Doc’s publishes the first Doc’s Thumbs Up Playlist, six years after the Doc’s Thumbs Up segment first premiered as an additional commentary segment highlighting artists on Doc’s Castle Media.
It’s a long time coming, but honestly it never crossed my mind until I realized I was already creating my playlist without noticing. The IG algorithm was strong this year pushing way more musical artists than in the past, and I’m not mad at that at all because I love my ears being immersed in absolute originality. What I did that was so different this time was search Spotify for artists who I thought were cool and saved their songs for “later.” Boom, now I have a list.
I spent an entire year saving songs for later. Beginning Fall 2020 to Fall 2021, I added songs that got me through my days.
Aye, Baltimore! I summon you to stand up first, here, as I’m a native and understand the “Baltimore struggle,” I have to use my first Doc’s Thumbs Up Playlist to highlight the artist I love hearing from my hometown. Just to drop a few artist names that I included in the Doc’s Thumbs Up Vol. 1 Playlist, we have Abdu Ali, Kaotic Couture, Kariz Marchel, Kay LA, T.Ali, Miss Kam, Butch Dawson, Hazmat Caz, and so much more.
I’m certainly not the master of curating playlists. I simply like what I like. When I want to listen to a song for a while, I make it a habit to add it to my own track list like I used to make mixtapes back in high school. So this isn’t that much of a big deal than what I’m about to gas this up to be. But anyway…Doc’s published her first Doc’s Thumb’s Up Playlist. Woot woot!
I’m uncertain if I’ll make another Doc’s Thumbs Up Playlist. I did enjoy creating this one. It takes a lot of work finding local artists to include on this list. I spent many work days searching social media and Spotify to find songs I liked to listen to while working out, creating in my art studio, or to include on my daily drives.
Maybe, if I decided to create another playlist, I’ll do a collaboration with someone else. What do you all think?
Shout outs to these two brands that inspire me to curate my very own playlist. They are themselves Baltimore talent and the few media outlets I subscribe to when keeping up with what’s hot in the DMV region. These local media specialists are a great start if you’re looking on where to find out who’s worth listening to locally.
Karlito Freeze, host of and Rides with Freeze, and former host of Strong Way Radio.
Jeremiah Lloyd Harmon is an awesome talent to watch from Baltimore who once graced our television screen on season 17 of ABC’s American Idol in 2019. Now he’s back in town with the help of the Baltimore County Arts Guild to teach aspiring songwriters how to compose their very own successful ballads.
Jeremiah’s story touches my heart because of the personal connection I have with him growing up being once a part of the congregation his dad preaches. I’ve followed and supported Jeremiah for as long as I could remember. Way past the point of our grade school days as we both grew up in the same church community attending the same Sunday school, Awana Club Meetings, and Vacation Bible School services in Baltimore, MD since our wee single-digit years. I never knew what Jeremiah was experiencing dealing with the pressures of being the son of the pastor until his appearance on American Idol where he briefly shares his tribulations, and later in a documentary “The Mirror Will Take Us Home” that focuses on his life growing up as a pastor’s kid.
Despite whatever Jeremiah has been through, I remember him being the talented singer whose voice always shined radiantly Sunday mornings whenever he sang his solos before each sermon. Such a beautiful voice that has sparked an interest in my heart to keep up with his journey well into our later years, even in our bump in collaborations with Today’s 101.9. I’m here to lend my support as another artist in Baltimore proud of the odds that he still chooses to rise above. This is why Jeremiah Lloyd Harmon gets a shout out on Doc’s Castle Media.
Photo Source: Today’s 101.9 Entercom Baltimore
Jeremiah, as a contestant on American Idol, performed while his family rejected him in his desire to pursue a musical career. His story touched the hearts of millions, even pop star Katy Perry when she shared her experiences growing up as a pastor’s kid. His passion for music leads us now with a great opportunity to possibly have his musical genius rub off on us with the rare opportunity to participate in his songwriting workshop in Catonsville.
