Win Tickets to See Kat Dahlia This Sunday Nov. 16

This Sunday, November 16th, Kat Dahlia’s coming to Baltimore Soundstage and Doc’s Castle Media is running a contest to get you some free tickets to come see her perform!

[youtube http://www.youtube.com/watch?v=trtdEg34eII]

Do you know Kat Dahlia?

She’s coming to show Baltimore what she’s all about, and hopefully, what she’s has in store for her debut album “Garden,” set to release January of 2015. I can’t wait! Can you? As a celebration for her new release, Doc’s Castle Media giving our most dedicated readers who are Kat Dahlia fans two reserved tickets to this Sunday’s show!

Do you know Kat Dahlia? If you’re able to answer all four questions correctly, you’ll qualify for two free tickets to see the beautiful and very talented Kat Dahlia. So here’s how it works…

If you answer all four questions below correctly, you’ll receive an email from Doc’s Castle Media congratulating you, along with more information for how to obtain your free tickets. So are you ready?

Who is Kat Dahlia?

Where was Kat Dahlia Born?(required)

What record label is she currently signed to?(required)

Who is Kat Dahlia's biggest influence?(required)

What's the name of Kat Dahlia's debut single released in March 2013?(required)

Also, this Sunday, see Baltimore recording artist 4thQu perform for the first time in front of a live audience.

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4thQu has a reputation of choosing the anonymous path of exposure as he pursues his musical career, which means there isn’t many chances we get to see the kid perform. Talk about building up suspense. 4thQu has done just that for quite some time. So it’s a must see to watch him perform ahead of Kat Dahlia.

Check out one of my favorites from 4thQu! Listen to Nostalgia by 4thQu, below.

[soundcloud url=”http://api.soundcloud.com/tracks/152554309″ params=”auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true” width=”100%” height=”450″ iframe=”true” /]

Would you like more contest like this under Doc’s Castle Media? Leave your feedback in the comments below.

*THIS CONTEST ENDS FRIDAY, NOVEMBER 14, 2014 AT 7:30 PM.

Read about the last time I visited Baltimore Soundstage: Shoutout to Baltimore Punk Rock Band Ballyhoo for Setting Off Halloween The Right Way on Doc’s Castle Media.

Shoutout to Baltimore Punk Rock Band Ballyhoo for Setting Off Halloween The Right Way

This Halloween, I did something I’ve never done before.  I attended an 80s/Halloween Dance Party, also reggae/rock concert, at Baltimore Soundstage hosted by Baltimore’s own punk rock group Ballyhoo.

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Courtesy of HFS 104.9 Alternative Rock and CBS Radio, I experienced my first rock concert and 80s Dance Party, all in one night. How great was it that the stars of the evening are from Harford County, Maryland, just a jump, hop, and a skip from Baltimore city.

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My natural high from the evening’s festivities started when I heard about Chipotle Mexican Grill’s yearly Halloween special, three dollar meals for anyone dressed in costume. Of course, since I was working for HFS 104.9, I wasn’t dressed to walk in Chipotle to get some grub. But please believe, I worked out some magic and found an Annabelle (view preview for film) mask in the CBS company vehicle to take up on the offer. I was hungry and determined. I was not going to wait until next year to get some $3 Chipotle.

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I knew I was going to have a good night. Halloween’s so weird. People are so happy to impersonate others. They find anything to dress up as. At the party I’ve seen all types of costumes. From 80s hipsters to zombie princesses, people were creative in creating their costume for this annual bash. It was HFS 104.9’s duty to grant prizes to those party goers who were best dressed while they signed up to win tickets in our station’s contest for a future concert.

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See more pictures of people’s Halloween costumes on HFS 104.9 Website

It definitely was different from what I’m use to. I’m always attending hip-hop showcases and shows. It was like breath of fresh air to be taken out of what I’m use to and see how another audience, or group of music lovers, listen to what they enjoy.

