Busting Out of The Crab Barrel: How to Support Baltimore Artists

I want to put this message in better terms…

Okay, Player published an article “11 Baltimore Rappers You Need To Know” highlighting a few Baltimore artists creating a buzz on social media amongst some creatives in town. I like and agree with the article for the most part. I don’t know what it is. I think whenever artists get credit for working hard, the spirit of jealousy penetrates the souls of crabs in this city. Then there’s a mob of individuals proclaiming entitlement for attention. It’s a never-ending cycle that brings my attention to sharing Baltimore Artist LA’Matic’s tweet addressing Baltimore artists gaining support.

Clubhouse, the popular audio broadcasting social media app, is home to a number of networking groups, and apparently, the place to be if you want to be anything in life. The app’s popularity has users from every nook of the world flocking to rooms for insight on topics ranging from all sorts. Users find this app beneficial for self-development by participating in networks merged into chat rooms that’ll enhance their personal productivity. One of those topics more recently was about the support for Baltimore Creatives which sparked the video rant in LA’Matic’s tweet.

[How Buzzy App Clubhouse Could Grow Beyond Its Exclusive Beta. Read on c|net]

In the feisty clip from the independent rapper, LA’Matic is his sentiments towards the now decades-old phenomenon. Baltimore is a city of crabs and “Baltimore Creatives should stop worrying about how to support and just do it.” His video was met with over 600 retweets at the time of writing this post. So there are plenty of other people who share the same thoughts about the support of this city. The video even influenced a number of conversations amongst artists about their frustration with the topic on Twitter.

It is a specific group of individuals being addressed who attend these Clubhouse meetings. Folks who genuinely do not know how to gain the support they desire or give the support that they wish to see! The creatives who receive encouragement should be better examples showing these folks how to gain the endorsements. There’s nothing wrong with anyone asking how to change the perspective of support in Baltimore. The only way to change it is to actively talk about it and implement an effective strategy on a consistent basis.

Watch LA’Matics Video:

Dear Baltimore creatives, pic.twitter.com/tdXWQWuNOT
— La’ Matic🦊 (@1LaMatic) January 21, 2021

The way to change your environment is to be the change you desire.
Something I heard on a podcast this week.

This is free game to anyone who is genuine to this cause and wouldn’t be ashamed to pass along valuable information. How to show support for independent artists and entrepreneurs is not divine knowledge or an unobtainable holy grail. Often the support we desire is simple things people don’t know they already do to show they’re helping. Instead of leaving someone in their ignorance, it could be more beneficial to just share what’s already free. It’s constructive information that can be found anywhere online.

Doc’s Castle Media has navigated the Baltimore Art Scene and shared opinions about Baltimore’s Crabs in a Barrel mentality since 2014 with blog posts Baltimore is Too “Cliqued” Up to Have Supporters and the Quality vs. Quantity Series, a Baltimore blog series dissecting the reason for the city’s lack of support. I’m always watching and studying the changes in Baltimore’s art culture. So I want to drop a few gems of worthwhile knowledge I’ve gained over the years being a supporter of the arts culture.

Here’s How to Support Independent Artist in Baltimore

Find artists to support and follow them on social media

It begins with having the intention to support Baltimore Creatives. I find new artists in groups I take interest in on social media sites and online art directories. I saturate my social timelines with everything I enjoy from the food I eat to, clothes I wear, and entertainment I watch. I show my support through engagement on the profiles. I invest time in getting involved with what’s being shared, and I only consume what I think is providing me food to my soul and valuable content that makes me feel good. I do not compromise it. It so happens that I do all of this with Baltimore on the brain. A lot of what I see is Baltimore City’s culture. What’s the culture that you see in your social media timelines?

I try my best to not allow social media to control what I see. The powers that be in the algorithm is a major reason why we see what we see. I’m opposed to just being fed information, I’d rather be social with it. I’d rather be social with other creatives like me. Use the tool in your hand to mold your digital environment to take in what you’ll enjoy sponsoring.

