Bmore’s Hip-Hop Artist Gillateen

Now, as an advocate of my personal reading movement with my little bookshelf in the comfort of my home, I would recommend some good self-help books to a few of you. But I’ve been slacking on my reading, and have taken a stab at listening to other people’s suggestions about books that they feel are awesome reads.

This week’s YTube Vid of the Week is a dedication to all those people who seek purpose in their life. It’s for all the folks who inspire to achieve something but need that little pick me up of encouragement to do what has to be done for reaching where they want to be. Looking at Gillateen’s growing success tells me the book works magic, so I’m going to get me a copy of the book, too.

[youtube http://www.youtube.com/watch?v=dH0IVh5YOLY]

How did Gillateen do with his book review? Did he convince you to read The Alchemist? Leave your comments below.

Did you see the hilarious Helloflo Moon Party commercial? Read YTube Vid of the Week: Helloflo Moon Party on Doc’s Castle Media.

Music Highlight: Quinn Shabaz “Day One” ft. Jimmy Apoet & Leon Dominick

Ever met a rapper that seems to have a song for every moment in a person’s life? I call those people trendy rappers because they have music for everything, even songs for when you feel the urge to smack someone. This week’s music highlight is Quinn Shabaz.

Meet Quinn Shabaz:

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Quinn began rapping in 2005. That may seem relatively recent being 9 years ago, but he’s musical experiences stretches back to his elementary school days, as he began playing the saxophone in the 3rd grade. By the time he graduated from middle school, Quinn was able to play the saxophone, the drums and the guitar. Like many of other great musicians, Quinn also was apart of his church’s choir. He spent 4 years singing for his church, while he focused on his writing skills until 2012 where he released his first musical project “Alternative Thanksgiving”  with long time friend Leon Dominick. The following year, Quinn released his first solo project “Love&Hooligans” and not too far behind dropped his 2014 mixtape “Good Heart, Bad Habits.”

With only two solo projects under his belt, Quinn is showing us a job well done. When tuning to Soundcloud to find a song to share with my readers, I chose to share the most played. “Gator” is a song about pimp slappin a bitch. I can’t put it any simpler than that. Ha-ha! So if you’re in one of those moods full of pure frustration and can’t seem to let the tension go, I’m sure “Gator” can help with that.

But that’s not what I wanted to highlight in today’s post. I wanted to share Quinn’s music video “Day One,” which includes two previously featured artist on Doc’s Castle Media, Jimmy Apoet and Leon Dominick. It’s a song about true friendship and hanging out with people who’s been around since the beginning. I’m talking about those best friends you wouldn’t trade the world for.

Did You see my cameo? Ha-ha!

I really loved what Quinn did by taking it back to those celebratory cookout days in this video. It symbolizes a moment that everyone should experience when people spent time with their loved ones. I’m sure some of you had that experience this week, spending some time with your Day One’s during this Labor Day weekend.

Quinn Shabaz is definitely worthy of this week’s Music Highlight shoutout! I enjoyed every bit of his latest album. To hear more from him, follow his soundcloud at Quinn Shabaz.

The best moment to play Quinn Shabaz’s “Gator” is when…. Fill in the blank sending your comments, below!

Another favorite from “Good Heart, Bad Habits” is Cruise Control. I added the single in one of my fashion videos for Boulevard of Chic. Read Lights, Camera, Fashion! Recap of Boulevard of Chic’s Fashion Show on Doc’s Castle Media.