I haven’t listened to punk rock, or basically any music genre other that hip-hop, pop & R&B, in a while. When growing up, I had a rock music phase in the 10th grade, simply jamming to a range of rock music from indie rock, alternative, and heavy metal. It was a period when Sony MP3 players were popular, and I had the classics from Fallout Boy, Bullet From My Valentine, Paramore, and Killswitch Engage on a playlist. I don’t know whatever happened to me keeping up with my collection of music. But that breath of fresh air was amazing.

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Tribal Seeds was the opening act for Ballyhoo. They’re a reggae band from San Diego, California. The lead singer of the group sounds similar to the Marleys. So it was cool to hear the sounds he contributed for my ears that night. I’m not use to listening to too much reggae. But it was enough for everyone to get their hips swaying and head bobbing for the night. All I needed was some rum punch to set it off. Too bad I was working.

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Ballyhoo rocked out something simply awesome. They played out the rest of the night quite well. The crowd suddenly gotten fuller and became ALIVE. I’m sure by this point, majority of the audience might have been drunk after going to Baltimore Soundstage’s bar multiple times.There were 2 extra bars created to serve the growing crowd. So it was “TURNT,” for real!

See more pictures from the event at HFS 104.9 Website

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Ballyhoo turned up during mid-party as a reminder that Halloween night was just beginning. There will be plenty of time to spare once the concert was over for many people who’d participate in the Fells Point and Federal Hill Halloween tradition. But for that moment, Ballyhoo had everyone’s attention. The venue’s ora completely changed, and I was enjoying feeling like I was partying during the wee hours of the morning when in actuality, they hopped on stage at 10:30 pm. My favorite memory of the night was when the bass player started playing the bass and my butt was jiggling on my seat. It was so loud and funny. My coworker and I were laughing so hysterically about that. Of course, I’m simple for getting enjoyment from that. Haha.

The crowd was really into their performance; waving lighters, singing along to the music, and dancing. I could tell people really were enjoying themselves. For Ballyhoo, this was another successful Halloween showdown and a night well spent in their hometown.

I’d love to have the chance to work at another rock concert. Better yet, I would love to be invited to an indie rock concert outside of CBS. I’m very active in the hip-hop scene but I wouldn’t mind dabbling in the festivities of other genres of music. I’m not aware of many venues that host these concerts or many of the Baltimore indie bands. (If you know of any, please be sure to list them in the comments below so I may invest some of my time getting to know some of the Baltimore indie bands.)

I also met a friendly hip-hop artist while working at Ballyhoo’s concert. We talked for 15 minutes exchanging music and I made sure to get his contact information because the songs he let me hear were awesome! Anything that sounds better than a rapper on a trap beat is going to catch my attention and his sound is far from trap music, maybe a little dubstep is what I’ll call it. Below, is a song from Duck Meyer’s Soundcloud. Please take the moment to listen to his track and leave some feedback in the comments below.

[soundcloud url=”http://api.soundcloud.com/tracks/158314849″ params=”auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true” width=”100%” height=”450″ iframe=”true” /]

Would you like to see more indie bands on Doc’s Castle Media? Send me links, submit some of indie bands from the DMV that you like. Doc’s Castle Media welcomes all!

Are you a frequent visitor of local clubs and restaurants in Baltimore? Make sure to read Doc’s Venue Review for Club 347 on Doc’s Castle Media.

Doc Talks About Supporting Artists In Baltimore With @BaltimoreFlavaRadio

Last Friday, I was on Baltimore Flava Radio’s as a guest speakers to talk about the infamous topic that’s been stirring up quite a controversy; what’s wrong with these Baltimore artist’s that have this crabs-in-a-barrel mentality and why is it a lack for support for other artists here?

What did you do this past Friday? Did you tune into Baltimore Flava Radio, syndicated on Baltimore Internet radio station WPB Radio?

Last Friday, I was on Baltimore Flava Radio’s as a guest speakers to talk about the infamous topic that’s been stirring up quite a controversy; what’s wrong with these Baltimore artist’s that have this crabs-in-a-barrel mentality and why is it a lack for support for other artists here?

Antwon, one of the show’s hosts, came across my article, “#NewBaltimore or #OldBaltimore, We’re All Crabs,” while surfing the web, one day, and apparently loved it. I’m flattered, haha. But really, I’m glad he enjoyed reading it and offered the opportunity to come talk about it on his show.