The easiest way to find out which Baltimore artist you like is to search for them. Hashtags like #BaltimoreCreatives on Instagram and Twitter are filled with content creations by artists in Baltimore City. #BaltimoreBlogger or #BaltimoreWriters are directories of social influencers from Baltimore sharing content. You can easily pinpoint these hashtags as your starting point for finding new artists. But it begins with taking the initiative to find them and follow them if they pique your interest.

Talk to people about what you love about Baltimore art

Not talking about the art that we love from Baltimore artists might be why so many people claim Baltimore city is the city for crabs. There is a perception that we’re not loud or proud of the artists in the city. But I disagree because I am a walking representation debunking the claim. I attend artists’ exhibitions and listen to local artists’ albums or mixtapes. I’ve used Baltimore photographers, makeup artists, and was even dressed by a local stylist. Guess what, I also write about local artists, too. While I’ve shown my support, I definitely introduced people to excitingly new things they can experience locally. All it takes is forwarding a post or liking a picture when sharing what I love about Baltimore Creatives. Buying a product or service is another way to show and endorse what creatives have to offer. Talking about art from Baltimore opens up new possibilities for Baltimore.

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To gain support, you must also give support

This age-old debate about crabs in Baltimore often feels like it’s shouted over a megaphone by Baltimore artists, only. I want to say to those creatives “crabs are found everywhere.” First, these individuals should break out of the thought it’s because of where they are that people don’t want to endorse them. Creatives who think like this feel entitled just because they live in Baltimore. No. No one knows them. No one knows about their art. But their hand is out.

I am an artist in Baltimore with experience in following and supporting numerous other artists in Baltimore. In return, I gained the same support and love from them. This works the same vise versa. If someone shows support for you, you at least give them the day and time, as well.

Eleven new podcasts reached out to me after reading 8 Baltimore Media to Watch for Baltimore Art News. These podcasts took the time to read, share, and provide feedback. In return, I listened, shared, and gave shoutouts to my readers about their content. I’m sure all of us choosing to circulate and speak about each other’s work brought new attention to the content being shared. But it is because we all took the time to show support for each other that we gained exactly what we were looking for.

Don’t feel pressured into showing support

This might be an unpopular opinion but no one should take you on a guilt trip when showing your support for whatever they do. Whether they are from the same city, younger than the average, blacker than the average, or the underdog shooting their shot at their most difficult venture, if you genuinely do not feel that a creative or entrepreneur succeeded in capturing your attention, it’s not necessary to share what they offer. You do not resonate with it. It doesn’t feel good to give support to something you truly are unsure about. When something goes wrong, the consumer is the one who gets burned. Be genuine about what you like.

If you are a creative who struggles with gaining support, maybe think of the things you are doing or not doing to surround yourself with a better support system. Encouragement from the outside takes time the person giving it must be persuaded with the right amount of potential and drive. The right Baltimore Creatives will have these qualities. But if we start with the initiative to change our environment, we must be the change we also desire.

As a supporter of Baltimore arts are you persuaded to help? Drop your favorite Baltimore Artists in the comments below.

Quality Vs. Quantity (Part 2): The Lack of Distinction In Baltimore’s Underground Media is also Why Baltimore Lacks an Art “Industry”

As we should all know, the media helps shapes the perspectives and minds of many that stay abreast of current events. There are millions and millions of people in the know of what’s happening around them. They take what they read and watch on news outlets as fact. It shapes the way each individual chooses to live their life. Most importantly, it’s extremely influential in molding the opinions of people participating in buying and selling. More recently we’ve found it’s one of the leading factors as to why America is in so much turmoil in politics and policy with our current president. So this is why I cannot overlook critiquing Baltimore Media in my second post of Quality vs. Quantity because, with or without media, it continues to be influential to Baltimore’s art culture.

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Indie Media has the ability to mold the careers of inspiring artists by helping them move from 0 to 100 through merely talking about an artist’s successes and downfalls. From covering an artist’s success when they have a breakthrough project to talking about movements that aren’t too favorable to the progression of an artist’s career, the media has the power to make or break whether an artist will make it to legendary status.

