Whiskey’s Birthday Hip-hop Showcase at DC’s Art Gallery The Fridge (DCM Gallery and Recap)

People pour into a one room warehouse full of astounding art on a beautiful Saturday evening. The Fridge, a place where artists from DC gather to spread their inner creative abilities, whether it be through painting, poetry, singing, dancing, and any other art form a person can think of. It’s on this particular day, we all gathered to listen to spoken-word and a group of talented local hip-hop artists performs in celebration of DC blogger Whiskey Girl, owner of the Whiskey and Poetry Brand and also the host of the Embrace The Crazy Podcast, birthday celebration.

I don’t know what to make of the start of the event on whether it was good luck or bad luck. Outside of the venue, there was a fire that occurred at Capital Hill Tandoor & Grill, directly across the street from The Fridge. People crowded the streets to sneak a peak of the damage inside the restaurant. It’s uncertain whether there were any injuries during the time.

I have tunnel vision for the arts, I guess. Haha.

Otherwise, the evening was nothing but love once I entered the showcase. The host Rich Rocket opened the night telling peers to “give an energy that can be reflected by the audience.” So whenever an artist performed, they needed to give an energy that the audience could mirror. If the performance was worth a standing ovation, it’s what the artist got. That was what made the evening lit. Everyone was respectful to everyone’s art. Artist worked with what they deserved.

A few artists to name that were in attendance were Donnie Breeze, Rello, Starve Marv, Mike Evann, Young Mally, and DC Kash. Each artist came with their own individual swag representing where they come from. Some of these artists even came long distances to share their unique flair; Starve Marv from Florida, and Donnie Breeze and Rello from Baltimore city.

I was so proud to see Baltimore recording artists Donnie Breeze and Rello perform at the Fridge. I put on my proud parent smile as I watched them perform. Whenever I see people from Baltimore out of their element, I get super hyped to support them. It’s the idea that they don’t get that type of love in Baltimore. The love was abundantly overwhelming from DC event goers because, like the Rich Rocket told them to do, they came with an energy that demanded an equal response.

Again I found myself asking why can’t it always be like this?! Every time I leave Baltimore City hip-hop scene to experience another city’s hip-hop atmosphere I ponder what could it be that my city is doing wrong which is preventing artists from getting the recognition they deserve? First, it happened as I went to Rockview Entertainment’s hip-hop showcase in Queens, NY while I was in attendance for support of DMV artist Jae Ducketts. Now I’m in DC, and the love that their peers showed was phenomenal.

I want to bring the attention back to the promoter of the event, always. The power of support is always in the event thrower. In this case, it was Whiskey who’s birthday may have been the cause of such a great turn out. But such a turnout was worthy of being mentioned when comparing to the turnouts of open mic and showcases in my hometown.

What I notice about attending both the events in Washington, DC and Queens, NY is the hosts for each event reminded their audience the importance of showing others respect when they have the floor. It’s appalling that the majority of the audience were old enough to understand modest mannerisms. But maybe that’s what it is needed in Baltimore. Promoters in Baltimore should often push more participation from the audience at the start of their events? It’s something worth pondering.

Here are some moments captured during the show by Doc’s Castle Media.

What are some ways to show support for independent artists? Leave your feedback in the comments below.

Ever heard the difference between the #NewBaltimore and #OldBaltimore music beaf back in 2014? Read “#NewBaltimore vs. #OldBaltimore. We’re All Crabs” on Doc’s Castle Media.

Doc Talks About Supporting Artists In Baltimore With @BaltimoreFlavaRadio

Last Friday, I was on Baltimore Flava Radio’s as a guest speakers to talk about the infamous topic that’s been stirring up quite a controversy; what’s wrong with these Baltimore artist’s that have this crabs-in-a-barrel mentality and why is it a lack for support for other artists here?

What did you do this past Friday? Did you tune into Baltimore Flava Radio, syndicated on Baltimore Internet radio station WPB Radio?

Last Friday, I was on Baltimore Flava Radio’s as a guest speakers to talk about the infamous topic that’s been stirring up quite a controversy; what’s wrong with these Baltimore artist’s that have this crabs-in-a-barrel mentality and why is it a lack for support for other artists here?

Antwon, one of the show’s hosts, came across my article, “#NewBaltimore or #OldBaltimore, We’re All Crabs,” while surfing the web, one day, and apparently loved it. I’m flattered, haha. But really, I’m glad he enjoyed reading it and offered the opportunity to come talk about it on his show.

I thought about all of you and made sure to have it recorded so I could share it with some of my readers who were out partying Friday night, instead of doing what my article says. It’s okay and I forgive you for missing it, haha. You may still have a listen, here.

Thanks for watching. I can’t tell you how much it means to have such a wonderful group of supporters supporting me talk about supporting one another.

This is a start to changing this city’s reputation. You choosing to do this is showing that you’re defying my theories of being crabs. This is exactly what I want you to do, show the rest of the world that we aren’t crabs. We care about our city’s talent reaching new levels of success. We want to see them do better. We want to show the rest of the world what we’re capable of. Let’s keep it up!

Let’s start by supporting Baltimore Flava Radio! Follow them on Twitter at @BatimoreFlavaRadio and Instagram at @BaltimoreFlavaRadio. Join their group on Facebook and get active. Share the love!

What resources do you think Baltimore needs to help artist here progress to the next level of success? Leave your comments below.

Do you think this city’s hip-hop scene is too worried about supporting who they know and not the art itself? Read Baltimore is Too “Cliqued” Up To Have Supporters on Doc’s Castle Media.

