Definitely wasn’t expecting this one. I spend so much time writing and researching about other artists in Baltimore City, it’s really been quite some time since someone reached out to have Doc as a featured guest on their platform. That’s why I’m thankful for Brian Waters of Breaking Through Glass Ceilings Podcast because he didn’t have to do this.
It wasn’t since 2017 in my interview with Whiskey Girl in her blog series Embrace The Crazy, I joined another podcaster to talk about the ends and outs of what’s currently going on in the life of Doc. Then, the topic with Whiskey Girl was of Love and Hip-Hop and to share the intimate tales of a former romance with owner Strongway Lifestyle, LLC. In 2021, I interviewed with Breaking Through Glass Ceilings and shared the many outstanding accomplishments I’ve made so far breaking molds with my brand Doc’s Castle, LLC. Love and romance were out of the question, here.
8 Baltimore Media to Watch for Independent Artists is an article on Doc’s Castle Media highlighting the media I think are dope and provides great insight on artist news in Baltimore. Brian’s Breaking Through Glass Ceilings is one of the eight featured platforms I mentioned. When I reached out to share my article with Brian, I didn’t expect to get a personalized special shout-out for sharing his podcast with my readers. Not only did Brian give Doc’s Castle a shout-out, but he also invited me on the show as a guest on his show! Didn’t think I would turn up being that.
We discussed a number of topics and reason why I do the the things I do for Doc’s Castle Media. Some topics such as when I felt I broke through glass ceilings, the importance of sharpening your career skills using your 9-5 job, who has the best crab cakes in Baltimore, and more. I really enjoyed my time as a guest on the show. So I thought I’d share.
Where do you find information about artists and entrepreneurs in Baltimore, MD? A question I get from my friends who aren’t truly into the things that I’m into. I have groups of friends that differ in taking many interests such as the medical field, the military, and even family life. I get questions often about where I find out news for local entertainment. It doesn’t cross my mind how it can be hard for people to find exhibitions and performances from local talent if they aren’t frequently visiting areas creatives roam.
I must keep track of where I get my art news just like how I get a high from keeping abreast of regular news updates. Every so often I refresh my feed for who to look out for information because social media algorithms can be a pain. But as an artist myself, I’m submerged in all things artistically that interests me in this city. So it comes naturally when finding what’s good art I enjoy.
In addition to following artists directly on their social media, these are the platforms that keep me tuned to everything that is Art in Baltimore and DMV. This is a list of 8 Baltimore Independent Media where anyone who doesn’t know about art from Baltimore and DMV could find out about local talent.
BmoreArt is the only outlet on this list that may give the most variety of the kinds of art highlighting mediums from photography, paintings, music, and more. They’re diverse. But if an artist were to be considered reaching “mainstream” status, I’d say we’d find them being highlighted on BmoreArt because they don’t play around about who they feature. I’ve discovered some very dexterous creators and designers simply being subscribed to the BmoreArt newsletter. Out of the box originator of all sorts, exhibitions are promoted through their events calendar.
Countdown to their 50th episode is one of The Orange Pop Show’s most recent campaigns published on their Instagram. A very eye-opening campaign, at that, because The Orange Pop Show definitely introduced some new faces on my radar. They conduct visual interviews via their YouTube channel. Interviews of artists from across Baltimore and DMV. A few Baltimore artists that have blessed The Orange Pop Show’s mic is Shwaze Collins, Elle Cook, and Jasmin Manning.
The Demo Tape interviews of hip-hop group The Creek Boyz and MC Detranada were brought to my attention and place this Baltimore underground media on the map. Both interviews grew a combined viewership of over 7k views. The Demo Tape has the most reach out of all podcasts included in this media list, and why they are someone to watch for more content in 2021.
Baltimore Hip-Hop artist Rickie Jacobs uses his camera, charisma, and care to give us a put merely podcast Liquor with Friends. Authentic conversations with artists sipping spirits in his car. His style of podcasting is pretty “chill.” I often picture myself pulling out my bottle of spirits to relax alongside him and the guests each time I listen to the car conversations. (I’ll settle for making Tipsy Decor.) Rickie also brings us Carcerts, a short series of concerts in his car featuring live performances straight from Baltimore artists. Watch Carcerts featuring Al Rogers Jr., Zadia, and Mike C via the Liquor with Friends channel.