Having this knowledge that the media has this much an impact in shaping an artist’s career should be the leading factor for why artists should be involved with getting to know their local underground media like the bloggers, podcasters, and many other commentators who are fans of the city’s art culture.

Artists and media need to work hand-and-hand in the progression of the industry of Baltimore’s art culture. But somehow the light bulb hasn’t powered on with that idea and there’s is a big gap in linking the two.

Why is Baltimore Indie Media not helping the Baltimore Art Culture Progress into an Industry?

Traditional media is falling by the wayside as more journalists are left without work. There are fewer printed newspapers and more online news sites. But passionate journalists work hard to continue to do what they love; by recording the history of which they currently live through. They do this on more accessible platforms that some of these journalists invest in on their own.

Underground media has little to no funding to push its indie brands. This leads them to depend heavily on instant gratification online. No longer are they going to work for large media companies aiding them with story leads and money to put food on the table. They report where most people spend their time in order to get recognition, which means social media is where the majority of these outlets can be found excelling.

But if they all can be found on the same platforms, it means most media has the same story leads. They all report about the same things. One great example is knowing about Baltimore’s own comedian Monique’s recent battle with Netflix. Everyone knows she’s called out the black community to a boycott. But, I can bet you that no one can remember which news sites reported the Monique story first.

Major outlets, like the Baltimore Sun, 92Q, Fox 45, and Baltimore Magazine are not the only sources for breaking and entertainment news in the city. There are a plethora of small name underground websites, blogs, podcasts, and magazines that flood social media with opinions about current events on a daily basis. If more local artists and media worked together to saturate the internet with UNIQUE stories on smaller platforms instead of focusing on what everyone else is reporting, we wouldn’t have to see recurring topics on our timelines.

How many times are we going to talk about the same stories? How many times will we only talk about Young Moose or Lor Scoota like they were Baltimore’s only rap artists? Or why aren’t local media coming up with new creative ways to highlight an artist on their websites without doing the usual “get-to-know-the-artist” interviews of creatives who nobody knows about on their podcasts or blogs? There’s a lack in the quality of content in the media that’s similar to the lack of quality in the artists. I think it’s time we stop ignoring the lack of distinction in media if we want to work towards the change I spoke about in my previous essay Quality vs Quantity Part 1: The Saturation of Wanna Be Artists In Baltimore Art Scene.

Underground media in Baltimore city are not exempt from the numbers of individuals seeking to be the voice of the culture. Like many artists and entrepreneurs, inspiring journalists seek to be the “it” factor for change in Baltimore, as well. Everyone wants to be a legacy. But each platform shows proof that following the same formula doesn’t help push progression. We have multiple online radio stations in the city that follow a similar strategy for marketing and studio production, which shows there’s little research done to help each radio brand standout amongst larger successful media. We have podcasters whose production comes off parallel to the other, which shows there’s a lack of research for what’s actually working that’s helping successful podcast accelerate. It’s easy to tell who’s taking the necessary steps to push their brands and who’s not. Who’s going to be our leading TMZ of the city- breaking all the details of our industry if these brands can’t differentiate themselves?

Being similar isn’t the only thing that’s keeping Baltimore’s Underground Media from helping progress the art culture…

The rise of social media brings a wave of opinionated perspectives from every crevice and corner of the Internet. People are not afraid of sharing their thoughts online. But there comes an increase of sensitivity to the opinion that has arisen which makes me concerned about the status of Baltimore City’s urban art culture. More people are sensitive to opinions, and it’s one of the reasons Baltimore’s art scene is lacking genuine underground media outlets willing to step up when it comes to critiquing Baltimore artists. This is a problem because constructive criticism is what Baltimore artists need in order to improve their crafts.

There is a downfall of quality in even the highest-rated of underground media. I believe it’s caused by the lack of direction of each company’s branding techniques, and the additional pressure to chase lead stories. What we’re experiencing as readers and followers of pop culture is brands fearing their power being lost because they’re considering readers’ opinions of what they share. Instead, these companies should be focused on pure facts of what’s necessary to share and not what’s going to make them popular.