I thought about all of you and made sure to have it recorded so I could share it with some of my readers who were out partying Friday night, instead of doing what my article says. It’s okay and I forgive you for missing it, haha. You may still have a listen, here.

Thanks for watching. I can’t tell you how much it means to have such a wonderful group of supporters supporting me talk about supporting one another.

This is a start to changing this city’s reputation. You choosing to do this is showing that you’re defying my theories of being crabs. This is exactly what I want you to do, show the rest of the world that we aren’t crabs. We care about our city’s talent reaching new levels of success. We want to see them do better. We want to show the rest of the world what we’re capable of. Let’s keep it up!

Let’s start by supporting Baltimore Flava Radio! Follow them on Twitter at @BatimoreFlavaRadio and Instagram at @BaltimoreFlavaRadio. Join their group on Facebook and get active. Share the love!

What resources do you think Baltimore needs to help artist here progress to the next level of success? Leave your comments below.

Do you think this city’s hip-hop scene is too worried about supporting who they know and not the art itself? Read Baltimore is Too “Cliqued” Up To Have Supporters on Doc’s Castle Media.

#NewBaltimore Or #OldBaltimore? We’re All Crabs!

It’s official. I’m convinced that the entire Baltimore hip-hop scene is confused about what creating a “New Baltimore” should be about.

This post was originally meant to be a recap of #NewBaltimore2, an artist showcase event that took place last Saturday in Baltimore. But that obviously changed as the event, itself, changed unexpectedly. The event was scheduled to be from 7:30 pm to 3:00 am, but ended up shutting down approximately around 12:15 am, leaving some music fans disappointed that they didn’t see who they were anticipating to watch perform that evening. BUT that’s not what I want to highlight in this blog. I want to talk about the event’s mission and if it was truly met this weekend.

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This was the second #NewBaltimore event. The first event was held around the same time last year and sponsored by the same people, DaCornerStore. I attended both events and have stated my opinion for both via social media. I will NOT be discussing how I’ve been scolded for my opinion on both events. I will say that people’s decision to attack me further pushes me to write why I believe we’re all still crabs looking for an exit from the rusted old barrel.

But as this topic of New Baltimore vs. Old Baltimore starts buzzing in the ears of people here, I want to emphasize my stance on the topic as a supporter of all art that comes from my fellow Baltimoreans. I attend all art events big or small; exclusive to the public or open to the public. I do not look to discriminate. I’m simply there to practice my art like many others who go to these artsy shows. I support everyone because I’m tired of this city’s talent being continuously overlooked. We deserve some recognition!

First, I want to say how proud I am of the turnout for #NewBaltimore2. There had to be around 200 people who showed up to support good music. I was even more proud to hear people in the crowd singing the lyrics to some of these artists music. It was all love and there was a lot of it. That’s something different from what I usually see while attending shows. I applaud the promoters for that.

So what’s circulating about this “New Baltimore,” (& I’m going off of what I’ve heard from talking to other artists on Twitter and Facebook) #NewBaltimore is here to provide a platform for the new, younger generation of artists, in Baltimore, as opposed to the older generations or vets in the city’s scene, who are said to have more chances and opportunities for their music be heard.

All of Sunday, I watched a few of the younger artists in Baltimore expressed their concerns, openly over Facebook, about how they’re not having the opportunity to “shine” alongside veteran artists due to a lack of support from those who throw, plan, and promote hip-hop events. Some say promoters are bias when choosing who to include in showcases and its unfair that they aren’t getting support similar to the veterans. But I say, this shouldn’t be a thought in anyone’s mind, at this point, because we all aren’t shit. (Excuse my French) But I believe it’s this state of thinking that’s causing a huge ruckus about what’s happening today. It’s when people dislike seeing other’s doing better than them that they make this artsy thing become a competition when in reality no one’s even signed to a major record label.