What I like most about The Working Title Podcast is that it is always expected to be sweet and straight to the point with their conversations and consistency. The hosts bring consistent content since 2018, episodes are always expected to be between 30 minutes to an hour and a half show. Podcasts are published almost 2 to 3 times a week and maybe the most binge-worthy on this list because of the amount of content archived. Episodes have topics from society, culture, and music. They are THE talk radio of this 2021 Baltimore media to watch on this list.
Breaking Through Glass Ceilings gives us a broader range of topics from medical advances in science, highlights of influential entrepreneurs, and sports talk radio. Brian’s gives us Sunday Morning show vibes for the yearning professional’s ear. His podcast is my more newsy channel to gain content other than arts and entertainment. So I seek his podcast when I need to level myself out. My favorite interview on Breaking Through Glass Ceilings is Baltimore’s own news journalist Ashlee Banks, who is also featured as our most recent YouTube Video Alert on Doc’s Castle Media. Read Protect Your Mental Health During Covid with Ashlee Banks and Brandon Johnson.
Shout out to True Laurels for their magazine and website highlighting artists in Baltimore and DMV. But I suck at keeping up with music like I used to. Lawrence got me, no doubt. Other than the very rare occasion that I get to see platforms sharing playlists, I just knew I could count on getting an update of the 2020 Tracklist from True Laurels. If you know nothing about Baltimore Hip-hop artists, finding them featured in True Laurels’ playlists A Decade in Baltimore Music is a good place to start. See True Laurels’ 2020 Tracklist below.
Chance, the man with the roses. I love Ryan Chance’s latest promo for DreamsFindYou delivering roses to a bunch of deserving ladies at the beginning of the pandemic, and the massive DreamsFindYou hat and hoodie wave promoting DreamsFindYou Radio, another talk radio podcast hosted on the ZenoFM App. But his podcast Untitled Interviews, though matured and sophisticated, brings me back to vibes of what was formerly Vivid Vision, a blog Ryan hosted highlighting local talent in 2014. Untitled Interview features interviews with artists in Baltimore, naming two; Zadia and John Wells.
There are numerous other podcasts, websites, and media platforms emerging in Baltimore and DMV that deserve recognition on this list. But these are who I subscribe to that I enjoyed in the year 2020. I look forward to following these platforms for more about local talent.
As we should all know, the media helps shapes the perspectives and minds of many that stay abreast of current events. There are millions and millions of people in the know of what’s happening around them. They take what they read and watch on news outlets as fact. It shapes the way each individual chooses to live their life. Most importantly, it’s extremely influential in molding the opinions of people participating in buying and selling. More recently we’ve found it’s one of the leading factors as to why America is in so much turmoil in politics and policy with our current president. So this is why I cannot overlook critiquing Baltimore Media in my second post of Quality vs. Quantity because, with or without media, it continues to be influential to Baltimore’s art culture.
Indie Media has the ability to mold the careers of inspiring artists by helping them move from 0 to 100 through merely talking about an artist’s successes and downfalls. From covering an artist’s success when they have a breakthrough project to talking about movements that aren’t too favorable to the progression of an artist’s career, the media has the power to make or break whether an artist will make it to legendary status.
Having this knowledge that the media has this much an impact in shaping an artist’s career should be the leading factor for why artists should be involved with getting to know their local underground media like the bloggers, podcasters, and many other commentators who are fans of the city’s art culture.
Artists and media need to work hand-and-hand in the progression of the industry of Baltimore’s art culture. But somehow the light bulb hasn’t powered on with that idea and there’s is a big gap in linking the two.
Photo from Facebook
Why is Baltimore Indie Media not helping the Baltimore Art Culture Progress into an Industry?
Traditional media is falling by the wayside as more journalists are left without work. There are fewer printed newspapers and more online news sites. But passionate journalists work hard to continue to do what they love; by recording the history of which they currently live through. They do this on more accessible platforms that some of these journalists invest in on their own.