This isn’t the first time Jeremiah has gotten involved and shown his support for the Arts and performance district in Catonsville, MD. Jeremiah has contributed to donating to two arts and entertainment organizations, The Listening, Inc. and The Catonsville Clubhouse. He also teaches online using The JLH Songwriting and Vocal Scholarship Fund to help aspiring musicians “afford an opportunity at expanding their artistic abilities in his online community through songwriting workshops and one-on-one voice coaching.” During the mid pandemic, Jeremiah hosted the 1st series of virtual songwriters workshop with the Baltimore County Arts Guild in the Summer and Fall months of 2020. Wrapping up his first workshop, participants performed in a virtual recital during the holiday season sharing what they came up with while enrolled in the course. Now he’s back with another 8-week session that will conclude with another live recital of new music.
Jeremiah’s dedication to pursuing his passions motivates me to share with my readers as a #PrayforLove message. I’m big on believing that God does things in people’s lives to show us how to define the true meaning of “love.” Jeremiah’s story is no exception. He should continue striving to share the talent that God gave him through any adversity. His story is inspiring and it’s important for other people to see. It speaks deeply to someone in ways unimaginable. Though his life may have some turn of events, God still provided him with what he needed, which is a positive and much larger community accepting of his gifts. But now also a gift along with a story of acceptance and encouragement for many others seeking inspiration. We actually need more #PrayForLove moments like this.
Listen to the new single “Mama, I Don’t Wanna Go to Nashville ” by Jeremiah Lloyd Harmon via all streaming services or at www.jeremiahlloydharmon.com.
I love the Hazmat Chicks; Caz and Remy! We go way back to kicking it in former recording studio The Dugout Dojo in Baltimore, MD. Whenever I see my girlies making things happen, definitely will share what pride I have in their work. This week’s Doc’s Thumbs Up is Rewind by HazmatCaz Official video.
Hazmatcaz, since having gone viral in early 2019 for her “Hood Siri” interpretation, has been featured by multiple news outlets such as Yahoo News, Fader, ViceTV, and even snagged an interview with Kings of Comedy mogul and talk show host Steve Harvey. Caz’s blow up even caused her to start her own web series on YouTube to keep up with the hype of her newly found fame as Hood Siri.
But…Caz is a rapper first and has expressed plenty of times that she’d rather be recognized for her music. So I want to bring it back to highlighting the official video for Rewind because it’s dope like her.
Rewind is visually vibrant! Like the rainbow in Caz’s hair, every color of the rainbow appears in this video. Life looks great. It’s a life anyone who’d enjoy having a good time would want. Caz personally directed the video and did well creating that very visual of being young and fun. She talks about rewinding back to a time she’d love to relive “over and over.” Take her back to a time where she’d bask in the idea of doing these things “again and again.”
Rewind is an exclusive video from Hazmatcaz that can be found on her SoundCloud and YouTube channels. Watch the full video.
Hazmatcaz also released a new music video over the Christmas holiday for her new single Me. Watch the video via Hazmatcaz YouTube Channel.
This week, Baltimore native Pharaoh Slumzyniah released his second underground album No Roles Models, No Rules and reveals that embracing your dark side can be quite cultivating, too. He further introduces to the world a new type of hip-hop, which he calls menace rap, a new style of music that has no regards to what society expects. It’s an album geared entirely to “not giving any f*%@s.”
No Role Models, No Rules was set to release Saturday, November 15, 2014. Unfortunately, the anticipated underground album was delayed an additional 3 days building more anticipation for Slumzy fans. But despite the contrary, the album still exceeded fans’ expectations, and has proven a bigger and better composition than his previous discography .
The album is composed of 18 somber, but still upbeat, tracks that, though may get you pondering whether you should be nodding your head or seeking to drown in your sorrows, will have you dancing nonetheless.
To name a few artists who have been featured on the Pharaoh’s new mixtape are War Drumz Audio artists FLuX, Leon Dominick, Quinn Shabaz and Based rap artists Lor Bluntz and Hazmat Caz.
Experimental sounds of dubstep, old school, westcoast, and hardcore hip-hop influenced and blended together on No Role Models No Rules to create an exquisitely composed masterpiece. Majority of the album’s producer credits comes from Pharaoh Slumzyniah, himself, as Slumzy along with Exclusive Orchestra, Def Starz, The Marvel, Clyde Strokes, Xeno Carr and other talented producers, including Baltimore and War Drumz Audio Art artist Tony Bonez Sinatra.
“Thumbs Up” Tracks
My favorite tracks on No Role Models, No Rules are “Fall of Pete” featuring Hazmat Caz and “Cypress Hill” featuring Lor Bluntz & FLuX.