The controversy that comes with #NewBaltimore starts with its title as it points to the attention of something new happening within Baltimore. But what’s really new? I didn’t know that #NewBaltimore was meant to be a door for the newcomers to break into Baltimore’s hip-hop scene, rather than being about the attitude of people in this city, which is what we should be focusing on.

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Everyone’s attitude is the same. We’ve proven this Saturday that we’re crabs, still, because why is it that we show up to this showcase and not the other numerous showcases in Baltimore that has new talent each day. Did we really come to hear some good new music or was it the names on the flyer that drew us in? Were we, as artists, really there to check out the competition because these performers have reserved spots in a show while some of us in the audience aren’t? Some of us only get to perform one song at Love and Hip-hop Open Mic Night held at St. Mary’s Restaurant.

The attitude of local artists has to change if we’re seeking to be recognized. ALL artists need to reframe from placing themselves on pedestals and for once, in this hard knock city, and learn to truly support. Aren’t you tired of lagging behind other cities’ reputations as society portrays them to be places of progression when we have an abundance of fresh new sounds right in our backyard and the potential to be as great as the people who come out of Atlanta, LA and New York?

Come on, now. Majority of the people at #NewBaltimore have made some dent in the hip hop scene here. So I asked myself this question when I left. “Taylor, when’s the last time you’ve seen any of these people at an open mic? If they claim they love hip hop so much, why is it so hard to support someone else’s event? Why are they showing up because they know who’s throwing this event instead of celebrating the art?” I have not seen one person that I saw at #NewBaltimore at any other open mic in Baltimore. Eargasim, Monumental Mondays, Be Free Fridays, Love and Hip-Hop, the list goes on and these venues are ghost towns each week. Answer that! We’re not encouraging the artist at these events. We’re not pushing for something new.

I guess #NewBaltimore really opened my eyes to how many crabs we’re dealing with, even with the entire city knowing we’re stuck in a barrel. It’s not people who aren’t artist we should worry about getting to these show. First, we need to worry about living the lifestyles we glorify and speak of. We need to be changing our attitudes and supporting talented people regardless of their names. We need to come together, then encourage others to come out to support.

But I’m just a blogger and my words have no value because I’m not an artists myself. At least that’s what some of these new artist say. I’m just tired of writing about the same thing. Seven months later, I’m still saying Baltimore Is Too “Cliqued” Up to Have Supporters. I shouldn’t be scolded for what I’m observing. My observations aren’t far-fetched. There isn’t a new Baltimore, not yet. We still have time to create it.

But what do you think? Am I wasting my breath? Will we ever escape this barrel? Will the newcomers and the vets come together? Will artist support these other showcases around the city? Let me know in the comments below.

Have you read my last music highlight? Read Music Highlight: Quinn Shabaz’s Day One ft. Jimmy Apoet & Leon Dominick on Doc’s Castle Media.

Nominees for 2014 Maryland Music Awards Are In

So the nominees for Maryland Music Awards have been revealed!

Were you aware of the Maryland Music Awards? I know I wasn’t. There has to be a better way to be informed about such things. I found out about the awards through reading another blog. But I didn’t hear any more reports about this newly found music celebration until I started doing an extensive Google search. I wonder why they didn’t include the people who commonly write about independent Maryland artists for this selections process, or why they didn’t send word out about it to the local magazines and bloggers.

Nominations are already in! Here’s the video announcing this year’s nominees.

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I don’t know any of these artists. Do you? Haha. I guess, the show will meet it’s purpose by promoting awareness of each of these artists. But come on, I know hip-hop artist in Baltimore with more buzz than any of those who were mentioned.

I look forward to more of these award shows. But for the next go round, lets add some more artists that I can actually vote for in the next show. I wish all the current nominees the best of luck in their journey to being the first to win a Maryland Music Award.

To read more about the Maryland Music Award, check out their site here.

How do you feel about the Maryland Music Awards? Will you be tuning in to watch it? Leave your comments below.

Did you see the last Music Highlight? Read Quinn Shabaz Day One ft. Jimmy Apoet and Leon Dominick on Doc’s Castle Media.