Underground media has little to no funding to push its indie brands. This leads them to depend heavily on instant gratification online. No longer are they going to work for large media companies aiding them with story leads and money to put food on the table. They report where most people spend their time in order to get recognition, which means social media is where the majority of these outlets can be found excelling.
But if they all can be found on the same platforms, it means most media has the same story leads. They all report about the same things. One great example is knowing about Baltimore’s own comedian Monique’s recent battle with Netflix. Everyone knows she’s called out the black community to a boycott. But, I can bet you that no one can remember which news sites reported the Monique story first.
Major outlets, like the Baltimore Sun, 92Q, Fox 45, and Baltimore Magazine are not the only sources for breaking and entertainment news in the city. There are a plethora of small name underground websites, blogs, podcasts, and magazines that flood social media with opinions about current events on a daily basis. If more local artists and media worked together to saturate the internet with UNIQUE stories on smaller platforms instead of focusing on what everyone else is reporting, we wouldn’t have to see recurring topics on our timelines.
How many times are we going to talk about the same stories? How many times will we only talk about Young Moose or Lor Scoota like they were Baltimore’s only rap artists? Or why aren’t local media coming up with new creative ways to highlight an artist on their websites without doing the usual “get-to-know-the-artist” interviews of creatives who nobody knows about on their podcasts or blogs? There’s a lack in the quality of content in the media that’s similar to the lack of quality in the artists. I think it’s time we stop ignoring the lack of distinction in media if we want to work towards the change I spoke about in my previous essay Quality vs Quantity Part 1: The Saturation of Wanna Be Artists In Baltimore Art Scene.
Underground media in Baltimore city are not exempt from the numbers of individuals seeking to be the voice of the culture. Like many artists and entrepreneurs, inspiring journalists seek to be the “it” factor for change in Baltimore, as well. Everyone wants to be a legacy. But each platform shows proof that following the same formula doesn’t help push progression. We have multiple online radio stations in the city that follow a similar strategy for marketing and studio production, which shows there’s little research done to help each radio brand standout amongst larger successful media. We have podcasters whose production comes off parallel to the other, which shows there’s a lack of research for what’s actually working that’s helping successful podcast accelerate. It’s easy to tell who’s taking the necessary steps to push their brands and who’s not. Who’s going to be our leading TMZ of the city- breaking all the details of our industry if these brands can’t differentiate themselves?
Being similar isn’t the only thing that’s keeping Baltimore’s Underground Media from helping progress the art culture…
The rise of social media brings a wave of opinionated perspectives from every crevice and corner of the Internet. People are not afraid of sharing their thoughts online. But there comes an increase of sensitivity to the opinion that has arisen which makes me concerned about the status of Baltimore City’s urban art culture. More people are sensitive to opinions, and it’s one of the reasons Baltimore’s art scene is lacking genuine underground media outlets willing to step up when it comes to critiquing Baltimore artists. This is a problem because constructive criticism is what Baltimore artists need in order to improve their crafts.
There is a downfall of quality in even the highest-rated of underground media. I believe it’s caused by the lack of direction of each company’s branding techniques, and the additional pressure to chase lead stories. What we’re experiencing as readers and followers of pop culture is brands fearing their power being lost because they’re considering readers’ opinions of what they share. Instead, these companies should be focused on pure facts of what’s necessary to share and not what’s going to make them popular.
The integrity of emerging media is at stake alongside the quality of artwork being circulated. Both sides need to take a moment to pause when evaluating their influence in Baltimore’s Art “Industry.” To improve the stance of our industry, the questions that should be asked by both artists and underground media are “what am I doing to help the current art community,” “Am I making a positive or negative impact in this culture,” “Is what I’m doing necessary for this industry’s growth,” and “Are there any other platforms available currently doing what I do that I can collaborate with and add my input?” Once creators can answer these questions with the benefit of the city’s culture in mind and become successful in getting implementing their findings, then maybe we will see a change for the better?
What do you think? Do you believe the underground media outlets in Baltimore have an impact on the stance of Baltimore’s Art Culture? Leave your comments below.