The integrity of emerging media is at stake alongside the quality of artwork being circulated. Both sides need to take a moment to pause when evaluating their influence in Baltimore’s Art “Industry.” To improve the stance of our industry, the questions that should be asked by both artists and underground media are “what am I doing to help the current art community,” “Am I making a positive or negative impact in this culture,” “Is what I’m doing necessary for this industry’s growth,” and “Are there any other platforms available currently doing what I do that I can collaborate with and add my input?” Once creators can answer these questions with the benefit of the city’s culture in mind and become successful in getting implementing their findings, then maybe we will see a change for the better?

What do you think? Do you believe the underground media outlets in Baltimore have an impact on the stance of Baltimore’s Art Culture? Leave your comments below.

Did you read about the grand opening of Baltimore’s first ever Mini Hip-Hop Museum? Read Why Every Baltimore Artists Should Have Attended the Grand Open of In My Lifetime: MHHM on Doc’s Castle Media.

Quality vs. Quantity (Part 1): The Saturation of Wanna Be Artists In Baltimore’s Art Culture

This blog was bound to come. For it’s been brewing for me to bring up this topic for a couple of years since my article Baltimore is Too Cliqued Up to Have Supporters. I never knew how to approach it until now after years of living as a writer, artist, and social influencer in Baltimore’s Art scene. It’s not until now that I know how to express my observations on what has changed, and what we as artists and influencers should be doing to finally let go of our crab in a barrel mentalities and work together to show the value of our city.

I decided to write a four-part blog series about the quality of the Baltimore arts scene since I’ve become a participant of the culture in 2013. When I began frequently attending open mics, showcases, and other artsy events in the city, I met a lot of talented people while writing about my experiences. I learned that this culture is constantly changing but there’s a stigma that remains were artists fight for support. Though I haven’t heard the saying “Baltimore city artists are crabs in a barrel” thrown around much this past year, this city has not overcome it. So I thought I’d reflect on some of my speculations.

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It all starts as a response to my friend and blogger of Uncommonrealist Shae McCoy who discusses her sudden lifestyle change as her opinion for Baltimore’s Art scene changed in her December 2017 article “Becoming an Introverted Creative: Being Seen Ain’t Always Peaches and Cream,” I’ve found a lot of bloggers and artists, including myself, who once took a front seat in being influencers of their crafts slow down and become more reserved since the 2015 Baltimore Uprising while a plethora of newcomers stood in a line waiting for their glorious turn to have their shine in the front seat. There was a slew of folk taking larger interests in things already innovated in the present art culture, and until this day there remains a culture of creators lacking originality; very few creating a lasting impact for “real” talent represented in Baltimore.

Shae discusses her shift to becoming an introvert having sparked from observations of the social environment that surrounds Baltimore creatives. With this generation’s desire to chase instant gratification, Shae finds that she isn’t a creative that resonates with the fascination of social climb visible on social media. The temporary fame that follows instant gratitude lacks substance and becomes similar to debates contrasting quantity and quality. For people who want to be remembered for what they spend most of their lives perfecting, building a legacy is what’s most important for many artists in Baltimore. Shae doesn’t believe that a legacy can be met focusing on the attention attracted through staying abreast on social media and each amount of likes on a post does nothing but temporarily boost self-esteem.

There is more to the artists that meets the eye. Have we forgotten why we like art? Have we forgotten why we pursue these artistic dreams?

Why has the art scene in Baltimore become much more saturated with people pursuing similar passions?

As social media usage breeds more creators and self-starters, an increase of there being less unique content fills the pages across our browsers. Everyone who wants to be anyone creates startups for podcasts, blogs, vlogs, websites, and more. There are more rappers, painters, party promoters, models, producers, photographers, videographers, graphic designers, and clothing designers. The scene is lacking originality and a true understanding of good branding because everyone wants to do the same thing. It comes off as people being more ready for their big break and quick fix.