Music Highlight: Quinn Shabaz “Day One” ft. Jimmy Apoet & Leon Dominick

Ever met a rapper that seems to have a song for every moment in a person’s life? I call those people trendy rappers because they have music for everything, even songs for when you feel the urge to smack someone. This week’s music highlight is Quinn Shabaz.

Meet Quinn Shabaz:

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Quinn began rapping in 2005. That may seem relatively recent being 9 years ago, but he’s musical experiences stretches back to his elementary school days, as he began playing the saxophone in the 3rd grade. By the time he graduated from middle school, Quinn was able to play the saxophone, the drums and the guitar. Like many of other great musicians, Quinn also was apart of his church’s choir. He spent 4 years singing for his church, while he focused on his writing skills until 2012 where he released his first musical project “Alternative Thanksgiving”  with long time friend Leon Dominick. The following year, Quinn released his first solo project “Love&Hooligans” and not too far behind dropped his 2014 mixtape “Good Heart, Bad Habits.”

With only two solo projects under his belt, Quinn is showing us a job well done. When tuning to Soundcloud to find a song to share with my readers, I chose to share the most played. “Gator” is a song about pimp slappin a bitch. I can’t put it any simpler than that. Ha-ha! So if you’re in one of those moods full of pure frustration and can’t seem to let the tension go, I’m sure “Gator” can help with that.

But that’s not what I wanted to highlight in today’s post. I wanted to share Quinn’s music video “Day One,” which includes two previously featured artist on Doc’s Castle Media, Jimmy Apoet and Leon Dominick. It’s a song about true friendship and hanging out with people who’s been around since the beginning. I’m talking about those best friends you wouldn’t trade the world for.

Did You see my cameo? Ha-ha!

I really loved what Quinn did by taking it back to those celebratory cookout days in this video. It symbolizes a moment that everyone should experience when people spent time with their loved ones. I’m sure some of you had that experience this week, spending some time with your Day One’s during this Labor Day weekend.

Quinn Shabaz is definitely worthy of this week’s Music Highlight shoutout! I enjoyed every bit of his latest album. To hear more from him, follow his soundcloud at Quinn Shabaz.

The best moment to play Quinn Shabaz’s “Gator” is when…. Fill in the blank sending your comments, below!

Another favorite from “Good Heart, Bad Habits” is Cruise Control. I added the single in one of my fashion videos for Boulevard of Chic. Read Lights, Camera, Fashion! Recap of Boulevard of Chic’s Fashion Show on Doc’s Castle Media.

#SoIFlowLive Recap w/ Graffititech & Greenspan

So what did you miss last night? Well, if you didn’t notice me spamming your Instagram, I attended SoIFLowLive artist showcase held at the brand new Play Hookah Lounge.

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The event was hosted by the lovely JanaeTru, blogger for the notorious TruDat Blog. She did an awesome job hosting last night’s festivities by keeping the crowd laughing and ready for the evening’s honored guests.

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This Wednesday at SoIFlow, it was all about Baltimore’s own music producer Graffititech and Bmore hip-hop artist Greenspan. Each of them brought some oomph to the night.

The night began with Graffittech. Instead of having the event turn into a strictly a listening party for his set, he decided to be a little different, and brought an entourage of artists with him to perform over his beats.

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In honor of one of hip-hop culture’s legendary artist, Graffititech also allowed the audience to take a listen to his 13 year anniversary tribute to the beloved Aaliyah. We rocked out for a minute for his tribute had Bmore written all over it. He remixed Aaliyah’s “Are You That Somebody?” by giving it a homey sound and we danced to a brand new “Baltimore Club” song in remembrance of her. (Take a listen to the track.)

Following Graffititech came DJ Blaqstarr. As one of the event sponsors, he blessed the stage with his musical graces. Years of his musical expertise showed him to be transparent because we could all tell this guy put in a lot of work to be where he is today. All we can do is respect this man for what he does.

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Greenspan wrapped up the night for us. Along with him came Al Great and Ashley Alexander. All three of these great talents actually whipped me back into shape after being blown away by the hookah I was sharing with Janae. Janae was a little blown away up there hosting, too, as she mentioned the hookah gets her a little dizzy. It’s all good tho. Ha-ha!