“Fall of Pete” is a song that’ll place you in nostalgia of west coast rap. Do you remember Snoop Dogg’s “Who Am I (What’s My Name)?” The instrumental will have you thinking the music video should be set in a neighborhood similar to East Compton. I wonder if that’s something to look forward to from Mr. Slumzyniah, hmm?
“Cypress Hill” is a pothead’s anthem and we just don’t get enough of those, right? Depicted from three perspectives, the listener gets the inside to how the infamous Mary Jane comforts and provides remedy while they all float their way to solace on cloud nine.
No Role Models, No Rules is now available for download on Datpiff.com. Be sure to get your copy today! (CLICK THIS LINK FOR DOWNLOAD) Don’t forget to follow Pharaoh Slumzyniah’s social media at Pharaoh Slumzyniah on Facebook, Slum_Money on Instagram, and SKSlumzy on Twitter.
Do you expect to hear more from Pharaoh Slumzyniah in 2015? Leave your comments below.
The Baltimore city’s music scene is getting bigger and bigger by the day. I’m not saying this because everyone seems to want to be a rapper these days, but because if you really indulge in the hip-hop scene, you’ll learn that there are some really gifted individuals taking apart in something worth sharing about. Two of those very gifted individuals are this week’s Music Highlight.
The Mighty Third Eye are two sibling rappers, who are freshly new to the Baltimore hip-hop scene. They caught my attention sometime last month when I attended an open mic night and was granted a T-Shirt from one of the members, Divine King, during their performance. He definitely gave his shirt to the right person because it wasn’t too far after I approached The Mighty Third Eye about being today’s feature.
I met with the two at Terra Cafe, which was also my first time dining in the local restaurant. (I’ll talk about my dining experience another day because the food was good y’all.) But once I met up with them, we kicked it and I learned a lot about these Milwaukee natives. We chatted about their start as a duo rap group, the type of music they consider themselves to make, Love Truth’s view on women in the industry, and much, much more.
I started my interview by asking the two how they began. It came to be that the both of them already were writers growing up. But Divine King, while inspired by NWA, began rapping in high school with his friends. He often made beats as a hobby, as well. It wasn’t until 3 years ago; he would faithfully send beats he made to his sister Love Truth for review. At the time, Love Truth was into writing poetry rather than the art of rap. But she expressed that from life’s obstacles and tribulations, she was inspired to begin writing over beats her brother orchestrated. After a while, it became a thing they loved to do, or as they say “it kind of happened organically,” it wasn’t planned at all.
If you were to hear a Mighty Third Eye track, you’d be reminded of “soul-hop,” hip-hop music with a hint of conscious meaning that reaches the inner soul. Artists whom I would consider in this category of music would be Lauren Hill, Mos Def, or the Roots. They have a sound of which I believe has run scarce in the industry, today. As I’ve mentioned to them that their music reminds me of music from the 90s, they’ve expressed that many others have placed them in the same genre. Divine King wouldn’t want to say they focus on a specific era of music though many compare their music to artist from the 90s. Their aim is to deliver a certain message and to add value to the culture. Both aren’t too fond of the “turn up” music that’s so often promoted in the music industry, so they see the 90s comments from others as compliments because it’s an era of music they enjoy, and an era of music they take pride in listening to.
Female MCs are hard to come by in the Baltimore Hip-Hop Scene? Males dominate the culture but women still find ways to form a presence. As I went on expressing how I rarely see female rappers at open mics in Baltimore, the conversation led into a discussion about females and how they carry themselves in the industry. I asked Love Truth if there was reason for why she chooses to represent herself the way she does; in a conservative-simple manner. She went on to say “I don’t feel compelled to sell sex through my music. I feel like I’m going to shine no matter what. I don’t feel I have to use my body to get somebody’s attention because my intelligence and other things are going to be able to carry that.” She’s aware that she’s entering into a male dominated industry and believes there are choices people make to represent themselves the way they do. Every choice has a consequence. She chooses the path that won’t exploit herself in ways that will make her feel uncomfortable living with those consequences. I believe that’s always the way to go!
I asked the Mighty Third Eye’s about the idea behind their logo. Love Truth explained it represents their name. I didn’t realize how obvious it was until they elaborated on the design. The logo is composed of three gold letter “I’s” and a black crescent moon. The colors represent the gods and the earth. The logo is both simple and thought-provoking, which I believe is the best way to go about having a logo because a person who’s viewing the design doesn’t have to dig any deeper into figuring it out; as if it’s a puzzle. Divine King and Love Truth just thought it was cool to have a something to represent them because Wu-Tang Clan did it. Why not?