#NewBaltimore Or #OldBaltimore? We’re All Crabs!

It’s official. I’m convinced that the entire Baltimore hip-hop scene is confused about what creating a “New Baltimore” should be about.

This post was originally meant to be a recap of #NewBaltimore2, an artist showcase event that took place last Saturday in Baltimore. But that obviously changed as the event, itself, changed unexpectedly. The event was scheduled to be from 7:30 pm to 3:00 am, but ended up shutting down approximately around 12:15 am, leaving some music fans disappointed that they didn’t see who they were anticipating to watch perform that evening. BUT that’s not what I want to highlight in this blog. I want to talk about the event’s mission and if it was truly met this weekend.

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This was the second #NewBaltimore event. The first event was held around the same time last year and sponsored by the same people, DaCornerStore. I attended both events and have stated my opinion for both via social media. I will NOT be discussing how I’ve been scolded for my opinion on both events. I will say that people’s decision to attack me further pushes me to write why I believe we’re all still crabs looking for an exit from the rusted old barrel.

But as this topic of New Baltimore vs. Old Baltimore starts buzzing in the ears of people here, I want to emphasize my stance on the topic as a supporter of all art that comes from my fellow Baltimoreans. I attend all art events big or small; exclusive to the public or open to the public. I do not look to discriminate. I’m simply there to practice my art like many others who go to these artsy shows. I support everyone because I’m tired of this city’s talent being continuously overlooked. We deserve some recognition!

First, I want to say how proud I am of the turnout for #NewBaltimore2. There had to be around 200 people who showed up to support good music. I was even more proud to hear people in the crowd singing the lyrics to some of these artists music. It was all love and there was a lot of it. That’s something different from what I usually see while attending shows. I applaud the promoters for that.

So what’s circulating about this “New Baltimore,” (& I’m going off of what I’ve heard from talking to other artists on Twitter and Facebook) #NewBaltimore is here to provide a platform for the new, younger generation of artists, in Baltimore, as opposed to the older generations or vets in the city’s scene, who are said to have more chances and opportunities for their music be heard.

All of Sunday, I watched a few of the younger artists in Baltimore expressed their concerns, openly over Facebook, about how they’re not having the opportunity to “shine” alongside veteran artists due to a lack of support from those who throw, plan, and promote hip-hop events. Some say promoters are bias when choosing who to include in showcases and its unfair that they aren’t getting support similar to the veterans. But I say, this shouldn’t be a thought in anyone’s mind, at this point, because we all aren’t shit. (Excuse my French) But I believe it’s this state of thinking that’s causing a huge ruckus about what’s happening today. It’s when people dislike seeing other’s doing better than them that they make this artsy thing become a competition when in reality no one’s even signed to a major record label.

The controversy that comes with #NewBaltimore starts with its title as it points to the attention of something new happening within Baltimore. But what’s really new? I didn’t know that #NewBaltimore was meant to be a door for the newcomers to break into Baltimore’s hip-hop scene, rather than being about the attitude of people in this city, which is what we should be focusing on.

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Everyone’s attitude is the same. We’ve proven this Saturday that we’re crabs, still, because why is it that we show up to this showcase and not the other numerous showcases in Baltimore that has new talent each day. Did we really come to hear some good new music or was it the names on the flyer that drew us in? Were we, as artists, really there to check out the competition because these performers have reserved spots in a show while some of us in the audience aren’t? Some of us only get to perform one song at Love and Hip-hop Open Mic Night held at St. Mary’s Restaurant.

The attitude of local artists has to change if we’re seeking to be recognized. ALL artists need to reframe from placing themselves on pedestals and for once, in this hard knock city, and learn to truly support. Aren’t you tired of lagging behind other cities’ reputations as society portrays them to be places of progression when we have an abundance of fresh new sounds right in our backyard and the potential to be as great as the people who come out of Atlanta, LA and New York?

Come on, now. Majority of the people at #NewBaltimore have made some dent in the hip hop scene here. So I asked myself this question when I left. “Taylor, when’s the last time you’ve seen any of these people at an open mic? If they claim they love hip hop so much, why is it so hard to support someone else’s event? Why are they showing up because they know who’s throwing this event instead of celebrating the art?” I have not seen one person that I saw at #NewBaltimore at any other open mic in Baltimore. Eargasim, Monumental Mondays, Be Free Fridays, Love and Hip-Hop, the list goes on and these venues are ghost towns each week. Answer that! We’re not encouraging the artist at these events. We’re not pushing for something new.

I guess #NewBaltimore really opened my eyes to how many crabs we’re dealing with, even with the entire city knowing we’re stuck in a barrel. It’s not people who aren’t artist we should worry about getting to these show. First, we need to worry about living the lifestyles we glorify and speak of. We need to be changing our attitudes and supporting talented people regardless of their names. We need to come together, then encourage others to come out to support.

But I’m just a blogger and my words have no value because I’m not an artists myself. At least that’s what some of these new artist say. I’m just tired of writing about the same thing. Seven months later, I’m still saying Baltimore Is Too “Cliqued” Up to Have Supporters. I shouldn’t be scolded for what I’m observing. My observations aren’t far-fetched. There isn’t a new Baltimore, not yet. We still have time to create it.

But what do you think? Am I wasting my breath? Will we ever escape this barrel? Will the newcomers and the vets come together? Will artist support these other showcases around the city? Let me know in the comments below.

Have you read my last music highlight? Read Music Highlight: Quinn Shabaz’s Day One ft. Jimmy Apoet & Leon Dominick on Doc’s Castle Media.