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There was also a buffet included with the ticket purchased for the event. It didn’t have much but after tweeting that I hadn’t eaten all day, that plate of chicken and salad saved my life. Then when I turned around and I saw some banging jewelry by New Vintage By Sam and wished I had some more money.

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I’m steady shaking my head at myself because I was literally a starving artist last night.

Though the night was amazing, I can’t help to fathom why there wasn’t more people there to savor the experience with me. Once again it was artists supporting other artists. The artist-to-fan ratio was whack.  I’m glad to see we got each others back out here in Baltimore. But we still need to bring out those crabs who only want to watch me post from my Instagram account. Haha! A change is coming Baltimore, indeed.

Never the less, I enjoyed my time at SoIFlowLive and I highly encourage others to support. SoIFlowLive is every Wednesday at the Play Hookah Lounge from 7-10 pm.

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Based off what you see, did I convince you to come out to more local hip-hop events? Leave your comments below.

Did you see the other Aaliyah Tribute via another Baltimore artist? See Maryland Rivers Tribute to R&B Legend Aaliyah on Doc’s Castle Media.

#TheMixx 2014 Recap… If You Missed It

What an electrifying Monday yesterday turned out to be as I attended The 2014 Mixx Music Festival hosted and sponsored by The Keenan System and Downtown Locker Room.

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Directly across the street from Morgan State University, artists from all over the DMV area came together in live performances to wake up MSU students from their summer slumbers in preparation for tackling another school year filled with all nighters, term papers, and dreaded finals. Who’s ever ready to leave their summer freedom for that?!

There were live performances from both familiar faces and some new. But I have to say the most sensational had to be from Malik Ferraud. The party began when he brought an entourage of other local artists with him onstage to put on the best performance of the night.

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Don Trunk stole the show for a little sec., too.

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Lor Scoota also put on an exceptional show performing his infamous hit “Bird Flu.”

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Other performers who rocked the stage last night were as follows…

Maya Milan
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Dee Dave
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Visto
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and Pop.
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For it the be the first day of school, it definitely didn’t feel like it. The energy of both the performers and the crowd was phenomenal, and at the same time quite peaceful. That’s why it’s no telling exactly why festivities were cut short by the police. This crowd, full of mature young adults, quietly and respectfully cleared the field at the request of the officials. I guess, it was too live for a Monday. But it’s looking up with great possibilities for next years Mixx Fest.

Baltimore is on the rise! People are opening up their support for local talent, don’t you think? Would you attend next years The Mixx Fest 2015? Leave your comments below.

Did you know that the Beat Auction is today? Get the details about the beat tour on Doc’s Castle Media.  

Behind The Music: Jose (Liquor Talkn)

Jose (Liquor Talkn) is my first recorded song, which addresses what many may call a “situationship.” It’s a personal excerpt from my life that I changed into a personification about my favorite alcoholic beverage, Jose Cuervo. The song was produced by a good friend of mine who goes by the name of Doowy Lloh.

The idea for writing Jose came from being surrounded by a bunch of people who are constantly submitting to me their music. I have an interest in independent works. It’s great content being sent to me on a regular basis and I’m not going to front, I believe I can compete alongside quite a few people who send me music. I’m humble, though. Ha-ha.

I’m a frequent visitor of local recording studio DugOut Dojo Studios in Baltimore. The art that comes out of there is absolutely amazing! If you’re a recording artist, I recommend you stop by to record and check out other artists’ work while you’re there.

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Back to talking about my song…During the week of writing this song, I basically drank Jose every night before bed. It’s my go to drink if anyone who wants to know what I prefer. I don’t know why I was drinking so much. It might be because I’m young and young folks do stuff like that sometimes. Haha.

I woke up one day and thought to myself, Hey, I haven’t written a poem in a while. I usually write poems when something heavy is on my mind and I want to express my thoughts creatively. Jose (Liquor Talkn) appeared to be the product this go around because I thought if I made a song about what was going on in my life to conclude all the feelings that I had for a guy I absolutely knew didn’t feel the same for me, it would wipe away every unwanted emotion I had about him. Did it work? It damn sure feels like it.