Published Book by Baltimore Photographer Devin Allen

Could these newcomers be looking for their craft to become their savior? Influencers like D. Watkins, author of memoirs The Cook Up and The Beast Side, Devin Allen, photographer and author of A Beautiful Ghetto, and Kwame Rose, activist, and public speaker during Baltimore Uprising, gained recognition and a social following for their talents after the tragedy of Freddie Gray’s death. They sparked a career in their passions that people see and admire with the help of the Uprising. People from around the world seek to hear the stories of Baltimoreans during a time of adversity and these people showed a promising perspective while using their talents. They also received support from many locals because they presented a story of our city that we could all agree upon.

I once mentioned during the Uprising artist should take this moment to share what makes Baltimore city a great place to live. We should shed light on what’s positive happening rather than focus on what national media wanted to report. But never did I think that everyone would jump the gun to use their art to grasp the attention of the world.

With the rise of these artists came the many crabs of the city still seeking the same gratification. But three years later, it’s evident these crabs were not understanding why these artists were getting genuine love and support from locals. Baltimore is known for its crab in a barrel mentality; which means whenever people see others succeeding they generally find ways to hold those reaching success back by not lending support or by offering alternatives that could ruin their positive climb.

In the case of the many crabs that have emerged, there isn’t much of a pull to hold others back lately, rather a saturation of the culture. There are too many people doing the same thing. There are too many artists providing a solution to an issue already resolved by other artists that paved the way for recognition. Everyone wants to provide a platform for artists to showcase their talents. Everyone has an open mic. Everyone believes they have the “it” factor. The list goes on.

We used to hear, “Everyone wants to be a rapper.” We would hear it so frequently that we coined the term “Baltimore rapper” and knew immediately the persona of that individual. Now everyone wants to be anything they see another person doing within the arts. The entire country was watching us at our worse, and Baltimore artists decided it was a show-and-tell for literally everyone.

It could be the number of likes a successful artist gets that crabs start snipping at their glimpse of hope. But that should not be the general mission for building a better reputation for a city that’s constantly slandered in national media.

We as influencers do not chase likes. We chase a legacy. We strive to be the change the Baltimore city needs. We are the positive images opposing HBO’s The Wire, a series that outsiders praise and uphold as what they think is a true representation of Baltimore city. We are the people that work hard to erase those negative stereotypes. We cannot reach change chasing views and likes on Instagram or Facebook because those likes are only temporary. Those are only platforms that assist in the bigger picture.

I don’t believe it’s doing the Baltimore Arts Scene much justice having so many artists doing similar things, instead, people look like they’re incapable of being authentic. Artists that come after innovators are viewed as trend followers rather than trendsetters. That isn’t what true pushers of the Baltimore Arts culture wanted. The art culture in Baltimore is unique once you stumble across true gold. But saturation pushes the talented and influencers away from being the great representation the city needs. Thus why we hear so many people believe they must move out of Baltimore in order to truly gain the recognition they desire.

Why should we need to move away to get what we deserve? It should start at home, as it did for Rose, Allen, and Watkins. An artist who has real talent must bring the spark that makes an audience adhere to a story worth hearing. It must be original. They must work hard and strive for their legacy. It won’t happen overnight or in an instant with a click or like.

The quality of our cultural scene is still thriving because there are so many people that participate. But there should be more resources available to help artists own up to a legacy they see within themselves. It’s not enough if the artist is the only one who sees their own potential. Alike does not confirm that a message has been met, and there is a desperate need for someone to force these crabs to wake up smell the coffee.

What do you think? Is it a problem that there is more artist striving to do the same thing? Do you think Baltimore is on the right path to playing in the fields with artists who come from Atlanta, LA, and New York? Leave your comments below?

Have you read about DaCornerStore’s attempt to create a #NewBaltimore for hip-hop artist in Baltimore and my opinion of how it was a drastic fail? Read NewBaltimore or OldBaltimore? We’re all Crabs on Doc’s Castle Media.