The Mighty Third Eye set the pedestal as one of the most unique groups I’ve found to be active in the local hip-hop scene. How often is it that you see a rap duo who are twins? They deserve a lot of the support that’s given, if not more. I encourage anyone who’s looking for some new soul-hop to speak into their inner conscious, or rather anything worth listening to as they go about their day, to consider downloading The Mighty Third Eye’s album Let Em See. Add it to your hip-hop collection. Also, if you’d like to see them perform live, attend one of their shows held every Tuesday at St. Mary’s Restaurant’s for Love and Hip-hop Open Mic Night.
I felt like I traveled back in time for a few hours to the 1980s yesterday, except there was a slight millennial twist in my Back To The Future moment. I attended for the first time Beet Trip, a beat and rap cypher event held at The Living Well, just few block north of Baltimore’s Station North Arts and Entertainment District. Last night’s event was Beet Trips 15th episode.
I wish I could have had the opportunity to grow up in the 80s to hear MCs battle it out in cyphers to human beat boxers. But the closest I could get to that was last night when I experience young Baltimore MCs form a circle while taking turns passing the mic to exchange freestyles to new age beats created by 3 star Bmore producers. I regret to have not grab such talented producers names or information. But I’m sure to be spotted at this event again. I definitely won’t make the same mistake. If you recognize anyone in any of these photographs, let them know that they’re now Doc’s Castle Media’s anonymous stars!
The atmosphere was, like I said, “old school with a new age twist” and the crowd was extremely exceptional for it to be held in an art gala like The Living Well. I assume Beet Trip was the absolute place to be if you’re big on attending Baltimore Hip-Hop events because I spotted plenty of familiar faces in the Baltimore Hip-Hop Scene. To name a few people:
Yet again, I bring you another War Drumz Audio Art artist straight from B-More city. This time around it’s Tony Bonez Sinatra.
This is his latest music video for his single “Mask Writter.”
I like this song because it reminds me of the music I grew up on. You know know 90’s babies love when they hear something that sound similar to anything 90’s or early 2000’s related. Tony Bonez’s music reminds me of some old Redman and Method Man hits. Check out the assets of the video! Can you tell it’s Baltimore? Stand up!
About the Artist:
Tony Bonez started rapping at a very young age as a result of dealing with poverty during his childhood. Music became his getaway from all the issues that revolved in his life. But it wasn’t until the early 2000’s, he started writing his own rhymes and joining cyphers at school which helped gain him much respect as a fierce MC who is not to be messed with. Inspired by Redman (see, I told you it was something familiar about his style haha), Tony took up the name KidBlaq, and was later signed to an underground label Monsta Money at age 19 and took up the name Tony Bonez but shortly left to join a group known as DaUnion. A year later Bonez parted from the 4 man group after issues amongst the group and went solo. Over time he encountered SmokingAces counterpart Fly Fonzarelli. They instantly clicked. Fly introduced Bonez to the Baltimore hip-hop scene on a whole new level. Bonez since then has gained experiences with some of Baltimore’s top artist including learning from Skarr Akbarr, battling King Los, recording with the late Smash, Tiara Laniece and Yea Lano. More recently, Bonez has taken on the position as the sixth addition to the War Drumz Audio Art music label.
Earlier this year, Tony Bonez released his first EP Welcome to the Boneyard: The Rise. The mixtape is composed of 13 tracks that’ll get your head nodding to the beat for sure. My favorite track is “Do Ya Like” mainly because I love the sample of Adele in the song, but he speaks volumes in an audio picture about being intimate with a woman. I’m a woman so…do you catch my drift? Ha-ha! I’m sure he has more goodies to come along with the rest of what he has to offer. What do you think?
To hear more from Tony Bonez Sinatra, be sure to follow him on Twitter at TonyB0nez, Instagram at LongLiveBoneyard, and Facebook at TonyBonez Sinatra. Don’t forget to check out his EP Welcome to the Boneyard: The Rise on Datpiff.com.
Do you like this music artist? Leave your comments below.
Do you have what it takes to be the next music highlight? Send me stuff! You might just become the next highlighted artist on Doc’s Castle Media.