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A new form of creativity entered my realm and now I can say I feel like making music is the cure to what’s been buried inside of me for years. It’s only for fun that I’m choosing to make music. I don’t want to take the fun out of doing it. It’ll drown away every innocent speckles left in it if I made it into a job. But music always brought me joy. For some reason, I knew there had to be a reason why I’m so fond of being involved with it. I’m not saying that composing a song is my calling. But for some reason, I’m drawn to anything that deals with music. I’ve always loved it.

What’s it like to have a career writing music? What’s it like to be a music publisher? What’s fulfilling to me when I learn how to make beats? The possibilities are endless for me because it’s what I’m looking into doing while I’m bored out of my mind because I’m not enrolled in school. Ha-ha. I just want to learn more about anything within the musical culture.

When I made the song, I was lost out of my mind, trying to figure out what would sound right. I still believe my song needs some work done to it. But it’s my first song, whoever likes their first song? There isn’t too many people. So I consider it decent.

Brianna Ragler from RebelliousRebel backed me on the vocals. FluX, producer at the DugOut Dojo, “whipped my sound into shape.” The track became something of  good potential. Others have told me they like it. (Hear José on Doc’s Castle Media.) It’s cool. You know, the artist is always their worst critic.

Music is love. A person can join it’s marvelous culture if they’d dedicated their time to it. If you enjoy the arts, you’ll know that music  more than what people hear. It’s a lifestyle for many and I encourage more people to learn more about it before they judge it.

Sign The Petition Against WERQ-FM’s Local Artist Airplay Time Slots

I know many may say they don’t listen to the radio anymore. But when you do want to listen to something new, what do you prefer? Do you listen to the local DJs on your cities radio station or do you listen to Spotify and Pandora? In the case of Baltimore, do you listen to 92Q or WMSK Online Radio?

I still listen to the radio. But it’s not my primary choice for new music. Whenever I feel the urge to listen to something new, I find myself running to soundcloud or YouTube rather the radio because the radio plays the same songs too often. When will the music gods ever change that? Honestly, does this city care enough to want to change how we hear new music?

We moan and groan about why our local radio stations refuse to play local artists music for our community to hear and support, but won’t make a difference about it. What’s going on here? Nothing is adding up. Someone’s making an effort, for sure. We’re just so blind to what’s happening in our community that we’ve overlook it. I’ve come across a petition,which entire purpose is to stop WERQ from playing only industry crap during the hours of 6am to 12am, and mix up the music selection with more local/independent artists during those time slots.

The Petition was created by Catherine Moran, and this woman makes a very good point for why we, as music lovers, should sign in agreement for changing when WERQ should play independent music.

CatherineMoran

Allot 1/3 of their playlist to local Baltimore artist between the hours of 8 a.m. & 6pm daily. Songs should be chosen by the people NOT the PDs, Asst PD, or DJs. There needs to be a voting poll via 3rd party site example “Polldaddy.com” where the results can be viewed by the public with real-time updates, to insure radio staff are not fooling people.

For too long our radio station has put on this front calling themselves the “People’s Station” when in fact they are not helping our “People (local talent)” at all. Every time you turn around they are creating more and more ridiculous policies to discourage artist from trying to get on radio, and justify shutting them out. This needs to end today.

VIEW THE CATHERINE’S WORLDSTARHIPHOP VIDEO & SIGN THE PETITION HERE

I already signed the petition. I want local artist to have more opportunities to shine. I want the city to be behind this because many of Baltimore residents claim there is never a time where we have a voice. If we could rally up more people to sign this petition, we face a chance in being recognized as another city full of very talented people with the potential to go as far as anyone who may come from New York, Atlanta, or Los Angeles. We can make this happen!

Do you think this petition can be the starting point for big change in the music industry? Leave you comments below.

Have you read Doc’s opinion for why she thinks Baltimore isn’t supportive their artists? Read Baltimore Is Too “Cliqued” Up To Have Supporters on Doc’s Castle Media.