Today, I’m posting a Music Highlight. I haven’t done so in a while. But I want to remind people my blog is not solely a music blog. Doc’s Castle Media is a commentary blog, which means I write based off of my opinions for different events and scenarios that happen throughout everyday life. I enjoy writing about Baltimore because it’s the city in which I dwell. But Doc’s Castle Media is meant to promote productivity within my city through me writing about how I feel about what’s going on around me. I talk about music but I’m not limited to it. My blog shows for it, hence why I don’t post everyday a new song or mixtape that’s being dropped by a local musician. There are other artist, like poets, graphic designers, dancers and etc.; I’d like to write about. I’d love to give recognition to talent while also writing about my thoughts and ideas with what’s going on in the world. I hope that I’ve cleared it up for some of you.
Onward to The Music Highlight…
Kaseo is today’s star! If you didn’t already know about this guy, he recently dropped a mixtape early February that I would say has a unique sound from what I commonly hear in the streets of Baltimore. I loved it. But let’s leave the best for last here. First I’ll get you familiar with who he is.
Kaseo is a Baltimore native who has embedded within him multiple talents that helps him enhance his music career to further heights. Not only is he a musical lyricist, but he’s also a producer making hip-hop beats. But of course, it didn’t all start out as rainbows and butterflies. Kaseo started his music career when he was 12 years old playing the Casio keyboard that was a gift from his father. He started with making beats and freestyling to his creations. Once he learned he had a passion for rapping, he formed a group with his friends in high school name Music Man. Later the group’s name changed to Skyebourne Music Group.
Kaseo’s motivation to make music is to receive a feeling of liberation. In the past, he battled issues with anger and music became his outlet. He believes music is peaceful and serene. So he often writes for his release and “high.” He also creates because people are fond of what he offers. I guess, I would say I’m one of those people, now, because I can vouch that his latest creation is awesome.
MoBettaHipHop, a mixtape that has a sort of A Tribe Called Quest feel, is an awesome tape that anyone who enjoys a jazzy, but yet still rhythmic type of sound, would love to have in their iTunes collection. I downloaded it the first day it dropped and burned it to a CD so that I could have something new to drive to. One of my favorite tracks on MoBettaHipHop is Black Widow, a song of resentment for a woman who unforgivably broke a man’s heart. Kaseo gives a cruel stab back at a woman who, if anyone would hear how she treated him, deserves to reap what she sows. I thought the CD was beautifully crafted, and I definitely recommend it to my readers to take a thorough listen.
To check out Kaseo’s MoBettaHipHop mixtape, be sure to download it from Bandcamp.com, or you could just CLICK THIS LINK. Also, follow him on Twitter at @Kaseus_Clay and Instagram at @Kaseo92 for announcements of shows, albums, and mixtapes from Kaseo in the future.
Hop in my car and cruise to something that has hard base. The base has to be hard enough for my windows to look like they’re shaking. That’s the type of music the world should be driving to because it wakes you up and gets pumped to tackle your day. I mean, that’s why I listen to rap when I drive. Ha-ha! If you’re the type of music listener who likes a club banger kind of sound, you’ll be missing out if you haven’t heard about Young Wild & Reckless.
Last August, they submitted a video that was featured on Doc’s Castle Media. “Like Us” now holds a position of over two thousand views, which is way more than when it was first seen on Doc’s Castle Media. Tells us that they’ve been on their grind since we’ve last heard from them. They also dropped a mixtape last year, July 26th, named Young Wild & Reckless The Movement. The tape has over a thousand views so I had to do a review as a follow-up for my viewers.
Young Wild & Reckless The Movement is a tape meant for “turning up.” Similar to “Like Us,” the tape places you into a party scene that anyone could dream of being. You’ll be ready to grab your bottles and partake in other various recreational activities as you bob you heads to the base beat I mentioned above that you’ll love. My favorite song is “Like Us,” of course, with the addition of “What I Gotta Do,” a song highlighting that getting money is something these guys have to do to keep them fly. I’m sure many people can relate to that. I also like “Hood Rich Anthem” because it gives me that image of being a “boss.” The beat does that alone but with addition of these talented artist featured on the track, they reassure that they’re coming from all over the country, and different neighborhoods, to let us know about their movement. They’re taking over with extreme BOSS behavior.
